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قراءة كتاب Ulster
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
MacDonnells, who were also Lords of the Isles. The sea here—Sruth na Maoile, the Stream of the Moyle, is a link rather than a barrier; you could row across with no great danger in a skin-covered boat; and at this point the Gael of Alba and the Gael of Eire have been always one race. The Irish that I heard spoken by old men whom a Feis of the Glens had gathered together in Glen Ariff was few removes in sound and even in idiom from the Highland speech; and all tradition, whether Ossianic, in the stories of Finn and his companions, or that older cycle of the Red Branch, brings the Scotch islands and west coast into full touch with Irish legend. It was to the Isle of Skye that Cuchulain went for his training, to be taught by a woman warrior—whose name that island keeps as the Coolin Hills preserve his name; it was from the Scottish shore that Cuchulain's son by the daughter of this warrior-queen came over to contend with the Red Branch heroes, refusing his name in order—so the deserted witch designed it—that his father, the one man able to master him, might unknowingly slay his own son. I took down from the lips of an Ulster peasant, not able to read or write, and perhaps with ten generations behind him of folk who never used the pen, the carefully guarded text of a poem framed not later (from its language) than the fifteenth century, which told the tragedy of that slaying. There is a touch in that ballad fine as any I know, when the dying lad says to his vanquisher:
How is it you did not know me
When I flung my spear so sluggishly
Against your bristling blade?"
That was the only sign he could give. Knowing himself, knowing his antagonist, yet sworn not to reveal the secret, he could only make a cast so half-hearted that surely Cuchulain might pause to wonder whether it was indeed an enemy who threw the spear.
These legends linking the coasts together suggest the charm of that eastern shore; not the magic of infinite distance, not the Atlantic's illimitable blue, but a continual tempting of the eye with that shore beyond the sea, sometimes not visible at all, often faint, an exquisite mirage, yet sometimes so vivid and distinct that you can discern even the whitewashed cabins on the farther side.
The mountains of the glens have no marvel of beauty. Slemish, lying back from the rest, is best marked, with its flat top, which is indeed evidently the crater of some volcano, forced up in the wild convulsion that has left its other traces in the basalt of Fair Head and the Causeway. Marked, too, it is in history; for on its slopes Patrick in captivity herded his master Dichu's swine. Yet this was on the landward of the hills, in the valley of the Braid, which drains west into Lough Neagh, and stands outside the grouping of the glens. Tibullia, another peak easily discerned, is distinguished by having on its summit a formation of flints where man of the Stone Age had a regular factory; chipped and flaked implements, marred in the making, can be found there (by the knowing) in basketfuls.
But the true distinction of these hills is that they have found their poet. Samuel Ferguson first in his ballad of "Willy Gilliland" (which has its climax by the walls of Carrickfergus) celebrated the stretch of green "from Slemish foot to Collon top". But it is a later singer, the poetess, "Moira O'Neill", who in her Songs of the Glens of Antrim, has made all their names resound: from "Slemish and Trostan, dark with heather", to "ould Lurgethan" where it "rises green by the sea". And not the hills only but the glens—Glenann, for which the emigrant "does be thinking long"; "lone Glen Dun and the wild glen flowers", with the little town at the outflow of its river, Cushendun, Cois-an-duin, Dun-foot. Her volume should be in the hands of every traveller in the glens, unless its verses are already written in his memory.
This Antrim coast has one charm distinguishing it above the rest of Ireland—its variety of geological formation. At the foot of Glen Ariff, Red Bay is called after the sandstone cliffs past which the road is cut, and in one place the rock makes an arch near an old castle. There is a cave, too, at various times inhabited. At Fair Head one reaches the basalt, and this huge promontory faces the sea with cliffs whose columnar formation gives that odd suggestion of human workmanship which reaches its climax at the Causeway. This black basalt with the numberless fissures is a good rock for birds to build in, but a very bad and treacherous dependence for those who climb to pry after their nests. Beyond the Causeway comes a line of white chalk cliff, such as is familiar to all in the south of England, but very strange to us in Ireland; though the sea off the Antrim coast is too deep to have that opaline appearance—as though milk were spilt into it—which the Margate tripper knows.
I have never yet been able to bring myself to write about the Causeway, which is a geological freak very curious to look at, and quite worth the sixpence you have to pay for admission, since a company enclosed it some years ago. But in Ireland we expect to have our cliff scenery free. The guides there will tell visitors plenty of comic stories about Finn MacCool. But Finn, in authentic Irish legend, is not a comic figure: he is the centre of the Ossianic tales.
That country north of the glens—which stop at Ballycastle, where Glen Shesk and Glen Tow have their meeting—is called the Route, and so keeps alive a memory of a period older than the Ossianic legends. Dal Riada, or Dal Reuda, that is, the "Portion of Reuda", was the name given to a principality established by one Reuda, who about the second century broke off with a body of followers from the kingdom of Ulster, and established rule on both sides of the narrow seas. Reuda was of the Pictish race, probably; and here in the north the Picts held out longest against the invading Milesians, who came (according to modern theories) drilled foot soldiers, to defeat the earlier chariot-fighting warriors. But the Milesians pushed their conquest here also in about the sixth century, and Fergus, an offshoot of the northern Hy-Neill (Sons of Niall), the dominant Milesian house, made a petty kingdom for himself on both shores; and from him the kings of Scotland traced their descent. This prince, Fergus Mac Erc, has left his name on the Irish coast, for Carrickfergus is shown as the rock on which he came to wreck, when sent adrift by tempest in one of his crossings between the two portions of his kingdom.
Shortly after its establishment, this kingship, or chieftainship, lost its Irish character and centred in Scotland. But relations were constant—though by no means constantly friendly—and the Lords of the Isles held Rathlin Island for many centuries. However near the Irish coast this island lies—only divided by some five miles from the base of Fair Head—the sound between it and the mainland is so dangerous, with its racing tides, as to be an effectual barrier; and very often passage may be easier made from the Scotch coast than from the bay of Ballycastle. At all events, the Mac Donnells owned Rathlin when Robert