Wellington, designed by John Gilbert
563* |
The Demon Lover, designed by John Gilbert, engraved by W. A. Folkard |
564* |
From Longfellow’s Hiawatha, engraved by W. L. Thomas, after G. H. Thomas |
565* |
From the same, engraved by Horace Harral, after G. H. Thomas |
566* |
From the same, engraved by Dalziel Brothers, after ditto |
566* |
John Anderson my Jo, from Burns’ Poems, engraved by E. Evans, after ditto |
567* |
Vignette from Hiawatha, engraved by E. Evans, after ditto |
567* |
From Tennyson’s Princess, engraved by W. Thomas, after D. Maclise |
568* |
From Bürger’s Leonora, engraved by J. Thompson, after Maclise |
569* |
From Childe Harold, engraved by J. W. Whimper, after Percival Skelton |
569* |
xv From Marryat’s Poor Jack, engraved by H. Vizetelly, after Clarkson Stanfield |
570* |
Christmas in the olden time, engraved by H. Vizetelly, after Birket Foster |
571* |
Two illustrations from Thomson’s Seasons, designed and engraved by Sam Williams. |
572* |
Eagles, Stags, and Wolves, engraved by George Pearson, after John Wolf |
573* |
Hare Hawking, engraved by George Pearson, after John Wolf |
574* |
Falls of Niagara, engraved by George Pearson |
574* |
From Sandford and Merton, engraved by Measom, after H. Anelay |
575* |
From Longfellow’s Miles Standish, engraved by Thomas Bolton, after John Absolon |
576* |
Flaxman’s ‘Deliver us from Evil,’ a specimen of Mr. Thomas Bolton’s new process of photographing on wood |
577* |
From Montalva’s Fairy Tales, engraved by John Swain, after R. Doyle |
578* |
From ‘Brown, Jones, and Robinson,’ engraved by John Swain, after Doyle |
579* |
From Uncle Tom’s Cabin, engraved by Orrin Smith, after John Leech |
580* |
From Mr. Leech’s Tour in Ireland, engraved by John Swain, after John Leech |
581* |
From ‘Moral Emblems of all Ages,’ engraved by H. Leighton, after John Leighton |
582* |
Two subjects from the Illustrated Southey’s Life of Nelson, engraved by H. Harral, after E. Duncan |
583* |
North porch of St. Maria Maggiore, drawn and engraved by Orlando Jewitt |
584* |
Shrine in Bayeux Cathedral, by Orlando Jewitt |
585* |
Hearse of Margaret Countess of Warwick and other specimens from Regius Glossary of Ecclesiastical Ornament, by Orlando Jewitt |
586* |
Brick Tracery, St. Stephen’s Church, Tangermunde, Prussia, by ditto |
587* |
The Nut Brown Maid, engraved by J. Williams, after T. Creswick |
588* |
Vignette from Bohn’s Illustrated Edition of Walton’s Angler, by M. Jackson, after T. Creswick |
589* |
Paul preaching at Athens, engraved by W. J. Linton, after John Martin |
590* |
Vignette from the Book of British Ballads, engraved by ditto, after R. McIan |
590* |
From Milton’s L’Allegro, engraved by ditto, after Stonehouse |
591* |
From the same, engraved by ditto, after J. C. Horsley |
591* |
Ancient Gambols, drawn and engraved by F. W. Fairholt |
592* |
Vignette from the Illustrated Edition of Robin Hood, by ditto |
592* |
Two illustrations from Dr. Mantell’s Works, engraved by James Lee, after Joseph Dinkel |
593* |
From Coleridge’s Ancient Mariner, engraved by H. Harral, after E. H. Wehnert |
594* |
Three illustrations drawn and engraved by George Cruikshank, from ‘Three Courses and a Dessert’ |
595* |
Two illustrations by ditto from the Universal Songster |
596* |
Three illustrations from the Pictorial Grammar, by Crowquill |
597* |
Vignette from the Book of British Ballads by Kenny Meadows |
597* |
CHAPTER IX THE PRACTICE OF WOOD ENGRAVING, 561-652. |
|
Initial letter P, showing a wood engraver at work, with his lamp and globe, drawn by R. W. Buss |
561 |
Diagram, showing a block warped |
566 |
Cut showing the appearance of a plug-hole in the engraving, drawn by J. Jackson |
570 |
Diagrams illustrative of the mode of repairing a block by plugging |
570 |
Cut showing a plug re-engraved |
571 |
Diagram showing the mode of pulling the string over the corner of the block |
572 |
The shade for the eyes, and screen for the mouth and nose |
574 |
Engraver’s lamp, glass, globe, and sand-bag |
575 |
Graver |
576 |
Diagram of gravers |
576 |
Diagrams of tint-tools, &c. |
577 |
Diagrams of gouges, chisels, &c. |
578 |
xvi Gravers |
579 |
Cuts showing the manner of holding the graver |
579, 580 |
Examples of tints |
581, 582, 583, 584 |
Examples of curved lines and tints |
585, 586 |
Cuts illustrative of the mode of cutting a white outline |
588 |
Outline engraving previous to its being blocked out—the monument to the memory of two children in Lichfield Cathedral by Sir F. Chantrey |
589 |
The same subject finished |
590 |
Outline engraving, after a design by Flaxman for a snuff-box for George IV. |
590 |
Cut after a pen-and-ink sketch by Sir David Wilkie for his picture of the Rabbit on the Wall |
591 |
Figures from a sketch by George Morland |
592 |
Group from Sir David Wilkie’s Rent Day |
593 |
Figure of a boy from Hogarth’s Noon, one of the engravings of his Four Parts of the Day |
594 |
A Hog, after an etching by Rembrandt |
595 |
Dray-horse, drawn by James Ward, R.A. |
596 |
Jacob blessing the Children of Joseph, after Rembrandt |
597 |
Two cuts—View of a Road-side Inn—showing the advantage of cutting the tint before the other parts of a subject are engraved |
598 |
Head, from an etching by Rembrandt |
599 |
Impression from a cast of part of the Death of Dentatus, engraved by W. Harvey |
601 |
Christ and the Woman at the Well, from an etching by Rembrandt |
602 |
The Flight into Egypt, from an etching by Rembrandt |
605 |
Sea-piece, drawn by George Balmer |
606 |
Sea-piece, moonlight, drawn by George Balmer |
606 |
Landscape, evening, drawn by George Balmer |
607 |
Impression from a cast of part of the Death of Dentatus, engraved by W. Harvey |
609 |
View of Rouen Cathedral, drawn by William Prior |
611 |
Map of England and Wales, with the part of the names engraved on wood, and part inserted in type |
612 |
Group from Sir David Wilkie’s Village Festival |
614 |
Natural Vignette, and an old ornamented capital from a manuscript of the thirteenth century |
616 |
Specimens of ornamental capitals, chiefly taken from Shaw’s Alphabets |
617 |
Impressions from a surface with the figures in relief—subject, the Crown-piece of George IV. |
618 |
Impressions from a surface with the figures in intaglio—same subject |
619 |
Shepherd’s Dog, drawn by W. Harvey |
620 |
Egret, drawn by W. Harvey |
621 |
Winter-piece, with an ass and her foal, drawn by J. Jackson |
622 |
Salmon-Trout, with a view of Bywell-Lock, drawn by J. Jackson |
623 |
Boy and Pony, drawn by J.
|