you know?" she asked. "I shall be in prison all day; it is not often that I have an hour like this. I shall not be able to see you."

"Perhaps not, but you can give me some signal. You have charge of the flowers in the great western window?"

"Yes, I change them at my pleasure every day."

"Then, if after thinking the matter over, you decide in my favor, and choose a lifetime of happiness, put white roses—nothing but white roses—there; if, on the contrary, you are inclined to follow up a life of unendurable ennui, put crimson flowers there. I shall understand—the white roses will mean 'Yes; I will go;' the crimson flowers will mean 'No; good-by, Claude.' You will not forget, Cynthy."

"It is not likely that I shall forget," she replied.

"You need not have one fear for the future; you will be happy as a queen. I shall love you so dearly; we will enjoy life as it is meant to be enjoyed. It was never intended for you to dream away your existence in one long sleep. Your beautiful face was meant to brighten and gladden men's hearts; your sweet voice to rule them. You are buried alive here."

Then the great selfish love that had conquered him rose in passionate words. How he caressed her! What tender, earnest words he whispered to her! What unalterable devotion he swore—what affection, what love! The girl grew grave and silent as she listened. She wondered why she felt so quiet—why none of the rapture that lighted up his face and shone in his eyes came to her. She loved him—he said so; and surely he who had had so much experience ought to know. Yet she had imagined love to be something very different from this. She wondered that it gave her so little pleasure.

"How the poets exaggerate it!" she said to herself, while he was pouring out love, passion, and tenderness in burning words. "How great they make it, and how little it is in reality."

She sighed deeply as she said these words to herself, and Claude mistook the sigh.

"You must not be anxious, Hyacinth. You need not be so. You are leaving a life of dull, gloomy monotony for one of happiness, such as you can hardly imagine. You will never repent it, I am sure. Now give me one smile; you look as distant and sad as Lady Vaughan herself. Smile, Cynthy!"

She raised her eyes to his face, and for long years afterward that look remained with him. She tried to smile, but the beautiful lips quivered and the clear eyes fell.

"I must go," she said, rising hurriedly, "Sir Arthur and Lady Vaughan are to be home by eight o'clock."

"You will say 'Yes,' Cynthy?" he said, clasping her hands in his own. "You will say 'Yes,' will you not?"

"I must think first," she replied; and as she turned away the rush of wind through the tall green trees sounded like a long, deep-drawn sigh.

Slowly she retraced her steps through the woods, now dim and shadowy in the sunset light, toward the home that seemed so like a prison to her. And yet the prospect of an immediate escape from that prison did not make her happy. The half-given promise rested upon her heart like a leaden weight, although she was scarce conscious in her innocence why it should thus oppress her. At the entrance to the Hall grounds she paused, and with a gesture of impatience turned her back upon the lofty sombre-looking walls, and stood gazing through an opening in the groves at the gorgeous masses of purple and crimson sky, that marked the path of the now vanished sun.

A very pretty picture she made as the soft light fell upon her fair face and golden hair, but no thought of her young, fresh beauty was in the girl's mind then. The question, "Dare I say—'Yes'?" was ever before her, with Claude's fair face and pleading, loving tones.

"O, I cannot decide now," she thought wearily, "I must think longer about it," and with a sigh she turned from the sunset-light, and walked up the long avenue that led to her stately home.

How her decision—though speedily repented of and corrected—yet cast the shadow of a sin over her fair young life; how her sublimely heroic devotion to the right saved the life of an innocent man, yet drove her into exile from home and friends, and how at last the bright sunshine drove away the shadows and restored her to home and friends, all she had lost and more, remains for our story to tell.

CHAPTER II.

Sir Arthur and Lady Vaughan lived at Queen's Chase in Derbyshire, a beautiful and picturesque place, known to artists, poets, and lovers of quaint old architecture. Queen's Chase had been originally built by good Queen Elizabeth of York, and was perhaps one of the few indulgences which that not too happy queen allowed herself. It was large, and the rooms were all lofty. The building was in the old Tudor style, and one of its peculiarities was that every part of it was laden with ornament: it seemed to have been the great ambition of the architect who designed it to introduce as much carving as possible about it. Heads of fauns and satyrs, fruit and flowers—every variety of carving was there; no matter where the spectator turned, the sculptor's work was visible.

To Hyacinth Vaughan, dreamy and romantic, it seemed as though the Chase were peopled by these dull, silent, dark figures. Elizabeth of York did not enjoy much pleasure in the retreat she had built for herself. It was there she first heard of and rejoiced in the betrothal of her fair young daughter Marguerite, to James IV. of Scotland. A few years afterward she died, and the Chase was sold. Sir Dunstan Vaughan purchased it, and it had remained in the family ever since. It was now their principal residence—the Vaughans of Queen's Chase never quitted it.

Though it was picturesque it was not the most cheerful place in the world. The rooms were dark by reason of the huge carvings of the window frames and the shade of the trees, which last, perhaps, grew too near the house. The edifice contained no light, cheerful, sunny rooms, no wide large windows; the taste of the days in which it was built, led more toward magnificence than cheerfulness. Some additions had been made; the western wing of the building had been enlarged; but the principal apartments had remained unaltered; the stately, gloomy rooms in which the fair young princess had received and read the royal love-letters were almost untouched. The tall, spreading trees grew almost to the Hall door; they made the whole house dark and perhaps unhealthy. But no Vaughan ventured to cut them down; such an action would have seemed like a sacrilege.

From father to son Queen's Chase had descended in regular succession. Sir Arthur, the present owner, succeeded when he was quite young. He was by no means of the genial order of men: he had always been cold, silent, and reserved. He married a lady more proud, more silent, more reserved than himself—a narrow-minded, narrow-hearted woman whose life was bounded by rigid law and formal courtesies, who never knew a warm or generous impulse, who lived quite outside the beautiful fairyland of love and poetry.

Sir Arthur and Lady Vaughan had but one son, and though each idolized him, they could not change their nature; warm, sweet impulses never came to them. The mother kissed her boy by rule—at stated times; everything was measured, dated, and weighed.

The boy himself was, strange to say, of a most hopeful, ardent, sanguine temperament; generous, high-spirited, slightly inclined to romance and sentiment. He loved and honored his father and mother, but the rigid formality of home was terrible to him; it was almost like death in life. Partly to escape it and partly because he really liked the life, he insisted on joining the army—much against Lady Vaughan's wishes.

"Why could he not be content at home, as his father had been