coarser,—the grains in chestnut running much coarser, but yet with the same regularity as those found either in ash or black walnut. For shading chestnut use a little burnt umber and Vandyke brown (rather more of the former), to which add a small quantity of raw Sienna, grinding them in oil, turpentine, etc. In applying this color have it very thin, as in other grainings, and as chestnut is a plain wood, presenting a great uniformity of color in itself, great care must be taken to avoid any material change in the appearance of the graining by any heavy shades.

This rule, it will be observed, is in this regard dissimilar from that laid down to govern the graining of ash, as the latter presents in nature many heavy and eccentric shades, etc., while in the former there is very little diversity in the shade. The same process of wiping out and darkening the centre is applicable to this wood as that set forth to govern in the cases of walnut and ash, similar combs and tools being used in the work upon each and all; and, like the other woods, chestnut can be finished in oil or varnish, as heretofore noted, and when finished is substantial in appearance and very beautiful.

Pl. 1

OAK FLAKING.

Pl. 2

OAK GROWTH.

Pl. 3

OAK FLAKING.

Pl. 4

OAK GROWTH AND FLAKING.

Pl. 5

OAK FLAKING.

Pl. 6

OAK GROWTH.

Pl. 7

OAK FLAKING.

Pl. 8

OAK GROWTH.

Pl. 9

OAK FLAKING.

Pl. 10

OAK GROWTH.