position she places me in! I would much sooner be alone. Then this rattle-pated Nevill is certain to think this is of my contrivance, and that, too, in the face of his confiding to me he was going to make love to her. He will surely consider me a dishonourable man; and certainly I have no intention of being dishonourable, and no wish to be considered dishonourable, and no wish to be with her. 'Fancy one of my sisters, fancy my sweetheart, if there were such a person, behaving in this bold way! Absolutely asking a strange man to take her to a place, in the face of another arrangement with a second strange man to go to another place! I never heard of such a thing in all my life. It is scandalous. It is indelicate. It is improper. 'I have told her I intended spending all day in the cathedral; but I need not go till late, and I will come away at dusk. 'I wonder will she talk and laugh loud, and whistle in the church, and disgrace herself?' He raised his eyes wistfully to her face. She was smiling at Nevill. Such an intoxicating smile. 'Yes, physically she is perfect; spiritually she is monstrous. She is Dead-Sea fruit. She is no woman. She is neither man nor woman, but a monstrous development of over-quick civilisation. She is the most beautiful being I have ever seen.' When breakfast was over he threw himself into an easy-chair, and thought, as he took up The Times,-- 'I shall sit here for an hour or an hour and a half before starting.' He had not read a column when a foot approached him, and a soft voice said,-- 'Well, Mr Osborne, I am ready.' He looked up and saw her standing before him dressed for walking. He did not notice anything she wore but the hat. It was velvet, a full vermilion, with black lace. Such a hat would catch the eye at any distance. It was shamefully bright. No sister of his, no sweetheart of his, should ever wear such a brazen thing. Why, all the people would stare at her! Ah, and well they might stare too, and stare till dark, and find no blemish in that oval face, that rounded, lithe figure. How at a second look the bold colour in the hat triumphed over one's repugnance! He would not dare to let his sister or his sweetheart wear such a thing; they were, or would be, dear to him, and this woman was a mere stranger; in a few days she would pass away out of his sight for ever. Meanwhile, the hat suited the face, and the face suited--heaven. 'Do you like my hat?' she asked, as he rose. 'It is very striking.' 'But do you think it is too violent?' 'No. It is daring--and successful.' 'I am glad you like it. I put it on expressly for you.' 'For me! How could you tell I should like it?' 'Oh, very simply. You are a very transparent man.' 'But how did you find out I should like such a hat?' 'Well, you know that there are two kinds of ways of looking at a picture. The man who has a good eye for drawing looks at a picture bit by bit. The man who has a good eye for colour looks at the picture vaguely. You looked at the pictures here vaguely. Then I knew you had colour. My portrait has never been painted; but they tell me when I wear this hat I am a painting after one Giovanni Bellini, in Venice. Bellini's colour is always right; so a good copy of his ought to be right. I always have a hat like this with me, and when I want to be peculiarly killing I put it on. Does that explain all?' 'May I ask why you wish to be particularly--' He paused. He did not like to use her own word, and he did not like to rebuke her by using another. 'Killing to-day.' She finished the sentence for him. 'Because I am going out with a very handsome man, and I hate playing second fiddle.' She had taken his breath away, and he stared at her in silent wonder. What was she really? There was one obvious answer--the most beautiful woman he had ever seen. 'Come,' she said, briskly, 'we are losing time, and I am in a hurry to be there.' When they got out, she took his arm without his offering it. After a while she stopped at the window of a furniture shop, to admire a sideboard. 'What a beautiful sideboard!' she exclaimed. 'Yes,' he said, 'it is very handsome.' 'And what a beautiful pair!' 'Pair of what?' 'Of human beings in the glass.' He raised his eyes and saw the reflection of a tall, squarely-made, light-haired man, with square-cut face and pale, broad forehead, and by the man's side a tall, beautiful woman, after the Giovanni Bellini. 'Are you always so candid, Miss Gordon?' he asked, gravely. 'Yes,' she answered. 'It saves time, and it keeps men from making love or being impertinent. I have been a good deal about, and no man has ever dared to be impertinent to me. If you like, I'll tell you now all about myself; where and when I was born, where I have spent my time, how I was brought up, how I was educated, all about my family and fortune, my likes and dislikes, and my love-secrets.' Once more he stared at her. There was something confounding in finding one's-self so close to such a spirit in such a body. Mentally he drew back from her. That a young and beautiful woman such as she should offer to him, an utter stranger, the record of her inner thought, was distressing. Not for all the world would he lift a corner of the veil. This was a new power of torture. It was distressing to think that girl by his side was willing at any moment to throw aside the padding and expose to his view the bare skeleton of her individuality. He answered, 'I am not at all, not in the least, curious.' 'Then why, if you are not in the least curious, did you ask me if I was always so candid?' This puzzled him. He did not know what to say. He looked at her and smiled vacantly. She saw his predicament, and said, in her offhand way,-- 'Well, there, don't bother to answer; I am not in the least curious.' There was a long pause. She broke it with,-- 'Do you know, I can be awfully well-behaved when I like.' 'I am sure you are always well-behaved,' he said, warmly. 'Oh, but I mean stupid, and dull, and proper, like you.' He smiled a little sadly and said nothing. 'Oh, but I can; and I mean to be stupid, and dull, and proper, like you all day.' 'Why?' he asked, looking in perplexity at her. 'Same reason as for the hat; because you are stupid, and dull, and proper, and I hate to play second fiddle.' They walked on in silence until they arrived at the cathedral. 'Service is going on,' said Osborne, in the porch. 'Would you like to attend portion of it?' 'No. Take me round and let me look at the shops. I do not go to church.' 'You are a Roman Catholic, no doubt?' 'No. I was brought up in the Church of England; but I have given up going to church. I am not profane enough to treat the service as a spectacle or a musical performance, and I am not sincere enough to treat it on higher grounds.' 'I am exceedingly sorry to hear you say so.' 'I have worn off most of my faith with travel and change.' 'Then I would recommend you to rest from travel and change until your faith comes back again.' He had paused and was looking down earnestly into her face. An accent of solicitude in the man's voice arrested the girl's attention. For the first time her face was turned to his without a smile, and she looked up gravely to him. She spoke, after a short pause,-- 'What you say interests me more than you might think, for I am not nearly so happy or quiet in my mind as when I went--' she pointed to the cathedral, in the shadow of which they were standing. 'Nor will you ever be. So long as we are in the great hurry and bustle of life, we do not feel the necessity strong upon us. But each one of us has to go out of life alone. That is the terrible thought--alone. The future is of the utmost consequence to us. It can be made as valid a certainty as this great church under which we stand. Look up, and think of that church alone. That noble pile is the symbol of a nation's faith. All over the world St Paul's is known. It is the loftiest point in all these miles that make up London. Four millions of Christian men and women are clustered round its feet, draw breath and kneel in worship in sight of its cross. This is the greatest church built by the most practical race. When we consider that the most