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قراءة كتاب God and The King

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‏اللغة: English
God and The King

God and The King

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دار النشر: Project Gutenberg
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class="center pfirst">PART III
THE KING

  1. *VITA SINE AMOR MORS EST*

  2. THE KING IS NEEDED

  3. ATTAINMENT

  4. A MAN'S STRENGTH

  5. A LEADER OF NATIONS

  6. THE KING'S AGENT

  7. THE BANK OF ENGLAND

  8. THE BREAKING FRIENDSHIP

  9. PEACE

  10. THE BROKEN FRIENDSHIP

  11. THE KING'S HUMILIATION

  12. APATHY

  13. FRANCE CHALLENGES

  14. THE VANGUARD OF THE WORLD

  15. THE EVE OF WAR

  16. GOD AND THE KING

PART I

THE REVOLUTION

"Un prince profond dans ses vues; habile à former des ligues et à reunir les esprits; plus heureux à exciter les guerres qu'à combattre; plus à craindre encore dans le secret du cabinet, qu'à la tête des armées; un ennemi que la haine du nom Français avoit rendu capable d'imaginer de grandes chose et de les exécuter; un de ces génies qui semblent être nes pour mouvoir à leur gré les peuples et les souverains—un grand homme...."—MASSILLON, Oraison Funèbre de M. le Dauthin.

CHAPTER I

THE AFTERNOON OF JUNE 30th, 1688

"There is no managing an unreasonable people. By Heaven, my lord, they do not deserve my care."

The speaker was standing by an open window that looked on to one of the courts of Whitehall Palace, listening to the unusual and tumultuous noises that filled the sweet summer air—noises of bells, of shouting, the crack of fireworks, and the report of joyous mock artillery.

It was late afternoon, and the small apartment was already left by the departing daylight and obscured with a dusky shade, but no candles were lit.

There was one other person in the room, a gentleman seated opposite the window at a tall black cabinet decorated with gold lacquer Chinese figures, that showed vivid even in the twilight. He was watching his companion with a gentle expression of judgment, and twirling in his slim fingers a half-blown white rose.

An over-richness of furniture, hangings, and appointments distinguished the chamber, which was little more than a cabinet. The flush of rich hues in the Mortlake tapestries, the gold on the China bureau, the marble, gilt, and carving about the mantel, two fine and worldly Italian paintings and crystal sconces, set in silver, combined to give the place an overpowering air of lavishness; noticeable in one corner was a large ebony and enamel crucifix.

The persons of these two gentlemen were in keeping with this air of wealth, both being dressed in an opulent style, but in themselves they differed entirely from each other.

Neither was young, and both would have been conspicuous in any company for extreme handsomeness, but there was no further likeness.

He at the window was by many years the older, and past the prime of life, but the magnificence of his appearance created no impression of age.

Unusually tall, finely made and graceful, he carried himself with great dignity; his countenance, which had been of the purest type of aristocratic beauty, was now lined and marred—not so much by years, as by a certain gloom and sourness that had become his permanent expression; his eyes were large, grey, and commanding, his mouth noble, but disfigured by a sneer, his complexion blond and pale, his nose delicately formed and straight; a fair peruke shaded his face and hung on to his shoulders; he was dressed, splendidly but carelessly, in deep blue satins, a quantity of heavy Venice lace, and a great sword belt of embroidered leather.

The other gentleman was still in the prime of life, being under fifty, and looking less than his age.

Slight in build, above the medium height, and justly proportioned, handsome and refined in feature, dressed with great richness in the utmost extreme of fashion, he appeared the very type of a noble idle courtier, but in his long, straight, heavy-lidded eyes, thin sensitive mouth, and the deeply cut curve of his nostril was an expression of power and intelligence above that of a mere favourite of courts.

He wore his own fair hair frizzed and curled out on to his shoulders and brought very low on to his forehead; under his chin was a knot of black satin that accentuated the pale delicacy of his complexion; every detail of his attire showed the same regard to his appearance and the mode. Had it not been

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