smoke with me. He listened and shook his head gently, and spoke again with his slow soft voice in his language of the mad."

"What did it sound like?" demanded Paul.

"Baas, it sounded like English," replied the shepherd. "Yes, there are many Kafirs who speak English; the dorps are noisy with them; but there are none who do not speak Kafir. And this man had come through the night, singing in his strange tongue, going straight forward like one that has a purpose. I and my fire stayed him only for a minute; he was not one of us; he stood, with his head on one side, smiling down, while I began to feel fear and ill-ease. I had it in my mind that this was a ghost, but of a sudden he stooped to where my bread lay—I had newly eaten my supper, and the things still lay about—and took a piece as large as this fist. He seemed to ask for it, but I could not understand him. Then he laughed and tossed something into my lap, and turned again to the night and the long shadows and the things that belong there. His feet moved among the stones and he was gone; and later I heard him singing again in the distance, till his voice dwindled and was lost."

"He threw you something," said the boy. "What was it?"

The old shepherd nodded. "I will show the baas," he said, and made search among precarious pockets. "This is it; I have not spent it."

It was a shilling, looking no larger than sixpence on the flat of his great horny palm. Paul looked at it and turned it over, sensible that something was lacking in it, since it differed in no respect from any other shilling. The magic of madness and the stolid massiveness of Queen Victoria's effigy were not easy to reconcile.

"It looks like a good one," he commented.

"It is good," said the shepherd. "But—" he paused ere he put it in its true light—"the bread was not more than a pennyworth."

A hundred yards away the waiting sheep discharged a small volley of bleats. Paul raised his head.

"Yes," he said, "the veld is full of wonderful things. But I would like to hear that language of the mad."

He nodded in token of dismissal and walked slowly on towards the dam, where the scarlet of the sky had changed the water to blood. The old shepherd picked up his sticks and went heavily after the sheep, a grotesque and laborious figure in that wonder of evening light. The smooth dog slunk towards him, snuffling in welcome; the Kafir dog is not a demonstrative animal, and his snuffle meant much. The shepherd hit him with the longest of the wire-bound sticks.

"Hup!" he grunted. "Get on!"

At the top of the dam wall, the sloping bank of earth and stones that held the water, Paul paused to watch them pass into the shifting distance, ere he went to his concerns at the foot of it. He could not have put a name to the quality in them which stirred him and held him gazing, for beauty is older than speech; but words were not needful to flavor the far prospect of even land, with the sheep moving across it, the squat, swart shape of the shepherd pacing at their heels, and the strange, soft light making the whole unreal and mysterious.

Below the dam wall, the moisture oozing through had made a space of rank grass and trailing weed-vines, and the ground underfoot was cool and damp through the longest day of sun. Here one might sit in the odor of water and watch the wind lift tall spirals of dust and chase them over the monotonous miles where the very bushes rustled like dead boughs at their passage. It had the quality of a heritage, a place where one may be aloof and yet keep an eye on the world, and since there were no others who needed elbow-room for their dreams, Paul had it to himself. Here and there about the sloping bank, as on the walls of a gallery, his handiwork cracked and crumbled in the sun—little masks and figures of red clay which he fashioned to hold some shape that had caught his eye and stayed in it. He had an instinct for the momentary attitude, the quick, unconscious pose which is life, the bunched compact shape of a sheep grazing, the poise of a Kafir girl with a load on her head, a figure revealed in wind-blown clothes and lost in a flash. The sweet, pliant clay was his confidant; it was not the fault of the clay that he could tell it so much less than he knew.

He groped, kneeling, below a vine, and brought out the thing he had hidden there the evening before when the light failed him. A flattened stone at the foot of the wall was his table; he set the clay down tenderly and squatted beside it, with his back to the veld and all the world. It was to be the head of a negro, the negro as Paul knew him, and already the clay had shape. The shallow round of the skull was achieved; he had been feeling, darkly, gropingly, for the brutal angle of the brows that should brood like a cloud over the whole countenance. It had evaded him and baffled him; he knew how it should be, but when the time had come for him to leave it for the night, the brows still cocked themselves in a suggestion of imbecility which was heart-breaking. He turned it round, frowning a little as his habit was when he centered his faculties upon a matter; the chaos of the featureless face below the smooth head fronted him.

"Allemachtag!" he cried aloud, as he set eyes on it.

There was no possibility that he could be mistaken; he remembered, in their smallest exasperating detail, those brows as he had left them, taunting him as bad work will. Even now, he had but to close his eyes and he could see them, absurd and clamorous for correction. But—he stared dumbly at the clay as he realized it—since then another creator had played with it, or else the thing, left to itself, had frowned. The rampart of the brows had deepened above the empty face; Paul knew in it the darkness for which he had sought, the age-old patience quenching the spark of the soul. It was as different from what he had left as living flesh is from red clay, an inconsequent miracle.

"Somebody," said Paul, pondering over it—"somebody knows!"

The thing troubled him a little while, but he passed his hand over the clay, to make yet more sure of it, and the cool invitation of its softness was medicine for his wonder. He smudged the clay to a ridge in the place where the nose should be, and then, forgetting forthwith that he was the victim of a practical joke, as it seemed, played upon him by the powers of the air, he fell to work.

The colors in the west were burning low when he raised his head, disturbed by a far sound that forced itself on his ear. It was like a pulse in the air, a dull rhythmical throb faintly resonant like the beating of some great heart. He came to consciousness of it slowly, withdrawing himself unwillingly from the work under his hands, and noting with surprise that the evening light was all but gone. But the face of the negro was a step nearer completion, and even the outline of the gross mouth was there to aid the clay to return his look. The far sound insisted; he lifted his head with mild impatience to listen to it, sighed, and tucked the unfinished head away in its hidingplace. Perhaps another night would draw out the mouth to its destined shape of empty, pitiful mirth.

The beat of the gourd-drum that hung at the farmhouse door still called, and he hastened his steps along the homeward path. It was the common manner of summons on the farm. For the European ear, the gourd sawed across, with a