encircled by the drive that led through high stone gates to the moorland road. A stone wall, running from gate to gate, divided the lawn from the road, and upon each pillar a curiously carved old griffin, its back and head spotted with yellow lichens, held stiffly up, for the inspection of passers-by, the family escutcheon. From the windows at the back of the house one looked up at the hilltop, bare but for a group of pine-trees, and down into a deep garden. Here, among utilitarian squares of vegetable beds, went overgrown borders of flowers—bands of larkspurs, lupins, stocks, and columbines. The golden-gray of the walls was thickly embroidered with climbing fruit-trees, and was entirely covered, at one end of the garden, by a small snow-white rose, old-fashioned, closely petaled; and here in a corner stood a thatched summer-house, where Eppie played with her dolls, and where, on warm summer days, the white roses filled the air with a fragrance heavy yet fresh in its wine-like sweetness. All Eppie’s early memories of Kirklands centered about the summer-house and were mingled with the fragrance of the roses. Old James, the gardener, put up there a little locker where her toys were stored, and shelves where she ranged her dolls’ dishes. There were rustic seats, too, and a table—a table always rather unsteady on the uneven wooden floor. The sun basked in that sheltered, windless corner, and, when it rained, the low, projecting eaves ranged one safely about with a silvery fringe of drops through which one looked out over the wet garden and up at the white walls of the house, crossed by the boughs of a great, dark pine-tree.

Inside the house the chief room was the fine old library, where, from long windows, one looked south over the purples and blues of the moorland. Books filled the shelves from floor to ceiling—old-fashioned tomes in leather bindings, shut away, many of them, behind brass gratings and with all the delightful sense of peril connected with the lofty upper ranges, only to be reached by a courageous use of the library steps.

Here Uncle Nigel gave Eppie lessons in Greek and history every morning, aided in the minor matters of her education by a submissive nursery governess, an Englishwoman, High Church in doctrine and plaintive in a country of dissent.

A door among the book-shelves led from the library into the morning-room or boudoir, where Aunt Rachel and Aunt Barbara sewed, read, dispensed small charities and lengthy advice to the village poor—a cheerful little room in spite of its northern aspect and the shadowing trunk of the great pine-tree just outside its windows. It was all faded chintzes, gilt carvings, porcelain ornaments in corner cabinets; its paper was white with a fine gilt line upon it; and even though to Eppie it had sad associations with Bible lessons and Sunday morning collects, it retained always its aspect of incongruous and delightful gaiety—almost of frivolity. Sitting there in their delicate caps and neatly appointed dresses, with their mild eyes and smoothly banded hair, Aunt Rachel and Aunt Barbara gathered a picture-book charm—seemed to count less as personalities and more as ornaments. On the other side of the hall, rather bare and bleak in its antlered spaciousness, were the dining-and smoking-rooms, the first paneled in slightly carved wood, painted white, the last a thoroughly modern room, redolent of shabby comforts, with deep leather chairs, massive mid-century furniture, and an aggressively cheerful paper.

The drawing-room, above the library, was never used—a long, vacant room, into which Eppie would wander with a pleasant sense of trespassing and impertinence; a trivial room, for all the dignity of its shrouded shapes and huge, draped chandelier. Its silver-flecked gray paper and oval gilt picture-frames recalled an epoch nearer and uglier than that of the grave library and sprightly boudoir below, though even its ugliness had a charm. Eppie was fond of playing by herself there, and hid sundry secrets under the Chinese cabinet, a large, scowling piece of furniture, its black lacquered panels inlaid with mother-of-pearl. Once it was a quaintly cut cake, neatly sealed in a small jeweler’s box, that she thrust far away under it; and once a minute china doll, offspring of a Christmas cracker and too minute for personality, was swaddled mummy fashion in a ribbon and placed beside the box. Much excitement was to be had by not looking to see if the secrets were still there and in hastily removing them when a cleaning threatened.

The day-nursery, afterward the school-room, was over the dining-room, and the bedrooms were at the back of the house.

The Carmichaels were of an ancient and impoverished family, their estates, shrunken as they were, only kept together by careful economy, but there was no touch of dreariness in Eppie’s home. She was a happy child, filling her life with imaginative pastimes and finding on every side objects for her vigorous affections. Her aunts’ mild disciplines weighed lightly on her. Love and discipline were sundered principles in the grandmotherly administration, and Eppie soon learned that the formalities of the first were easily evaded and to weigh the force of her own naughtiness against it. Corporal punishment formed part of the Misses Carmichael’s conception of discipline, but though, on the rare occasions when it could not be escaped, Eppie bawled heart-rendingly during the very tremulous application, it was with little disturbance of spirit that she endured the reward of transgression.

At an early age she understood very clearly the simple characters around her. Aunt Rachel and Aunt Barbara were both placid, both pious, both full of unsophisticated good works, both serenely acquiescent in their lots. In Aunt Barbara, indeed, placidity was touched with wistfulness; she was the gentler, the more yielding of the two. Aunt Rachel could be inspired with the greater ruthlessness of conscientious conviction. It was she who insisted upon the letter of the law in regard to the Sunday collect, the Sunday church-going, who mingled reproof with her village charities, who could criticize with such decision the short-comings, doctrinal and domestic, of Mr. MacNab, minister of the little established church that stood near the village. Aunt Barbara was far less assured of the forms of things; she seemed to search and fumble a little for further, fuller outlets, and yet to have found a greater serenity. Aunt Rachel was fond of pointing out to her niece such facts of geology, botany, and natural history in general as the country life and her own somewhat rudimentary knowledge suggested to her as useful; Aunt Barbara, on the contrary, told pretty, allegorical tales about birds and flowers—tales with a heavy cargo of moral insinuation, to which, it must be confessed, Eppie listened with an inner sense of stubborn realism. It was Aunt Barbara who sought to impress upon her that the inclusive attribute of Deity was love, and who, when Eppie asked her where God was, answered, “In your heart, dear child.” Eppie was much puzzled by anatomical considerations in reflecting upon this information. Aunt Rachel, with clear-cut, objective facts from Genesis, was less mystifying to inquisitive, but pagan childhood. Eppie could not help thinking of God as somewhat like austere, gray-bearded old James, the gardener, whose vocation suggested that pictorial chapter in the Bible, and who, when he found her one day eating unripe fruit, warned her with such severity of painful retribution.

The aunts spent year after year at Kirklands, with an infrequent trip to Edinburgh. Neither had been South since the death of the beloved younger sister. Uncle Nigel, the general, older than either, was russet-faced, white-haired, robust. He embodied a sound, well-nurtured type and brought to it hardly an individual variation. He taught his niece, re-read a few old books, followed current thought in the “Quarterly” and the “Scotsman,” and