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قراءة كتاب Punch, or the London Charivari, Volume 148, January 20th 1915
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

Punch, or the London Charivari, Volume 148, January 20th 1915
class="sans" id="pgepubid00005">A FORCED MARCH.
Petherby recommended route-marching; said he used to suffer from sensations of repletion after heavy meals, just as I did, but, after a series of Saturday afternoons spent in route-marching through our picturesque hill country (Herne, Brixton, Denmark and so forth), the distressing symptoms completely vanished, and he now felt as right as a trivet.
I hadn't a ghost of a notion what a trivet was, nor yet what degree of rectitude was expected of it; but I nevertheless determined to try the route-march cure. Bismuth and pepsin should henceforth be drugs in the market as far as I was concerned. The only doubt in my mind was whether, technically speaking, I could perform a route-march all by myself. Somehow I thought etiquette demanded the presence of a band, or at any rate a drum and fife obbligato. But Petherby thought not, and declared it would prove just as effective rendered as a solo. "Besides," he added, "if you want music to invigorate you, you can whistle or hum. Moreover, you can switch the music on or off at will."
I resolved to start the treatment the following Saturday afternoon, and certainly should have done so but for the weather, which was very moist. If there's one thing I hate more than dyspepsia it's rheumatism. The next Saturday was fine—fine for a Saturday, that is; but a well-meant gift of tickets for a matinée, which it would have been churlish of me to refuse, robbed me of my prospective enjoyment. However, Saturday of the week after was also fine. Nothing stood in the way of my pleasurable tramp, and I determined to route-march home from the City.
I spent two hours in ill-concealed impatience—the marker told me he had never seen me put up such a poor game—waiting to see if the weather would change. But as at the expiration of that time it had apparently got stuck I decided to risk it.
Softly humming to myself, "Here we are again," I route-marched out of the hotel into Bishopsgate in fine style, and got on to a bus bound for the Bank (I did this to save time). Arrived at the Bank I took another bus to Blackfriars (I did this to save more time. I thought it would be nice to commence the march from the Embankment). When I reached Blackfriars I remembered that all the big walks started from the political end, so as I did not wish to assume any superiority which I did not strictly possess I took the tram to Westminster. There I alighted and was about to set off over Westminster Bridge when it occurred to me that I hadn't had any tea. To route-march on an empty stomach was, I felt sure, the height of folly. I therefore repaired to a tea-shop in the vicinity, where I encountered young Pilkington. We discussed Kitchener and crumpets, training and tea, the Kaiser and cake, and with a little adroitness I managed to bring in the subject of the medicinal value of route-marching. When I rose to go Pilkington inquired my destination.
"Norbury," I told him.
"That's lucky," he said; "I shall be able to give you a lift in a taxi as far as Kennington."
In vain I expostulated with him, and urged that I was route-marching, not route-cabbing. But he wouldn't listen.
"Anyhow," he concluded, "it's most dangerous to march just after a crumpet tea. Haven't you read your 'Infantry Training'?"
The upshot of the matter was that we taxied to Kennington, where at last I managed to leave him. And then I began to feel tired. True, I hadn't done any marching, but it was none the less true that I felt as tired as if I had. However, I succeeded in struggling on for about fifty yards (to the tune of Handel's Largo), and then I boarded a tram. It had only proceeded a quarter-of-a-mile or so when the current failed and we all had to get out. I waited half-an-hour for a fresh batch of current to arrive, but none came, and I realised that my best course would be to walk to Brixton Station and procure a cab.
Accordingly, to the melody of "I don't expect to do it again for months and months and months," I put my best foot foremost. It was a moot point which of my two feet merited this distinction; they both felt deplorably senile. Then it began to rain—no mere niggardly sprinkling, but a lavish week-end cataclysm. I reached the station in the condition known to chemists as a saturated solution, only to find that there was not a cab on the rank. I was therefore compelled to adopt the only means of transport left to me—to route-march home....
I ultimately staggered in at my gate at an advanced hour of the evening to the strains of the opening bars of Tschaikowsky's Pathetic Symphony, whistled mentally. I was far beyond making the actual physical effort.
That night I wrote a postcard to Petherby. It ran as follows:—"Have just completed your course of treatment. Am cured."

Territorial (giving himself away to proprietor of coal-heap). "Could you lend us a bucket of coal until it's dark?"
THE ORGANIST.
A Modern Portrait.
Grave and serene, though young at heart,
"The Doctor," so his boys address him,
And rightly, since his healing art
Has made full many a mourner bless him—
For close on twenty years has served
An ancient church renowned in story,
And never in his teaching swerved
From studying God's greater glory.
His choir, like every singing school,
By turns angelic and demonic,
Are quick to recognise a rule
That is both "dominant" and "tonic;"
For contact with so rare a mind
Has seldom failed to spur and raise them,
And when they shirk their needful grind
With just rebuke he turns and flays them.
Withal he knows that human boys
Are dulled by industry unending,
And unreservedly enjoys
Himself at seasons of unbending;
A diet of perpetual Psalms
Is only fit for saints and Dantes,
And so he varies Bach and Brahms
With simple tunes and rousing chanties.
His taste is catholic and sane;
He does not treat as worthless lumber
All Mendelssohn, or Spohr disdain,
Or let the works of Handel slumber;
He likes to keep Church music clear
From operatic frills and ribbons,
And never ceases to revere
Tallis and Purcell, Byrd and Gibbons.
And thus he wisely neither aims
At showing off his erudition,
Nor for his choir and organ claims