shown. All this changing about only makes it more fun to work out the design.

Fig. 18 is a running design of clovers which can be used for a border. The little arrows on Fig. 19 show where the different parts are joined.

The large red clover was used for the design Fig. 20 and the leaves and buds of the red clover for Fig. 21. Fig. 22 shows how the parts of Fig. 21 are put together. These drawings are all original from designs actually made of fresh clover-blossoms and their foliage.

CHAPTER V
OTHER WILD-FLOWER DESIGNS

Daisy Fleabane Design

Isn't the design Fig. 23 what grown-ups call Japanesque? Doesn't it look as if it had been copied from a printed pattern on a piece of Japanese cotton cloth?

Fig.23 - Daisy Fleabane design

Well, it was not. It is from a design made especially for you of real wild flowers, freshly gathered. The name of the flower is the daisy fleabane which grows in almost all open grassy fields where daisies and buttercups and clovers are found.

The illustration Fig. 24 shows how the daisy fleabane looks when first gathered. Sometimes the blossom is entirely white, sometimes it is tinged with purple, and it has a bright-yellow centre. Its petals are as fine as a fringe, like those of the asters that blossom in the fall.

In making the design the full-blown flowers were pressed down flat, which makes them round like a sunflower, while the buds and partly open flowers were left as they naturally grew. The composition, or arrangement, of this design is like that used for the upright clover design (Fig. 16), that is, it has two tall side sprays and a shorter middle spray; but see how very different the two designs are in appearance. The clover is all graceful curves, the daisy fleabane is stiff and formal with straight lines and angles.

If you use the white flower, make the design on a sheet of tinted paper, else the flower will not show. All white flowers should have tinted paper for a background.

Wild Mustard Design

The small, yellow blossoms of the wild mustard and its compound leaves make very dainty designs. Fig. 25 is one of them.