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قراءة كتاب The Life of Ludwig van Beethoven, Volume II

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The Life of Ludwig van Beethoven, Volume II

The Life of Ludwig van Beethoven, Volume II

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دار النشر: Project Gutenberg
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Bettina—An Active Year with the Publishers

170 Chapter XI. The Year 1811—Bettina von Arnim—The Letters between Beethoven and Goethe—The Great Trio in B-flat—Music for a New Theatre in Pesth: “The Ruins of Athens” and “King Stephen”—Compositions and Publications of the Year 196 Chapter XII. The Year 1812—Reduction of Income from the Annuity—The Austrian “Finanzpatent”—Legal Obligation of the Signers to the Agreement—First Performance of the Pianoforte Concerto in E-flat—A Second Visit to Teplitz—Beethoven and Goethe—Amalie Sebald—Beethoven in Linz—He Drives His Brother Johann into a Detested Marriage—Rode and the Sonata Op. 96—Spohr—The Seventh and Eighth Symphonies—Mälzel and His Metronome—A Canon and the Allegretto of the Eighth Symphony 211 Chapter XIII. The Year 1813—Beethoven’s Journal—Illness of Karl Kaspar van Beethoven—He Requests the Appointment of His Brother as Guardian of His Son—Death of Prince Kinsky—Obligations under the Annuity Agreement—Beethoven’s Earnings—Mälzel and “Wellington’s Victory”—Battle Pieces and Their Popularity—Postponement of the Projected Visit to London—The Seventh Symphony—Spohr on Beethoven’s Conducting—Concerts, Compositions and Publications of the Year 239 Chapter XIV. The Year 1814—Success of “Wellington’s Victory”—Umlauf Rescues a Performance—Revival and Revision of “Fidelio”—Changes Made in the Opera—Success Attained—The Eighth Symphony—Beethoven Plays in the Great Trio in B-flat—Anton Schindler Appears on the Scene—The Quarrel with Mälzel—Legal Controversy and Compromise—Moscheles and the Pianoforte Score of “Fidelio”—The Vienna Congress—Tribute from a Scottish Poet—Weissenbach—Tomaschek—Meyerbeer—Rasoumowsky’s Palace Destroyed by Fire 261 Chapter XV. The Year 1815—New Opera Projects Considered—“Romulus and Remus”—Settlements with the Heirs of Prince Kinsky—Unjust Aspersions on the Conduct of Kinsky and Lobkowitz—“The Mount of Olives” in England—Negotiations with English Publishers—Diabelli—Charles Neate—Death of Karl Kaspar van Beethoven—His Wishes with regard to the Guardianship of His Son—Growth of Beethoven’s Intimacy with Schindler—Compositions and Publications of the Year 304 Chapter XVI. The Year 1816—A Commission from the Gesellschaft der Musikfreunde—Guardianship of Nephew Karl—Giannatasio del Rio—Beethoven’s Music in London—The Philharmonic Society—Three Overtures Composed, Bought and Discarded—Birchall and Neate—The Erdödys—Fanny Giannatasio—“An die ferne Geliebte”—Major-General Kyd—Accusations against Neate—Letters to Sir George Smart—Anselm Hüttenbrenner—The Year’s Productions 329 Chapter XVII. The Year 1817—Beethoven and the Public Journals of Vienna—Fanny Giannatasio’s Journal—Extracts from Beethoven’s “Tagebuch”—The London Philharmonic Society again—Propositions Submitted by Ries—Nephew Karl and His Mother—Beethoven’s Pedagogical Suggestions to Czerny—Cipriani Potter—Marschner—Marie Pachler-Koschak—Another Mysterious Passion—Beethoven and Mälzel’s Metronome—An Unproductive Year 358 Chapter XVIII. The Year 1818—Gift of a Pianoforte from John Broadwood—The Composer Takes Personal Charge of His Nephew—His Unfitness as Foster-father and Guardian—Abandonment of His Projected Visit to London—The Gesellschaft der Musikfreunde’s Oratorio—The Nephew and a Mother’s Legal Struggle for Possession of Her Son—The Case Reviewed—The Predicate “van” and Beethoven’s Nobility—Archduke Rudolph Becomes Archbishop of Olmütz—Work on the Mass in D, Ninth Symphony and Grand Trio in B-flat 390

Chapter I

The Year 1803—Cherubini’s Operas in Vienna—Beethoven’s Engagement at the Theater-an-der-Wien—“Christus am Ölberg” again—Bridgetower and the “Kreutzer” Sonata—-Negotiations with Thomson—New Friends—Mähler’s Portrait of Beethoven.

Kotzebue, after a year of activity in Vienna as Alxinger’s successor in the direction, under the banker Baron von Braun, of the Court Theatre, then a year of exile in Siberia (1800), whence he was recalled by that semi-maniac Paul, who was moved thereto by the delight which the little drama “Der Leibkutscher Peters III.” had given him—then a short time in Jena, where his antagonism to Goethe broke out into an open quarrel, established himself in Berlin. There he began, with Garlieb Merkel (1802), the publication of a polemical literary journal called the “Freymüthige,” Goethe, the Schlegels and their party being the objects of their polemics. Spazier’s “Zeitung für die Elegante Welt” (Leipsic) was its leading opponent, until the establishment of a new literary journal at Jena.

At the beginning of 1803, Kotzebue was again in Vienna on his way to Italy. Some citations from the “Freymüthige” of this time have an especial value, as coming, beyond a doubt, from his pen. His position in society, his knowledge from experience of theatrical affairs in Vienna, his personal acquaintance with Beethoven and the other persons mentioned, all combine to enable him to speak with authority. An article in No. 58 (April 12) on the “Amusements of the Viennese after Carnival,” gives a peep into the salon-life of the capital, and introduces to us divers matters of so much interest, as to excuse the want of novelty in certain parts.

... Amateur concerts at which unconstrained pleasure prevails are frequent. The beginning is usually made with a quartet by Haydn or Mozart; then follows, let us say, an air by Salieri or Paër, then a pianoforte piece with or without another instrument obbligato, and the

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