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قراءة كتاب An Artist's Letters From Japan
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
off to look at the outgoing steamer, which takes our mail, and which added its own confusion and its attendant crowd of boats to all the animation on the water. Delicious and curious moment, this first sense of being free from the big prison of the ship; of the pleasure of directing one's own course; of not understanding a word of what one hears, and yet of getting at a meaning through every sense; of being close to the top of the waves on which we dance, instead of looking down upon them from the tall ship's sides; of seeing the small limbs of the boys burning yellow in the sun, and noticing how they recall the dolls of their own country in the expression of their eyes; how every little detail of the boat is different, and yet so curiously the same; and return to the first sensation of feeling while lying flat on the bottom of the boat, at the level of our faces the tossing sky-blue water dotted with innumerable orange copies of the sun. Then subtle influences of odor, the sense of something very foreign, of the presence of another race, came up with the smell of the boat.

We climbed up the side of the big steamer and found the Doctor there, who told us that he had been expecting us for a whole month; so that he soon took possession of us, and we found ourselves in the hotel launch, and at the wharf, and passing the custom house and its officers, who let everything go through quickly except my suspicious water-color blocks. Outside of the gate, in the street, we found the long-expected jinrikisha, an arrangement that you know probably as well as I do—a two-wheeled perambulator or gig, very small, with a hood that is usually lowered, and with a man in the shafts. Our fellows were in blue-black clothes, a big inscription on their backs; and they wore apron-like vests, close-fitting trousers, and broad straw hats poised on their heads. But you know all about these; and I have only to add that we were trundled off to our hotel, along the pretty quay which edges that part of the town, past European houses, unlike ours, and having a certain character which will probably appear very commonplace later, because it is not beautiful, but which is novel yet to us. Our hotel is also on the quay, just at a corner where a canal breaks in, and where we can see big walls and trees on the other side. Our rooms open on the water—that same blue water spangled with sunshine and fading into sky. There men-of-war and steamers far out; picturesque junks sailing past rapidly, flattened out into mere edges of shadow and light against the sea and the sky, their great hollow sterns with the rudder far inboard, and sails which are open at the seams. Not far from us was a little sharp-pointed boat with a man fishing, his big round hat as important as any part of the boat. It was already late in the day. European children were out with their Japanese nurses; from time to time a phaeton or a curricle passed with European occupants, and even in this tremendous heat ladies rode out on horseback. But the human beings are not the novelty, not even the Japanese; what is absorbingly new is the light, its whiteness, its silvery milkiness. We have come into it as through an open door after fourteen gray days of the Pacific which ended only at sunrise this very morning. And we looked again at all the light outside, from the dining-room, where we lunched, where the waiters slipped about in black clothes like those of the runners, and where we were joined at table by a foreign gentleman with high cheek-bones, yellow face, and slanting eyes, and dressed in the latest European fashion with high collar, four-in-hand scarf, and pointed shoes. He was very courteous, and managed what little English he used as skilfully as he dresses. And he gave me a touch of the far East in the story of his being here; for he is under a cloud, an amiable exile whose return to his native land might involve his being boiled in oil, or other ingenious form of death. For well as he figured at luncheon with us, I hear that he has been obliged to leave because of his having poisoned too many of his guests one day at table,—former enemies of his,—and because of his having despatched with the sword those whose digestion had resisted his efforts at conciliation. However this may be, his extradition is demanded; to which he objects, invoking Western ideas of civilization, and protesting that his excesses have been merely political. Then, late in the afternoon, we sauntered out into the Japanese quarter—walking, so that we might mingle with the gray, black, and blue crowd, and respectfully followed by our jinrikisha men, who slowly dragged our carriages behind them, like grooms following their masters. We stopped at little curio shops and bargained over miserable odds and ends, calling up, I feel sure, the unexpressed contempt of the Doctor, the great collector of precious lacquers; but it is so amusing to see things as they are, and not as they should be. We went into a show which had an enormous draped sign outside, and where, in uncertain darkness, an old, miserable, distorted dwarf played the part of a spider in a web, to the accompaniment of fiendish music and the declamation of the showman. Then we lingered outside of a booth in which a wrestling match was going on, but did not enter, and we saw the big wrestlers go in or come out, their shoulders far above the heads of a smaller race of men, and we turned at every moment to look at the children, many of whom are so pretty, and who seem to have an easy time of it. Men carry them in their arms as women do with us, and many a little elder sister walks about with the infant of the family slung behind her maternal shoulders. And then there are curious combinations of Western and Eastern dress—rarely successful. Our hats and shoes and umbrellas—all made here, are used, and our ugly shirts stiffen out the folds of the soft Japanese robes; but the multitude wear their usual dress and make no abuse of hats.
THE KURUMA.Wearied by the novelty, every detail of which, however, was known to us before, we walked back in the white, milky sunset, which was like a brilliant twilight.
We made our first visit to town yesterday; that is to say, we went to Tokio, which is about twenty miles off. Of course we took our jinrikishas at the door of the hotel, and passing through the wide Yokohama streets, saw the semi-European houses, some with high garden walls in which are small doors: there are sidewalks, too, and European shops, and Colonial buildings, post-office, and telegraph office; and the Japanese kura, or storehouses—heavy tile-roofed buildings with black and white earthen surfaces, the black polished to a glaze, as was done with Greek and Etruscan vases. They have deep windows or doors, recessed like our safes, with a great air of solidity, which contrasts with that temporary wooden structure, the usual Japanese house. I came near saying that the little railway station is like ours; but it is better than most of ours, with neat arrangements. We entered the little cars; I noticed, in the third class, Japanese curled up on the seats. The grade is as level as a table, the landscape is lovely, and we saw the shapes we know so well in the prints—the curious shapes of the Japanese pines; little temples on the hillside; and rice-fields with their network of causeways, occasionally a horse or a peasant threading them.


