state of the soul in dreaming will serve strikingly to illustrate its waking action. Of the great multitude of dreams, which are for the most part confused and unmeaning, some occasionally stand out from the rest extremely clear and well-connected, in which the feelings oftentimes discover a profound significance, or which, at least, as significant images, interest the fancy. And just in the same manner in the state of waking there passes before the soul no inconsiderable number of obscure and vague conceptions, which are not much if at all clearer or more methodically disposed than the train of images which in a dream succeed one another without the least intrinsic order or connection. Still we should greatly err were we to assume, that like the latter they leave no trace behind them on the soul. On the contrary, in these undeveloped beginnings of thought there often lies the germ of very definite ideas, and especially of the various peculiarities of mental character, as also of the impulses and determination which, at first slowly and spontaneously formed, eventuate in some definite susceptibility or direction of the will. Now, as the external life of man alternates between the waking activity and the state of repose in sleep, so, too, the thinking soul is divided between the abstracting and classifying Reason and the inventive Fancy.[15] These two are, as it were, the halves, so to speak, or the two poles of the thinking soul, of which the one may be regarded as the positive, the other as the negative. In respect to the inner fruitful cogitation itself—to the origination and production of thoughts—the imagination, as the reproductive faculty, is the positive pole. As for the fancy, properly so called—the poetic fancy, or that which plays an important part in the inclinations and passions—it is only a particular species and operation of this faculty, which in its general form also manifests itself in many other directions and spheres of human thought and action. To it belongs, for instance, that talent of extensive combination which distinguishes all the great discoverers in mathematics. Opposite to this productive faculty of thought, the negative pole is formed by the classifying faculty of reason, which further elaborates, closely determines, and limits the materials furnished to it by the fancy. Thus, then, the place which the fancy—with all the powers, emotions, and impressions which belong to it—assumes relatively to the external world, is subordinate and ministerial, since it is only within certain prescribed limits that it can duly make use of its rich productive energies, realize its inmost ideas, and act upon them.

Here, therefore, the first place belongs to the ordering and determining reason, and which here ought to hold the helm. In this respect it may justly be called the regulative faculty. And yet, since the reason is, so to speak, only one half of the soul, it must not pretend to exclusive authority; while, on the other hand, it is but little likely that that which we may have set before our mind and imagination as the innermost wish of our hearts, will simply on that account prove invariably a real and lasting good.

I called the understanding and the will, the reason and the fancy, the four principal branches of the human consciousness, of which all other mental powers or faculties of the soul, usually ascribed to man, are but so many offshoots. These other powers, however, can not with perfect propriety be called subordinate, since in another point of view they may, perhaps, be entitled to assume a higher rank. Assigned[16] faculties is, therefore, what I should prefer to term them. Now of such faculties belonging to the domain of the combining and distinguishing reason, the memory and the conscience are pre-eminently to be mentioned. For the memory also in another way is a combining, just as the conscience is a distinguishing faculty—the latter, however, being so not only in another, but even in a far higher sense. But we must postpone for the present the further consideration of this matter, and consider rather those faculties or functions which are under the influence of, or at least immediately connected with, the fancy. These are the senses, and the inclinations or instincts. With regard, then, to the senses: in the first place, I would simply call your attention to the fact, that the triple principle of human existence—according to which the latter consists of a spirit or mind, of a soul, and of a living body or a bodily manifestation—is repeated as it were in miniature in every smaller and narrower sphere of man’s consciousness. This is especially the case with the external senses. Thus viewing them, however, we should have to reckon but three senses instead of the usual number of five. This can be managed easily enough by taking the three lower and counting them as one, since they constitute pre-eminently the corporeal sense, as contradistinguished from the other two, which are both higher and more incorporeal. For to the three lower senses, not only is a material contact indispensable, but also, as in the case of smell, a sort of chemical assimilation with matter. No doubt, in the act of seeing and hearing there is likewise a certain but imperceptible contact of the nerves of the eye and ear with the waves of light and the undulations of the air; but still this contact is of a different kind from the former, and of another and indeed of a higher nature, producing the relations of tone, color, and shape. Now, in this classification, the eye is the mind or spirit’s sense for beauty of form and grace of motion. It is so in truth, not merely in those who are endowed with a taste for the arts or the artistic eye, but far more universally, being diffused in a greater or less degree through the whole human family. Special gifts of it, or, rather, higher though varying endowments, are to be found in some highly-favored individuals; and in the same way the ear for music is not imparted to all who possess the general organ of hearing, which we very properly term the soul’s sense. The external senses man shares, indeed, in common with the brutes, in some of whom they are found of an exquisite and highly-developed susceptibility. But these higher endowments of eye and ear, and above all the natural artistic feeling for beauty of form, and the musical talent, are the prerogatives of man, conferred upon him by his peculiar faculty of fancy. On this account they, like that faculty, are distributed unequally among men, though they are not on that account less real and undeniable.