setting sun, and finding probably, the Lord Ten-Dzio-Dai-Dzio (the Spirit who darts his Rays) propitious for the coming ceremony, he speedily drew out a little bundle. It contained a small lacquered box, a piece of vegetable paper, made from the bark of the mulberry tree, and a pen, with which he traced upon the paper a few sentences in the Naiden character—a peculiar style of written language used only for religious and mystical purposes. Having finished, he exhibited from under his clothes a small round mirror of steel of extraordinary brilliancy, and placing it before my eyes, asked me to look into it.

I had not only heard before of these mirrors, which are frequently used in the temples, but I had often seen them. It is claimed that under the direction and will of instructed priests, there appear in them the Daij-Dzin, the great spirits who notify the inquiring devotees of their fate. I first imagined that his intention was to evoke such a spirit, who would answer my queries. What happened, however, was something of quite a different character.

No sooner had I, not without a last pang of mental squeamishness, produced by a deep sense of my own absurd position, touched the mirror, than I suddenly felt a strange sensation in the arm of the hand that held it. For a brief moment I forgot to “sit in the seat of the scorner” and failed to look at the matter from a ludicrous point of view. Was it fear that suddenly clutched my brain, for an instant paralyzing its activity—

No; for I still had consciousness enough left to go on persuading myself that nothing would come out of an experiment, in the nature of which no sane man could ever believe. What was it then, that crept across my brain like a living thing of ice, producing therein a sensation of horror, and then clutched at my heart as if a deadly serpent had fastened its fangs into it? With a convulsive jerk of the hand I dropped the—I blush to write the adjective—“magic” mirror, and could not force myself to pick it up from the settee on which I was reclining. For one short moment there was a terrible struggle between some undefined, and to me utterly inexplicable, longing to look into the depths of the polished surface of the mirror and my pride, the ferocity of which nothing seemed capable of taming. It was finally so tamed, however, its revolt being conquered by its own defiant intensity. There was an opened novel lying on a lacquer table near the settee, and as my eyes happened to fall upon its pages, I read the words, “The veil which covers futurity is woven by the hand of mercy.” This was enough. That same pride which had hitherto held me back from what I regarded as a degrading, superstitious experiment, caused me to challenge my fate. I picked up the ominously shining disk and prepared to look into it.

While I was examining the mirror, the Yamabooshi hastily spoke a few words to the Bonze, Tamoora, at which I threw a furtive and suspicious glance at both. I was wrong once more.

“The holy man desires me to put you a question and give you at the same time a warning,” remarked the Bonze. “If you are willing to see for yourself now, you will have—under the penalty of seeing for ever, in the hereafter, all that is taking place, at whatever distance, and that against your will or inclination—to submit to a regular course of purification, after you have learned what you want through the mirror.”

“What is this course, and what have I to promise?” I asked defiantly.

“It is for your own good. You must promise him to submit to the process, lest, for the rest of his life, he should have to hold himself responsible, before his own conscience, for having made an irresponsible seer of you. Will you do so, friend?”

“There will be time enough to think of it, if I see anything”—I sneeringly replied, adding under my breath—“something I doubt a good deal, so far.”

“Well, you are warned, friend. The consequences will now remain with yourself,” was the solemn answer.

I glanced at the clock, and made a gesture of impatience, which was remarked and understood by the Yamabooshi. It was just seven minutes after five.

“Define well in your mind what you would see and learn,” said the “conjuror,” placing the mirror and paper in my hands, and instructing me how to use them.

His instructions were received by me with more impatience than gratitude; and for one short instant, I hesitated again. Nevertheless I replied, while fixing the mirror:

“I desire but one thing—to learn the reason or reasons why my sister has so suddenly ceased writing to me.”...

Had I pronounced these words in reality, and in the hearing of the two witnesses, or had I only thought them? To this day I cannot decide the point. I now remember but one thing distinctly: while I sat gazing in the mirror, the Yamabooshi kept gazing at me. But whether this process lasted half a second or three hours, I have never since been able to settle in my mind with any degree of satisfaction. I can recall every detail of the scene up to the moment when I took up the mirror with the left hand, holding the paper inscribed with the mystic characters between the thumb and finger of the right, when all of a sudden I seemed to quite lose consciousness of the surrounding objects. The passage from the active waking state to one that I could compare with nothing I had ever experienced before, was so rapid, that while my eyes had ceased to perceive external objects and had completely lost sight of the Bonze, the Yamabooshi, and even of my room, I could nevertheless distinctly see the whole of my head and my back, as I sat leaning forward with the mirror in my hand. Then came a strong sensation of an involuntary rush forward, of snapping off, so to say, from my place—I had almost said from my body. And, then, while every one of my other senses had become totally paralysed, my eyes, as I thought, unexpectedly caught a clearer and far more vivid glimpse than they had ever had in reality, of my sister’s new house at Nuremberg, which I had never visited and knew only from a sketch, and other scenery with which I had never been very familiar. Together with this, and while feeling in my brain what seemed like flashes of a departing consciousness—dying persons must feel so, no doubt—the very last, vague thought, so weak as to have been hardly perceptible, was that I must look very, very ridiculous.... This feeling—for such it was rather than a thought—was interrupted, suddenly extinguished, so to say, by a clear mental vision (I cannot characterize it otherwise) of myself, of that which I regarded as, and knew to be my body, lying with ashy cheeks on the settee, dead to all intents and purposes, but still staring with the cold and glassy eyes of a corpse into the mirror. Bending over it, with his two emaciated hands cutting the air in every direction over its white face, stood the tall figure of the Yamabooshi, for whom I felt at that instant an inextinguishable, murderous hatred. As I was going, in thought, to pounce upon the vile charlatan, my corpse, the two old men, the room itself, and every object in it, trembled and danced in a reddish glowing light, and seemed to float rapidly away from “me.” A few more grotesque, distorted shadows before “my” sight; and, with a last feeling of terror and a supreme effort to realise who then was I now, since I was not that corpse—a great veil of darkness fell over me, like a