قراءة كتاب The Art and Practice of Silver Printing
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The Art and Practice of Silver Printing
used as a sizing in some papers, we shall find very much the same nature of things taking place, the differences being so slight, however, as not to require detailed notice.
So far, then, we have considered the darkening properties of the silver compounds which are to be used by the printer, but it remains to be seen what permanency of darkening they possess. If we treat the darkened silver chloride solution exposed with the silver nitrate or the potassium nitrite to a solution of hyposulphite of soda or ammonia, both of which are solvents of the white chloride, we shall find that a residue of metallic silver is left behind. If we treat the darkened albuminate of silver with the same agents, we shall find that very little change is effected by them.
From this we may gather that the action of light on them is of a totally different nature.[4] This is also most marked if we treat the two with hydrosulphuric acid solution (sulphuretted hydrogen[5]). It will be found that the colour of the darkened silver chloride becomes more intense, while the other is bleached, or, rather, becomes of a yellow tint. This last effect has an important bearing on the permanency of silver prints, as will be more fully explained when considering the subject of fixing the print.
CHAPTER II.
PREPARATION OF ALBUMENIZED PAPER.
In printing on albumenized paper we must divide the operations, and give a detailed account of each. In case the reader may desire to prepare his own paper, we give the following formula and directions.
To prepare the albumen, procure a sufficient number of eggs, remembering that the white of a large egg will be about a fluid ounce; have a cup to collect the yolks, and a four-ounce measure at hand. Give the centre of the egg a smart blow against the top of the cup. The shell can now be readily pulled in two, the yolk remaining unbroken with part of the albumen in one half, and the rest of the albumen in the other half of the shell. Take the halves, one in each hand, and pour the albumen from one to the other, holding them over the small measure. As the operation continues, the yolk will gradually separate, the white falling into the vessel below. If conducted with care, the whole of the latter will be collected without breaking the yolk. If the yolk break, some will be sure to find its way into the measure along with the white, and this, together with the white speck known as the tread, must be rigorously taken out by means of a spoon. The uncontaminated white is then poured into a large jar. If the operator carefully collects the white of each egg into the four-ounce ounce measure first, he will find his labour much diminished, as it is awkward to get out the small pieces of yolk from a large quantity of albumen. The eggs are thus broken, and the white collected till there is a sufficient quantity for the purpose in hand. Suppose we are going to make up 20 ounces of solution, then about 18 ounces of white of egg must be found in the jar. One point to settle is the amount of salt to be used to each ounce of albumen. It must be recollected that a medium quantity is the best for medium negatives; anything between 20 and 40 grains per ounce may be used. We prefer ourselves about 25. Supposing this quantity to be used, we proceed to dissolve 500 grains of chloride of ammonium in 2 ounces of water, and add it to the albumen. It has been proved that as regards colour of the picture, it does not matter what chloride is used. To prevent crystallization, it is better to use ammonium, which contains a greater amount of chlorine than do sodium or potassium chlorides. It must now be beaten up till it is in a froth. This breaks up the fibrous matter, and on subsidence the liquid will be found to be limpid. The most convenient implement with which to beat up the albumen is the American egg-beater. Three or four minutes' work is quite sufficient to make the whole into a froth. An ordinary culinary whisk, such as is used in the kitchen, may also be put into requisition, or, in default of that, a bundle of quill pens. A lesson in producing a froth can be learnt from the cook of the establishment. When the salted albumen has settled it must be filtered, which, perhaps, is best effected through a sponge, though glass-wool is a capital substitute. In either case a small, loosely-fitting plug is placed in the neck of an ordinary funnel, and, after rinsing with cold water, the albumen is poured in, and allowed to filter through slowly. It is advisable to avoid bubbles as far as possible, and the accompanying arrangement will be found to avoid their formation. The funnel is placed in the position shown (fig. 1); the capillary attraction between it and the glass will cause the drops to trickle down the side, and collect, without bubbles, at the bottom. This little contrivance will be found of use in other operations besides that of silver printing, and should be made a note of. The albumen may also be filtered through one, two, or three thicknesses of muslin, according to its fineness, tied over the mouth of a bottle or beaker of which the bottom has been removed. The albumen is placed in a vessel slightly larger than the filter, which is allowed to sink gradually. When full it is withdrawn, and the fluid poured into the dish. By this plan upward filtration is established. The fluid may be poured into the filter itself, and used in the ordinary manner.[6]
On a larger scale, white of eggs in a fresh condition can be obtained from egg merchants who utilize the yolks by selling them to the grocers and confectioners. Albumen can be obtained by the gallon in this condition, according to the price of eggs. It will be evident that there is considerable economy in taking the whites wholesale. As a rule, about three gallons of albumen will coat two reams of albumenized paper. Mr. England (to whom we are indebted for so many of our remarks on albumenizing paper) procures about the latter quantity at a time, and beats it up mechanically in a large vat holding some fifty gallons, in order to allow space for the froth. He allows the albumen to rest four days before employing it, and filters it through three thicknesses of flannel.
The quality of paper to be used varies considerably with the custom of the printer. Thus, in some countries, we find a much thinner paper used than in England. The great desideratum is that it should be perfectly opaque to transmitted light. A good test of this is to make a couple of black ink