he adds: 'What I shall finally make of this villa work I don't know, but in the meantime it is very entertaining'; and again: 'This little place comes on as fast as can be reasonably hoped.' To Lady Louisa Stuart he writes: 'We are realizing the nursery tale of the man and his wife who lived in a vinegar bottle, for our only sitting-room is just 12 feet square, and my Eve alleges that I am too big for our paradise.' In October, 1813, Terry is told that 'these are no times for building,' but in the following spring, pressing the Morritts to visit him, he says: 'I am arranging this cottage a little more conveniently, to put off the plague and expense of building another year, and I assure you I expect to spare you and Mrs. Morritt a chamber in the wall, with a dressing-room and everything handsome about you. You will not stipulate, of course, for many square feet.' In a letter to Terry, dated November 10, 1814—the year of 'Waverley'—further progress is reported: 'I wish you saw Abbotsford, which begins this season to look the whimsical, gay, odd cabin that we had chalked out. I have been obliged to relinquish Stark's (the Edinburgh architect, who died before the building was well begun) plan, which was greatly too expensive. So I have made the old farm-house my corps de logis with some outlying places for kitchen, laundry, and two spare bedrooms, which run along the east wall of the farm-court, not without some picturesque effect. A perforated cross, the spoils of the old kirk of Galashiels, decorates an advanced door, and looks very well.' Not much was done during the next two years, but in November, 1816, a new set of improvements was under consideration. Abbotsford was rapidly losing its cottage character. The 'romance' period was begun. A notable addition—connecting the farm-house with the line of buildings on the right—was then agreed upon, on which Scott communicates with Terry: 'Bullock[1] will show you the plan, which I think is very ingenious, and Blore has drawn me a very handsome elevation, both to the road and to the river. This addition will give me a handsome boudoir opening into the little drawing-room, and on the other side to a handsome dining-parlour of 27 feet by 18, with three windows to the north and one to the south, the last to be Gothic and filled with stained glass. Besides these commodities there is a small conservatory, and a study for myself, which we design to fit up with ornaments from Melrose Abbey.' In the same letter he says: 'I expect to get some decorations from the old Tolbooth of Edinburgh, particularly the copestones of the doorway, and a niche or two. Better get a niche from the Tolbooth than a niche in it to which such building operations are apt to bring the projectors.'

[1] George Bullock and Edward Blore, London architects and furnishers. Atkinson was the artist who arranged the interior of Abbotsford.

By July, 1817, the foundation of the existing house, which extends from the hall westwards to the original courtyard, had been laid, and Scott found a new source of constant occupation in watching the proceedings of his masons. In consequence of a blunder or two during his absence, 'I perceive the necessity,' he said, 'of remaining at the helm.' To Joanna Baillie he writes in September: 'I get on with my labours here; my house is about to be roofed in, and a comical concern it is.' There is some correspondence in October between Scott and Terry relative to the tower, a leading feature of the building. Scott mentions that (Sir) David Wilkie, who had just been his guest, 'admires the whole as a composition, and that is high authority.' 'I agree with you that the tower will look rather rich for the rest of the building, yet you may be assured that, with diagonal chimneys and notched gables, it will have a very fine effect, and is in Scotch architecture by no means incompatible.' In the beginning of 1818, he again writes to Terry: 'I am now anxious to complete Abbotsford. I have reason to be proud of the finishing of my castle, for even of the tower, for which I trembled, not a stone has been shaken by the late terrific gale which blew a roof clean off in the neighbourhood.' Lockhart, who saw Abbotsford for the first time in 1818, confesses that the building presented a somewhat 'fantastic appearance,' the new and old by no means harmonizing. He was there again in 1819, and in February, 1820, he married Scott's daughter. In the same year Scott writes to his wife from London, whither he had gone to receive his baronetcy: 'I have got a delightful plan for the addition at Abbotsford which, I think, will make it quite complete, and furnish me with a handsome library, and you with a drawing-room and better bedroom. It will cost me a little hard work to meet the expense, but I have been a good while idle.' The plans for these new buildings, including the wall and gateway of the courtyard and the graceful stone screen which divides it from the garden, were made by Blore, although the screen—with its carvings taken from details of stone-work at Melrose Abbey—was originally devised by Sir Walter himself. During the winter of 1821 the new operations were commenced. By the spring of 1822 they were in full swing. 'It is worth while to come,' he writes to Lord Montagu, 'were it but to see what a romance of a house I am making'; and to Terry later on: 'The new castle is now roofing, and looks superb—in fact, a little too good for the estate; but we must work the harder to make the land suitable.' That same summer the place was besieged by visitors from the South, who, after witnessing the King's reception at Edinburgh, hastened out to see Abbotsford. In October, 1822, he writes to his son Walter: 'My new house is quite finished as to masonry, and we are now getting on the roof just in time to face the bad weather.' In November, 1822, and January, 1823, there are long letters to Terry: 'The house is completely roofed. I never saw anything handsomer than the grouping of towers, chimneys, etc., when seen at a proper distance.' With Terry all sorts of subjects were discussed—bells, and a projected gas installation, along with a constant enumeration of curios and relics, on which he is urged to spare no expense. 'About July,' Scott writes at the beginning of 1824, 'Abbotsford will, I think, be finished, when I shall, like the old Duke of Queensberry who built Drumlanrig, fold up the accounts in a sealed parcel, with a label bidding "the deil pike out the een" of any of my successors that shall open it.' By Christmas, it was completed, and with the New Year's festivities a large and gay party celebrated the 'house-warming,' of which Basil Hall's sprightly 'Journal,' incorporated in the 'Life,' supplies a singularly agreeable account. But there is no room to quote. It was a doubly joyous occasion, marking not only the realization of Scott's long-cherished scheme as to his 'castle,' but the engagement of his eldest son, with whom, as he must have felt at the time, were the fortunes of the future Abbotsford. Of the year entered so auspiciously, none dreamt what the end was to be.

SIR WALTER SCOTT'S DESK AND "ELBOW CHAIR," IN THE STUDY, ABBOTSFORD.
At the desk most of the novels were written. Certainly no other article of furniture has been