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قراءة كتاب The Unmasking of Robert-Houdin
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
THE UNMASKING
OF
ROBERT-HOUDIN
BY
HARRY HOUDINI
NEW YORK
THE PUBLISHERS PRINTING CO.
1908
Copyright, 1906
Copyright, 1907
Copyright, 1908
By HARRY HOUDINI
———
Entered at Stationer’s Hall, London, England
All rights reserved
Composition, Electrotyping and Printing by
The Publishers Printing Company
New York, N.Y., U.S.A.
Dedication
This Book is affectionately dedicated to the memory of
my father,
Rev. M. S. Weiss, Ph.D., LL.D.,
who instilled in me love of study and patience in research
CONTENTS
PAGE | ||
Introduction, | 7 | |
CHAPTER | ||
I. | Significant Events in the Life of Robert-Houdin, | 33 |
II. | The Orange-tree Trick, | 51 |
III. | The Writing and Drawing Figure, | 83 |
IV. | The Pastry Cook of the Palais Royal, | 116 |
V. | The Obedient Cards—The Cabalistic Clock—The Trapeze Automaton, | 141 |
VI. | The Inexhaustible Bottle, | 176 |
VII. | Second Sight, | 200 |
VIII. | The Suspension Trick, | 222 |
IX. | The Disappearing Handkerchief, | 245 |
X. | Robert-Houdin’s Ignorance of Magic as Betrayed by His Own Pen, | 264 |
XI. | The Narrowness of Robert-Houdin’s Memoirs," | 295 |
INTRODUCTION
THIS book is the natural result of the moulding, dominating influence which the spirit and writings of Robert-Houdin have exerted over my professional career. My interest in conjuring and magic and my enthusiasm for Robert-Houdin came into existence simultaneously. From the moment that I began to study the art, he became my guide and hero. I accepted his writings as my text-book and my gospel. What Blackstone is to the struggling lawyer, Hardee’s “Tactics” to the would-be officer, or Bismarck’s life and writings to the coming statesman, Robert-Houdin’s books were to me.
To my unsophisticated mind, his “Memoirs” gave to the profession a dignity worth attaining at the cost of earnest, life-long effort. When it became necessary for me to take a stage-name, and a fellow-player, possessing a veneer of culture, told me that if I would add the letter “i” to Houdin’s name, it would mean, in the French language, “like Houdin,” I adopted the suggestion with enthusiasm. I asked nothing more of life than to become in my profession “like Robert-Houdin.”
By this time I had re-read his works until I could recite passage after passage from memory. Then, when Fate turned kind and the golden pathway of success led me into broader avenues of work, I determined that my first tour abroad should be dedicated to adding new laurels to the fame of Robert-Houdin. By