LIST OF ILLUSTRATIONS

The general alienation of painting from the interests of life during the first half of the nineteenth century.—The draughtsmen and caricaturists the first who brought modern life into the sphere of art.—England: Gillray, Rowlandson, George Cruikshank, “Punch,” John Leech, George du Maurier, Charles Keene.—Germany: Johann Adam Klein, Johann Christian Erhard, Ludwig Richter, Oscar Pletsch, Albert Hendschel, Eugen Neureuther, “Die Fliegende Blätter,” Wilhelm Busch, Adolf Oberländer.—France: Louis Philibert Debucourt, Carle Vernet, Bosio, Henri Monnier, Honoré Daumier, Gavarni, Guys, Gustave Doré, Cham, Marcellin, Randon, Gill, Hadol, Draner, Léonce Petit, Grévin.—Need of a fresh discovery of the world by painters.—Incitement to this by the English

England little affected by the retrospective tendency of the Continent.—James Barry, James Northcote, Henry Fuseli, William Etty, Benjamin Robert Haydon.—Painting continues on the course taken by Hogarth and Reynolds.—The portrait painters: George Romney, Thomas Lawrence, John Hoppner, William Beechey, John Russell, John Jackson, Henry Raeburn.—Benjamin West and John Singleton Copley paint historical pictures from their own time.—Daniel Maclise.—Animal painting: John Wootton, George Stubbs, George Morland, James Ward, Edwin Landseer.—The painting of genre: David Wilkie, W. Collins, Gilbert Stuart Newton, Charles Robert Leslie, W. Mulready, Thomas Webster, W. Frith.—The influence of these genre pictures on the painting of the Continent

Why the victory of modernity on the Continent came only by degrees.—Romantic conceptions.—Æsthetic theories and the question of costume.—Painting learns to treat contemporary costume by first dealing with uniform.—France: Gros, Horace Vernet, Hippolyte Bellangé, Isidor Pils, Alexander Protais, Charlet, Raffet, Ernest Meissonier, Guillaume Régamey, Alphonse de Neuville, Aimé Morot, Edouard Détaille.—Germany: Albrecht Adam, Peter Hess, Franz Krüger,