at him with real distress and anger in her blue eyes.

"Oh yes," he said slowly, "I certainly felt the same at the time. Still, his present way of going on looks very odd. It doesn't seem to me that of an innocent man. Why should he compel his wife to lead such a life as that she evidently does lead at St. Germains?"

"But how young she still looks," said Madame Sampiero eagerly. "I really think she's as pretty as ever!"

"H'm!" he said. "Rather faded—at least so I thought. And then,—another notion of Richard's no doubt,—there seemed something wrong about her dress."

Barbara Sampiero laughed. "You are quite right," she said, "but how odd that you should have noticed it! Richard won't allow her to wear a crinoline! Isn't he absurd? But she hasn't changed a bit. She loves him as much as ever—nay, more than ever, and that, Julian,"—again their hands clasped,—"is, you must admit, very rare and touching after all that has come and gone."

But each of the speakers felt that this visit to St. Germains had been vaguely disappointing, that it had not yielded all they had hoped it would do.

Barbara Sampiero made up her mind that before leaving Paris she would come again, and come alone. She did not carry out her good resolution, and many long years were to pass by before she and her god-daughter met again. And to both, by the time of that second meeting, St. Germains had become a place peopled with sad ghosts and poignant memories which both strove rather to forget than to remember.

End of the Prologue.

CHAPTER I.

"Mon pauvre cœur maladroit, mon cœur plein de révolte et d'espérance...."

"The past is death's, the future is thine own."

Shelley.

Fifteen years had gone by since the eventful birthday and meeting at St. Germains.

As Barbara Rebell, still Barbara Rebell, though she had been a wife, a most unhappy wife, for six years, stepped from the small dark vestibule into the dimly-lighted hall of Chancton Priory, her foot slipped on the floor; and she would have fallen had not a man's hand, small but curiously bony and fleshless, grasped her right arm, while, at the same moment, a deep voice from out the darkness exclaimed, "A good omen! So stumbled the Conqueror!"

The accent in which the odd words were uttered would have told a tale as to the speaker's hard-bitten nationality to most English-speaking folk: not so to the woman to whom they were addressed. Yet they smote on her ear as though laden with welcome, for they recalled the voice of a certain Andrew Johnstone, the Scotch Governor of the West Indian island of Santa Maria, whose brotherly kindness and unobtrusive sympathy had been more comfortable to her, in a moment of great humiliation and distress, than his English wife's more openly expressed concern and more eagerly offered friendship.

And then, as the stranger advanced, hesitatingly, into the hall, she found herself confronted by an odd, indeed an amazing figure, which yet also brought a quick sense of being at last in a dear familiar place offering both welcome and shelter. For she was at once aware that this must be the notable Jane Turke, Madame Sampiero's housekeeper, one to whom Barbara's own mother had often referred when telling her little daughter of the delights of Chancton Priory—of the Sussex country house to which, when dying, the thoughts of Richard Rebell's wife seemed ever turning with sick longing and regret.

Mrs. Turke wore a travesty of the conventional housekeeper's costume. There, to be sure, were the black apron and lace cap and the bunch of jingling keys, but the watered silk of which the gown was made was of bright yellow, and across its wearer's ample bosom was spread an elaborate parure of topazes set in filigree gold, a barbaric ornament which, however, did not seem out of place on the remarkable-looking old lady. Two earrings, evidently belonging to the same set, had been mounted as pins, and gleamed on the black lace partly covering Mrs. Turke's grey hair, which was cut in a straight fringe above the shrewd, twinkling eyes, Roman nose, and firm, well-shaped mouth and chin.

For a few moments the housekeeper held, as it were, the field to herself: she curtsied twice, but there was nothing servile or menial about the salutation, and each time the yellow gown swept the stone-flagged floor she uttered the words, "Welcome, Ma'am, to Chancton," running her eyes quickly the while over the slender stranger whose coming might bring such amazing changes to the Priory.

Then, as Mrs. Rebell, half smiling, put out her hand, the old woman—for, in spite of her look of massive strength Mrs. Turke was by now an old woman—said more naturally, "You don't remember Jane Turke, Ma'am, but Jane Turke remembers you, when you was little Missy, and your dear Mamma used to bring you here as a babby."

Mrs. Turke's voice was quite amazingly unlike that which had uttered, close to the door, the few words of what Barbara had felt to be a far sincerer welcome. It was essentially a made-up, artificial voice,—one to which only the old-fashioned but expressive word "genteel" could possibly apply: an intelligent listener could not but feel certain that Mrs. Turke would be bound to speak, if under stress of emotion, in quite other accents.

A muttered exclamation, a growl from that other presence who still stood apart, hidden in the deep shadows cast by the music gallery which stretched across the hall just above the head of the little group, seemed to nerve the housekeeper to a fresh effort: "This gentleman, Ma'am," she cried, waving a fat be-ringed hand towards the darkness, "is Doctor McKirdy. He also knew your dear Mamma, and is very pleased to see you once more at Chancton Priory."

From behind Barbara Rebell lumbered forth into the light another strange figure, a man this time, clad in evening dress. But he also seemed oddly familiar, and Mrs. Rebell knew him for a certain Alexander McKirdy, of whom, again, she had often heard from her mother. "I'll just thank ye," he said harshly, "to let me utter my own welcome to this lady. My words, no doubt, will be poor things, Mrs. Turke, compared to yours, but they will have the advantage of being my own!"

Alexander McKirdy was singularly ugly,—so much had to be conceded to his enemies and critics, and at Chancton there were many who felt themselves at enmity with him, and few who were capable of realising either the Scotchman's intellectual ability or his entire disinterestedness. Of fair height, he yet gave the impression of being short and ungainly, owing to the huge size of his head and the disproportionate breadth of his shoulders. His features were rough-hewn and irregular, only redeemed by a delicate, well-shaped mouth, and penetrating, not unkindly pale blue eyes. His hair, once bright red, now sandy grey streaked with white, was always kept short, bristling round a high intelligent forehead, and he was supposed to gratify Scotch economy by cutting it himself. He was clean-shaven, and his dress was habitually that of a man quite indifferent to his outward appearance; like most ugly and eccentric-looking men, Doctor McKirdy appeared at his best on the rare occasions when he was compelled to wear his ancient dress clothes.

Such was the man who now turned and cast a long