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53. A hunting hat with complete lacing inside 56 54. A disc of leather 57 55. The disc perforated and the lace inserted 57 56. The lace tightened to form a crown 57 57. The ends of the lace tied as a bow inside 57 58. A bow fastened to the lining of a lady’s hat 58 59. Plumes on the left side 58 60. The red Hungarian cap, which was the forerunner of the busby 59 61. A busby (of the Hon. Artillery Company) in which the cap is a vestige only 59 62. A fireman’s helmet (of the ancient Greek type) 60 63. Buttons so arranged that the broad brim of a hat can be fastened to the crown, thus forming a temporary “cock” (Hudibras, after Hogarth) 60 64. A modern boot decorated with perforations made in the leather 63 65. An ornamented Roman shoe, of two thicknesses 63 66. A Roman shoe of open-work leather 63 67. A hide shoe of pre-Roman type from Ireland (after Fairholt) 64 68. The original top boot with the upper part temporarily turned down 65 69. The modern top boot in which the upper part can no longer be turned up 66 70. Puttees 66 71. Leg bandages of a royal personage at the end of the tenth century (after Fairholt) 67 72. A stocking with clocks 68 73. An embroidered stocking showing the further evolution of the clock (date 1900) 69 74. An open-work stocking of 1905 69 75. A shawl used as a kilt by a chieftain of Denmark in the bronze stage of culture (after Worsaae) 73 76. A simple dress in the form of a petticoat from an Egyptian figure of the Sixth Dynasty (3500 B.C.), from the Myers collection in Eton College Museum 74 77. A Korean servant (after Hough) 75 78. A short kilt 76 79. A barbarian soldier wearing characteristic trousers (from a diptych of St. Paul, after Marriott) 78 80. A Saxon military man wearing wide trousers (from the Harleian MS., No. 603, after Fairholt) 79 81. A peasant woman of Champéry wearing trousers 80 82. A German Hussar of 1808 81 83. The crest on a modern signet ring 85 84. Sir Geoffrey Loutterell and the ladies of his family, showing the extent to which armorial bearings were worn in the middle of the fourteenth century. From a psalter, made for Sir Geoffrey (after Fairholt) 85 85. The crest and surcoat of Henry, first Duke of Lancaster, A.D. 1347. From the brass to Sir Hugh Hasting at Elsyng, Norfolk (after Charles Boutell) 86 86. The helmet and crest of the Black Prince. From “Vetusta Monumenta” (after St. John Hope) 88 87. The shield of the Black Prince. From “Vetusta Monumenta” (after St. John Hope) 89 88. The surcoat or jupon of the Black Prince. From “Vetusta Monumenta” (after St. John Hope) 89 89. The postilion of a Lord Mayor of London, wearing a crest upon his cap, and a coat of arms upon his sleeve (copied by permission from a plate published by the John Williamson Co., Ltd.) 92 90. A baby’s glove without separate fingers 95 91. The back of a woollen glove showing the three vestiges known as “points” 96 92. A modern kid glove showing the fourchettes or pieces between the fingers, which form three pointed V’s 97 93. Queen Elizabeth’s coronation glove, showing the stitching carried down on to the back. (From a photograph by the courtesy of Messrs. Fownes Brothers and Co.) 97 94. The glove of Anne, Queen Consort of James I, showing the embroidery on the fingers, which is the ancestor of the modern “points.” (From a photograph, by the courtesy of Messrs. Fownes Brothers and Co.) 99 95. A silk lace with simple metal tags 101 96. Ornamental metal tags on a velvet neck ribbon 101 97. A simple safety-pin 102 98. An Etruscan brooch or fibula, resembling a safety-pin. (In the collection of Major W. J. Myers in Eton College Museum) 103 99. The safety-pin in the waistband 103 100. The safety-pin grown larger and used for fastening on a hat 104 101. A muff-chain 105 102. A hawker, illustrating the primitive way of carrying a burden 107 103. A courier-bag supported by a baldric 107 104.