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قراءة كتاب The Heritage of Dress Being Notes on the History and Evolution of Clothes

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The Heritage of Dress Being Notes on the History and Evolution of Clothes

The Heritage of Dress Being Notes on the History and Evolution of Clothes

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دار النشر: Project Gutenberg
الصفحة رقم: 3

Messrs. Bemrose & Sons, Ltd.

326

LIST OF FIGURES

FIG.   PAGE
1. Drawing of a woman engraved by a cave man 9
2. Sketch showing the development of the tunic. In this stage it has no arms 17
3. Diagram showing the way in which a sleeved tunic is derived from the shawl 18
4. A smock frock 19
5. Jacket of a woman, made in one piece. Bronze stage of culture (after Worsaae) 19
6. Man’s dress showing buttons on the right side 20
7. Woman’s dress showing buttons on the left side 21
8. Diagram showing how a man does up a button. First stage 23
9. Diagram showing how a man does up a button. Second stage 23
10. Diagram showing how a woman does up a button. First stage 23
11. Diagram showing how a woman does up a button. Second stage 23
12. The buttons on the back of a policeman’s great-coat 26
13. The buttons that close the slit up the back of an ulster 27
14. A back view of a seventeenth-century coat showing the buttons and buttonholes 28
15. The tab and buttons on the back of a soldier’s great-coat which make a temporary waist 29
16. The buttons and tab on a tramway driver’s coat 31
17. An eighteenth-century coat with side buttons and tab 31
18. Side tabs and buttons at the back (after Racinet) 31
19. A coat worn at the end of the seventeenth century (after H. Bonnart) 32
20. A modern coat with side pockets 32
21. A footman’s coat, modern, with vestigial pocket flaps 33
22. Coat skirts buttoned back (after Hogarth) 33
23. A coat with the skirts buttoned back and showing the lining 34
24. A dress coat with skirts cut away 34
25. A modern coat cuff with buttons 35
26. Turned-back cuff, end of seventeenth century (after Bonnart) 35
27. A coat sleeve (after Hogarth) with horizontal row of buttons 36
28. Sleeve of a coat of the seventeenth century, reputed to have been worn by Charles I 36
29. The turned-back cuff of an overcoat, modern 37
30. A sleeve with vertical buttons and a turned-back cuff as well (from a uniform, after Hogarth) 37
31. The uniform of a coastguard officer of 1775 (after Racinet) 39
32. The nicks in the coat and waistcoat 41
33. A stage when the nick was useful (Lucien Bonaparte, after Paul Lacroix) 42
34. The “toothpick” on a dress coat 43
35. Modern bands 45
36. A blue-coat boy’s bands 45
37. A chorister of Jesus College, Cambridge, showing the collar worn until recently. (From a photograph, by the courtesy of Mr. H. Austin Wheaton) 45
38. A stage in the reduction of bands (portrait of Jan Steen from the Illustrated Magazine of Art) 46
39. Full-sized bands (portrait of John Pym from the Illustrated Magazine of Art) 46
40. A modern bandbox, now used for hats 47
41. Bands that survive at the present day 47
42. The turban of a Jewish priest (after Kitto) compared with the dome of the Mosque of Omar 50
43. A Siamese head-dress and a Pra Pang or votive spire (after P. A. Thompson) 51
44. A Gothic spire (St. Stephens, Caen) compared with the hennin (the latter after Fairholt) 51
45. Band with streamers fastening on the head-dress of an Egyptian woman. From a figure of the Sixth Dynasty, 3500 B.C. 52
46. A lady’s head-dress confined with a fillet, fourteenth century (after Viollet le Duc) 52
47. A sailor hat with band and streamers 53
48. A twelfth-century head-dress with streamers, from a MS. (after Viollet le Duc) 53
49. A modern Scotch cap with streamers 54
50. A mitre of the See of Durham showing the strings (after Millington) 54
51. Small vestigial bow of ribbon in a modern hat 55
52. A hat with the remains of lacing

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