am going to be four years longer," is the reply.

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Plate Number Twenty-nine—This cartoon, "The Federal Phoenix," was published in Punch, on December 3, 1864. Its character is explained in its title, and it shows one of those fabled birds, on which the artist has placed the head of Lincoln, rising from a pyre, the fuel for which is furnished by commerce, credit, the Constitution, a free press, habeas corpus and State rights. How it impressed the public for whom it was intended can only be conjectured, but to the eyes of an American, a generation after the death of the man whom it thus held up to condemnation, it seems as brutal in motive as it is misleading in fact.

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Plate Number Thirty—This-cartoon, "The Threatening Notice," published in Punch, on February 26, 1865, represents Lincoln remonstrating with the American eagle in the dress of Uncle Sam over the Senate's proposed abrogation of Canadian treaties. "Now, Uncle Sam," the President is reported as saying, "you're in a darned hurry to serve this notice on John Bull. Now, it's my duty as your attorney, to tell you that you may drive him to go over to that cuss, Davis." But John Bull was not to be driven "over to that cuss, Davis." Two months later the war was ended, and Lincoln dead. Punch has caricatured him for the last time.

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Plate Number Thirty-one—This cartoon, "From Our Special War Correspondent," was published in Harper's Weekly, on April 15, 1865. Lincoln, who had lately made his last visit to the front, was represented, with a drumhead for a table, writing from City Point, Virginia: "All seems well with us." These words, in the light of after events, are not without a touch of pathos. When the journal in which they appeared reached its readers, Booth's bullet had done its work and Lincoln had become the gentlest memory in our history.