قراءة كتاب The Life of Francis Thompson

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
The Life of Francis Thompson

The Life of Francis Thompson

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 6

action of the man we remember; while the tragedy of the tarts seems strangely familiar to one who later had a thousand meals with him. Fires he always haunted, and his clothes were burnt on sundry occasions, as we are told they were before the class-room fire. But of the piracy what shall we say? Why, if he did not lose that habit of the collar and never shook off the crumbs of those tarts, why did he forget the way to be a pirate? There was no rollick in Francis, and his own talk of his childhood showed him to have always been a youth of most undaring exploits. A good picture of his person is to be had from his schoolfellows' recollections; for his mood we must go to his own recollections. In writing of Shelley he builds up a poet's boyhood from his own experience; there is no speculation here:—

"Now Shelley never could have been a man, for he never was a boy," is the argument. "And the reason lay in the persecution which overclouded his school-days. Of that persecution's effect upon him he has left us, in 'The Revolt of Islam,' a picture which to many or most people very probably seems a poetical exaggeration; partly because Shelley appears to have escaped physical brutality, partly because adults are inclined to smile tenderly at childish sorrows which are not caused by physical suffering. That he escaped for the most part bodily violence is nothing to the purpose. It is the petty malignant annoyance recurring hour by hour, day by day, month by month, until its accumulation becomes an agony; it is this which is the most terrible weapon that boys have against their fellow boy, who is powerless to shun it because, unlike the man, he has virtually no privacy. His is the torture which the ancients used, when they anointed their victim with honey and exposed him naked to the restless fever of the flies. He is a little St. Sebastian, sinking under the incessant flight of shafts which skilfully avoid the vital parts. We do not, therefore, suspect Shelley of exaggeration: he was, no doubt, in terrible misery. Those who think otherwise must forget their own past. Most people, we suppose, must forget what they were like when they were children: otherwise they would know that the griefs of their childhood were passionate abandonment, déchirants (to use a characteristically favourite phrase of modern French literature) as the griefs of their maturity. Children's griefs are little, certainly; but so is the child, so is its endurance, so is its field of vision, while its nervous impressionability is keener than ours. Grief is a matter of relativity: the sorrow should be estimated by its proportion to the sorrower; a gash is as painful to one as an amputation to another. Pour a puddle into a thimble, or an Atlantic into Etna; both thimble and mountain overflow. Adult fools! would not the angels smile at our griefs, were not angels too wise to smile at them? So beset, the child fled into the tower of his own soul, and raised the drawbridge. He threw out a reserve, encysted in which he grew to maturity unaffected by the intercourses that modify the maturity of others into the thing we call a man."

When he recalls in a note-book his own first impressions of school he could not write as a boy, or of boys:

"The malignity of my tormentors was more heart-lacerating than the pain itself. It seemed to me—virginal to the world's ferocity—a hideous thing that strangers should dislike me, should delight and triumph in pain to me, though I had done them no ill and bore them no malice; that malice should be without provocative malice. That seemed to me dreadful, and a veritable demoniac revelation. Fresh from my tender home, and my circle of just-judging friends, these malignant school-mates who danced round me with mocking evil distortion of laughter—God's good laughter, gift of all things that look back the sun—were to me devilish apparitions of a hate now first known; hate for hate's sake, cruelty for cruelty's sake. And as such they live in my memory, testimonies to the murky aboriginal demon in man."

The word "reserve" is written large across the history of the schoolboy and the man; that he laid it aside in his poetry and with the rare friend only made its habitual observance the more marked. He was safest and happiest alone at Ushaw, and little would his schoolfellows understand the distresses of his mind there. One at least I know who could not recognise Thompson's painful memories as being conceivably based on actual experience. Teasing, at best, is an ignorant occupation; at worst, not meant to inflict lasting wrong.

I have in mind two gay and gentle men, once his class-fellows, who are unfailingly merry at the mention of college hardships; they are now priests, whose profession and desires are to do kindness to their fellow-men, and I do not suspect them of ever having done a living creature an intentional hurt. Thompson's poetry they can understand, but not his unhappiness at school.

Nor does your normal boy, of Ushaw or any other school, admit that wrong is done him by the rod. The rod bears blossoms, says the schoolboy grown up; and the convention which makes men call their school-days the happiest of their lives likewise makes them smile at the punishments in the prefect's study. For the average schoolboy this attitude is perhaps an honest one. His school-days are happy; the cane is only an inconvenience to be avoided, or, if impossible of avoidance, to be grimaced at and tolerated. But every boy at school is not a school-boy, and the boy at school has to suffer generalisations about the school-boy and the rod. The commonweal spells some individual's woe, and doubtless the discipline proper for the normal child was hard for the abnormal. The boy at school, unlike the school-boy, is not brave, or, if he is brave, his courage is of a tragic quality that should not be required of him. The schoolboy's account of the punishment of the boy at school illustrates the difference between the two; for the one it is fit matter for an anecdote, for Francis it was an episode never to be alluded to. Dr. Mann writes:—

"Some old Ushaw men may wonder whether, in his passage through the Seminary, he ever fell into the hands of retributive justice. To the best of his schoolfellows' recollections he did. It fell on a certain day during our drilling-hour that Sergeant Railton dropt into confidential tones, and we had grouped round him to drink in his memories of the Indian Mutiny. 'Tommy,' who scented a battle from afar, was with us. All went well until the steps of authority were heard coming round the corner near the music rooms, and with well-simulated sternness our Sergeant ordered us back into our ranks. 'Tommy,' who, doubtless, was already making pictures of Lucknow or Cawnpore on his mental canvas, was last to dress up, and was summarily taken off to Dr. Wilkinson's Court of Petty Sessions, where, without privilege of jury or advocate, he paid his penalty. He was indignant, naturally, not to say sore, over this treatment."

Such is the gallant and approved vein of school reminiscence, of which one of the classics is the jest about the Rev. James Boyer, the terror of Christ's Hospital: "It was lucky the cherubim who took him to Heaven were nothing but wings and faces, or he would infallibly have flogged them by the way."[6]

But Francis was neither cheerful, nor mock-heroic, like Lafcadio Hearn, whose "The boy stood on the bloody floor where many oft had stood" was conned by his class-mates at Ushaw. Nor did a sense of the grotesque

Pages