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قراءة كتاب The History of the Catnach Press at Berwick-Upon-Tweed, Alnwick and Newcastle-Upon-Tyne, in Northumberland, and Seven Dials, London
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The History of the Catnach Press at Berwick-Upon-Tweed, Alnwick and Newcastle-Upon-Tyne, in Northumberland, and Seven Dials, London
THE HISTORY OF THE CATNACH PRESS
THE
HISTORY OF THE CATNACH PRESS.
LARGE PAPER COPY.
Only Two Hundred and Fifty Printed. Each Copy
numbered and Signed
No. ________
Purchased by
_________________________________________
of
_________________________________________
on the ___________ day of ____________ 18____
THE
HISTORY
OF THE
CATNACH PRESS,
AT
BERWICK-UPON-TWEED,
ALNWICK AND NEWCASTLE-UPON-TYNE,
IN NORTHUMBERLAND,
AND
SEVEN DIALS, LONDON.
BY
CHARLES HINDLEY, Esq.,
Editor of “The Old Book Collector’s Miscellany; or, a Collection of Readable Reprints
of Literary Rarities,” “Works of John Taylor—the Water Poet,” “The
Roxburghe Ballads,” “The Catnach Press,” “The Curiosities of
Street Literature,” “The Book of Ready Made Speeches,”
“Life and Times of James Catnach, late of the
Seven Dials, Ballad Monger,” “Tavern
Anecdotes and Sayings,” “A History
of the Cries of London—Ancient
and Modern,” etc.
London:
CHARLES HINDLEY
[The Younger,]
BOOKSELLERS’ ROW, ST. CLEMENT DANES,
STRAND, W.C.
1886.
TO
MR. GEORGE SKELLY,
OF
THE MARKET PLACE,
AND
MR. GEORGE H. THOMPSON,
OF
BAILIFFGATE, ALNWICK,
In the County of
NORTHUMBERLAND,
THE
HISTORY OF THE CATNACH PRESS.
Is most Respectfully Dedicated by
THE AUTHOR
St. James’ Street, Brighton.
Lady Day, 1886.
THE CATNACH PRESS.
“’Tis education forms the common mind; Just as the twig is bent the tree’s inclined.”—Pope. |
——There can be little doubt that Jemmy Catnach, the printer, justly earned the distinction of being one of the great pioneers in the cause of promoting cheap literature—he was for a long time the great Mæcenas and Elzevir of the Seven Dials district. We do not pretend to say that the productions which emanated from his establishment contained much that was likely to enlighten the intellect, or sharpen the taste of the ordinary reader; but, to a great extent, they served well in creating an impetus in the minds of many to soar after things of a higher and more ennobling character. Whilst for the little folk his store was like the conjuror’s bag—inexhaustible. He could cater to the taste and fancies of all, and it is marvellous, even in these days of a cheap press, to look back upon the time when this enterprising man was by a steady course of action, so paving the way for that bright day in the annals of Britain’s history, when every child in the land should be educated.
HISTORICAL INTRODUCTION
OR
A PURSUIT OF KNOWLEDGE UNDER DIFFICULTIES.
——Knowledge is of two kinds. We know a subject ourselves, or we know where we can find information upon it.—Boswell, Life of Johnson.
hat history repeats itself is fairly and fully exemplified by the reproduction of “The Catnach Press,” the first edition of which was published in 1869, and “Guaranteed Only Two Hundred and Fifty Copies Printed.”—Namely: 175 on fine, and 75 on extra-thick paper. Each copy numbered. The outer and descriptive title set forth that the work contained:—
“A Collection of Books and Wood-cuts of James Catnach, late of Seven Dials, Printer, consisting of Twenty Books of the Cock Robin-Class, from, ‘This is the House that Jack Built,’ to ‘Old Mother Hubbard,’ (printed with great care) specialite at The Catnach Press, from the old plates and woodcuts, prior to their final destruction, to which is added a selection of Catnachian wood-cuts, many by Bewick, and many of the most anti-Bewickian character it is possible to conceive.”
The announcement of the publication of the work was first made known through the medium of the metropolitan press, some few days prior to the copies being delivered by the book-binders, and so great was the demand of the London and American trade, that every copy was disposed of on the day of issue.
The work is now eagerly sought after by book collectors who indulge in literary rarities.
While engaged in collecting information for “The Catnach Press,” and interviewing the producers of ballads, broadsides and chap-books, we met with a vast assemblage of street-papers and of a very varied character, which we proposed to publish in quarto form under the title of “The Curiosities of Street Literature,” and when in London in 1869, still seeking for information on the subject, met by mere chance in the Strand with the street ballad singer of our youth, one Samuel Milnes, who used between the years of 1835 and 1842 to visit Fetter Lane every Thursday with the newest and most popular ballad of the day. We so often met with him at other times and places in and about London in after years that a peculiar kind of a friendly feeling grew up towards him in preference to all other street ballad singers of the time, so much so that at our meetings—and friendly greetings, we invariably purchased the ballad he was singing, or, gave him a few halfpence as a fee for having detained him from his calling—or shall we say bawling, for to tell the truth, Samuel Milnes was but a very indifferent