first Lady Stanley of Alderley. This very able and remarkable woman, of whose abilities the historian expressed in letters his great admiration, evidently marked the manuscripts in pencil handwriting (now recognized as hers) for the printer's copyist. These pencil deletions, transpositions, and even additions, correspond with the Autobiography as published by Lord Sheffield. Quite a third of the whole manuscript is omitted, and many of the most piquant passages that Gibbon ever wrote were suppressed by the caution or the delicacy of his editor and his family.

The result is a problem of singular literary interest. A piece, most elaborately composed by one of the greatest writers who ever used our language, an autobiography often pronounced to be the best we possess, is now proved to be in no sense the simple work of that illustrious pen, but to have been dexterously pieced together out of seven fragmentary sketches and adapted into a single and coherent narrative. The manner and the extent of this extraordinary piece of editing has been so fully explained in the address of November 15, published by the Centenary Committee, that it is not necessary for me to enlarge upon it further.

No sooner had the discovery of the process by which Gibbon's Autobiography had been concocted been made public, than a general desire was expressed to have the originals published in the form in which the historian left them. It was no case of incomplete or illegible manuscripts, nor of rough drafts designed only as notes for subsequent composition. The whole of the seven manuscripts are written with perfect precision; the style is in Gibbon's most elaborate manner; and each piece is perfectly ready for the printer—so far as it goes. It was impossible to do again the task of consolidation so admirably performed by Lord Sheffield. Nothing remained but to print the whole of the pieces verbatim, as the historian wrote them, not necessarily in the order of time of their apparent composition, but so as to form a consecutive narrative of the author's life.

The reader may now rest assured that, for the first time, he has before him the Autobiographic Sketches of Edward Gibbon in the exact form in which he left them at his death. The portions enclosed in dark brackets are the passages which were omitted by Lord Sheffield, and in the notes are inserted the passages or sentences, few and simple in themselves, which Lord Sheffield added to the original manuscript. For various reasons it was found impracticable to print the six sketches in parallel columns; but the admirers of the historian and all students of English literature will find abundant opportunity for collating the original texts with each other, and with the text as published by the editor, and now for a century current as one of the masterpieces of English literature.

The Letters of the historian, the bulk of which were addressed to Lord Sheffield and his family, were published in part by my grandfather in one or other of the editions of The Miscellaneous Works of Edward Gibbon. But in this collection many letters were omitted, and most of them were printed with some omissions and variations. These omissions have now been restored; and the Letters, like the other papers of our author, are now for the first time given to the world in the form in which they were composed.

I cannot pretend to any rivalry with my grandfather in the matter of the skill with which he performed the task of editing and selecting for publication the remains of his friend. But I can assure the reader that every piece contained in this volume as the work of Edward Gibbon is now printed exactly as he wrote it without suppression or emendation. And in transferring these literary treasures to the nation, and in giving them to the world, I feel that I am fulfilling the trust which the historian reposed in my grandfather, and am acting in the spirit of the lifelong friendship that bound him to my family.

I cannot conclude these prefatory remarks without acknowledging to the fullest extent the obligation I am under to Mr. Frederic Harrison for the assistance he has given me in the preparation and composition of this Preface.

EDITOR'S PREFACE.

This collection of Gibbon's correspondence, extending as it does from 1753 to 1794, practically covers the whole of the historian's life, and contains his observations on society, literature, and politics during a period which includes such momentous events as the Seven Years' War, the War of American Independence, and the French Revolution.

By far the greater number of the letters now appear for the first time; but portions of the correspondence, marked in this edition with asterisks, were printed by Lord Sheffield shortly after Gibbon's death. These published portions were treated by the editor with great tact and more freedom. Lord Sheffield was giving to the world letters which discussed recent events and criticised living persons; it was, therefore, necessary for him to suppress some allusions and conceal many names. Jealous of his friend's literary reputation, he corrects errors in spelling or grammar, gives a dignified turn to the more homely phrases, and omits as trivial the petty details of domestic life. Sometimes, also, Lord Sheffield's editorial methods pass beyond the exercise of these more or less legitimate powers. In order to concentrate the interest of the correspondence, he culls a few lines from one letter, chooses a sentence from a second, extracts a passage from a third, and prints his patchwork as a genuine letter from Gibbon's own hand.

In this edition the letters are printed as they were written. For the blanks which conceal the identity of persons are substituted the real names; the suppressed passages are restored; the spelling and grammar of the original are preserved; the language is left as Gibbon wrote it. If the Memoirs give us Gibbon in the full dress of a fine gentleman of letters, the correspondence reveals to us the man as he was known to his valet and his housekeeper.

The letters have the ease and freshness of conversations with intimate friends, and, considering the character of the century in which they were written, they present one feature which deserves special notice. Only one short sentence has been omitted as too coarse to be printed. With this solitary exception, the reader knows the worst as well as the best of Gibbon, and there are scarcely a dozen phrases, scattered over 800 pages, which will offend good taste or good feeling.

The notes must speak for themselves. Though some points on which information is needed remain obscure, it is hoped that, so far as they go, they may be found useful. In their correction and revision, valuable aid has been given by Mr. G. H. Holden, Assistant Librarian at All Souls' College, Oxford.

ERRATA.

Vol. I. page 185, note, last line, for "Roslyn" read "Rosslyn."
"           "    314, note 2, line 7, for "Madame du Barry" read "Madame du Barri."
"           "    386, note 2, for "Wibraham" read "Wilbraham."

Vol. II. page 4, note 1 (twice), for "Bushy" read "Bushey."

GIBBON'S CORRESPONDENCE.

1753-1794.

On June 8, 1753, Edward Gibbon, then sixteen years of age, and an undergraduate of Magdalen College, Oxford, was received into the Roman Catholic Church by a Jesuit named Baker, one of the chaplains to the Sardinian