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قراءة كتاب A Manual of Wood Carving

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A Manual of Wood Carving

A Manual of Wood Carving

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دار النشر: Project Gutenberg
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A MANUAL OF WOOD
CARVING

BY
CHARLES G. LELAND, F.R.L.S., M.A.

Late Director of the Public Industrial Art School of Philadelphia; Member
(Committee) of the Home Arts and Ind. Assn.; also Comm. Member of the
French-American and Hungarian Folk Lore Societies; Pres.
British Gypsy Lore Soc., &c.; Author of “The Minor
Arts,” “Twelve Manuals of Arts,” “Practical
Education,” “Album and Handbook of
Retoussé Work,” &c. &c.

REVISED BY
JOHN J. HOLTZAPFFEL

Associate Member of the Institute of Civil Engineers, London; Corresponding
Member of the Franklin Institute, Philadelphia; Member of the
British Horological Institute; Examiner, City and Guilds
of London; Institute for the Advancement of
Technical Education, &c. &c.

NEW YORK
CHARLES SCRIBNER’S SONS
1909


Copyright, 1891, by
CHARLES SCRIBNER’S SONS


PUBLISHERS’ NOTE.

This manual, like that on Drawing and Designing, previously published, is intended to form one of a series in furtherance of the principles set forth in Mr. Leland’s work on “Practical Education.” It has rarely happened that a volume such as this latter, proposing (as one critic declared) nothing less than a complete revolution in Education, has been so favourably received by the public, and so highly approved by competent authorities, as was the case with it. Should it be unknown to any friends of educational reform into whose hands this handbook may fall, it is to be hoped that they will think it worth while to make themselves acquainted with the principles upon which Mr. Leland’s practical manuals are based.

As regards this in particular, it may be observed that it is almost the only one which treats Wood-carving in a general and extended sense, and regards it as an art widely applicable to ornamentation, and not one confined to small chefs-d’œuvre and prize toys, facsimiles of fruit and leaves, or the like. It is the first book in which the sweep-cut, which is the very soul of all good and bold carving, has ever been described. It may be added that the work has derived great advantage from the friendly interest taken in it by Mr. John J. Holtzapffel, for which the thanks of both author and publishers are due.


CONTENTS.

  PAGE
Introduction.
Woods, Tools, and Sharpening 1
First Lesson.
Indenting and Stamping 15
Second Lesson.
Cutting Grooves with a Gouge 22
Third Lesson.
Flat Patterns made with cuts and lines—Cavo Relievo or Intaglio Rilevato (Cavo-cutting) 28
Fourth Lesson.
Cutting out a Flat Panel with a Ground 34
Fifth Lesson.
Cutting Simple Leaves—Carving with the Left Hand—Modelling or Rounding—Shaded Patterns and Modelling—Progress towards Relief 39
Sixth Lesson.
Cutting with the Grain—Turning the Tool—the Drill—Bold Carving—and large work 44
Seventh Lesson.
The Sweep-cut or Free-hand Carving—Cutting Notches in Leaves—the Round-cut 49
Eighth Lesson.
Further application of the Sweep-cut to Higher Relief 53
Ninth Lesson.
Carving Simple Figures or Animal Forms—Figurini for Cabinets—Simple Rounded Edges and approach to Modelling 59
Tenth Lesson.
Finishing off—Imitation of old and worn work—Where Polishing is required 64
Eleventh Lesson.
Diaper-work—Stamped Diaper-patterns—Cutting Diapers 69
Twelfth Lesson.
Building-up, or Appliqué work 75
Thirteenth Lesson.
Carving in the Round 79
Appendix to Thirteenth Lesson.
On the Use of the Saw 83
Fourteenth Lesson.
Incised, Intaglio, or Sunk Carving

Pages