قراءة كتاب Tools and materials illustrating the Japanese method of colour-printing

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‏اللغة: English

Tools and materials illustrating the Japanese method of colour-printing

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المؤلف:

Strange Edward

دار النشر: Project Gutenberg

الصفحة رقم: 7

Studio, vol. 3, pp. no, 144. 1894.)

LONDON: Victoria and Albert Museum Handbooks. Japanese Colour-prints, by Edward F. Strange. (Technique, chapter xi.) 3rd edition. (8×6.) London, 1910. SAKAKIBARA, Yoshino. Bungei Riusan. Essays on Japanese literature, with additional chapters describing the manufacture of paper and the processes of printing and engraving. (The Museum copy has MS. translations of the portion relating to engraving.) Cuts. 8 vols. (10×7.) ToÌkyoÌ,1878.

NOTE.—The Department of Engraving, Illustration and Design includes a large collection of Japanese Colour-prints and Drawings, which can be seen on application in the Students' Room (Room 71) at any time (except on Sundays) when the Museum is open to the public.

ORIGINAL DRAWING FOR THE SERIES OF PRINTS CALLED “THE 100 POEMS EXPLAINED BY THE NURSE”

HOKUSAI.—Original drawing for the key-block of an unpublished colour-print in the series called “The Hundred Poets explained by the Nurse.” A junk, with straw sail, conveying three travellers; at the bow a breaking wave. At the top right-hand corner is a poem by Hoshoji no Nyudo Saki no Kwampaku Daijo Daijin. O'er the wide sea plain, / As I row and look around, It appears to me / That the white waves, far away, / Are the ever-shining sky. From a drawing in the Victoria and Albert Museum. J. D. 1447.

WORKING PROOF OF A COLOUR-PRINT SHOWING REGISTRATION MARKS.

TOYOKUNI. I.—Working proof from the key-block of a colour-print. A theatrical scene; with the actors Nakayama Tomisaburo and Ichikawa Komazo in the parts of the Geisha Sankatsu and Hanshichi. The artist has added a wash of red colour to the print, with the following MS. note to the printer, “Please gradate the colour like this.” From a print in the Victoria and Albert Museum. J. 8494.

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