the second floor of the main structure facing the front court. The austere simplicity of this Breton interior was leavened by the books and the equipment of the scholar. The window of his death-chamber is just under the clock.

The "touch of earth" demanded by Tennyson's Guinevere was a need of the nature of George Sand. The three stages of her growth, shown in her work, reveal the three inspirations of her life, each most actual: the love of man, the love of humanity, the love of nature. The woman's heart in her made her, said Renan, "the Æolian harp of our time"; and Béranger's verse well fits her: