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قراءة كتاب Mr. Punch's History of Modern England, Vol. I (of 4).—1841-1857

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Mr. Punch's History of Modern England, Vol. I (of 4).—1841-1857

Mr. Punch's History of Modern England, Vol. I (of 4).—1841-1857

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دار النشر: Project Gutenberg
الصفحة رقم: 5

class="i0">"Work—work—work!

From weary chime to chime,

Work—work—work—


As prisoners work for crime!

Band and gusset and seam,

Seam and gusset and band,

Till the heart is sick and the brain benumb'd,

As well as the weary hand.

"Work—work—work

In the dull December light,

And work—work—work

When the weather is warm and bright;

While underneath the eaves

The brooding swallows cling

As if to show me their sunny backs

And twit me with the spring.

"Oh! but to breathe the breath

Of the cowslip and primrose sweet—

With the sky above my head,

And the grass beneath my feet;

For only one short hour

To feel as I used to feel,

Before I knew the woes of want

And the walk that costs a meal!

"Oh, but for one short hour!

A respite however brief;

No blessed leisure for love or hope,

But only time for grief!

A little weeping would ease my heart,

But in their briny bed

My tears must stop, for every drop

Hinders needle and thread!"

With fingers weary and worn,

With eyelids heavy and red,

A woman sat in unwomanly rags

Plying her needle and thread—

Stitch! stitch! stitch!

In poverty, hunger and dirt,

And still with a voice of dolorous pitch,

Would that its tone could reach the rich!

She sang this "Song of the Shirt."

Lady having her hair styled.

PIN MONEY


Lady sewing a garment.

NEEDLE MONEY


Sir Robert Peel and Hood

The story of "The Song of the Shirt" is well told by Mr. M. H. Spielmann in his History of "Punch". Mark Lemon proved himself a great editor by deciding to publish the poem against the expressed opinions of his colleagues, who thought it unsuitable for a comic journal, and also by his omitting the one weak verse in the original MS. Strange to say, the poem does not appear in the index. The sequel may be found in Peel's correspondence, and does honour to a statesman who, while he lived, received scant justice from Punch. Though the impact of Hood's burning verses on public opinion was immense and abiding, Hood himself a year later was dying in penury, of consumption. On November 16, 1844, Peel wrote him a letter expressing admiration for his work, and offering him a pension. "I am not conferring a private obligation upon you, but am fulfilling the intentions of the Legislature, which has placed at the disposal of the Crown a certain sum (miserable indeed in amount) in recognition of public claims on the bounty of the Crown." All he asked in return was that Hood would give him the opportunity of making his personal acquaintance. That was impossible owing to the state of Hood's health. Mrs. Hood wrote on January 14, 1845, to beg for prompt assistance: Hood was dangerously ill and creditors were pressing. Peel sent the £100 at once, and on February 17 Hood wrote to thank him "with all the sincerity of a dying man" and to bid him a respectful farewell. He could write no more, though he had wished to write one more paper. Then follow these memorable words, even more needed now than they were seventy-five years ago:—

Certain classes, at the poles of society, are already too far asunder. It should be the duty of our writers to draw them nearer by kindly attraction, not to aggravate existing repulsions and place a wider moral gulf between rich and poor, with hate on one side and fear on the other. But I am too weak for this task, the last I had set myself. It is death that stops my pen, you see, not a pension. God bless you, sir, and prosper all your measures for the benefit of my beloved country.

Hood died on May 3, 1845, and was buried in Kensal Green, but more than seven years later no tombstone marked his resting-place, and Punch was moved to ask:—

If marble mark the soldier-statesman's grave,

If monuments adorn his place of sleep

Whose hand struck off the fetters from the slave,

And his who sought out woe in dungeons deep,

Did he not fight for Toil's sad sons and daughters?

Was not his voice loud for the worker's right?

Was he not potent to arrest the slaughters

Of Capital and Labour's desperate fight?

Eventually a tombstone was erected, bearing the words: "He sang the Song of the Shirt," but the pension continued to his widow lapsed on her death a year later. A sum of £800, collected by public subscription, was all that was available for the children, Lord John Russell, then Premier, having found himself unable to extend the pension for their benefit, at a time when, as Punch reminded him, the Duchess of Inverness, widow of the Duke of Sussex, was drawing a pension of £1,000 a year. "The Song of the Shirt" rang through the land, but it did not end the hardships of the sweated sempstress. Within a year Punch was moved to indignation by the story of Esther Pierce, paid 6d. for embroidering eighty blossoms on a silk shawl, and charged with pawning the goods of her employer. In 1848, under the heading "The Cheap Shirt Market," we read of a woman prosecuted on a similar charge, who was paid 2s. 6d. a dozen for making up shirts, or 2½d. apiece, and on these earnings supported herself, two children and a husband out of work. As late as 1859 the sweated shirt makers were still receiving only 4s. 6d. a dozen. No wonder is it that when the movement in favour of cottage gardens was frowned upon in some quarters on the ground that flowers here were "out of place," Punch retorted with the bitter jibe: "What has the labourer to do with stocks but sit in them?"

The Duke of Norfolk's Panacea

No wonder again that a legal pillory of harsh sentences was a constant feature of his pages in the 'forties and 'fifties. A humane magistrate who refused in 1845 to hear a charge of wood-stealing from a hedge brought against a man earning 7s. a week—the common rate at the time for agricultural labourers—stated from the Bench that he knew of good hands in Warwickshire who were earning only 3s. and 3s. 10d. a week. Meat was a luxury: only the elders got bacon: the children potatoes and salt: bread was 10d. a loaf. Yet this was the time when the Duke of Norfolk seriously proposed that the poor should eke out their meagre fare by the use of curry powder,

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