latter, lighting his cigar, said to himself: "Success makes men comfortable, but it makes them stupid."

Then he turned, and began: "Denver, I want to tell you—"

The clock ticked rhythmically on the mantel-piece. The room was gradually filled with drifting blue layers of smoke, and through them the editor's face came and went like the moon through a moving sky. Once the hour struck—then the rhythmical ticking began again. The atmosphere grew denser and heavier, and beads of perspiration began to roll from Granice's forehead.

"Do you mind if I open the window?"

"No. It is stuffy in here. Wait—I'll do it myself." Denver pushed down the upper sash, and returned to his chair. "Well—go on," he said, filling another pipe. His composure exasperated Granice.

"There's no use in my going on if you don't believe me."

The editor remained unmoved. "Who says I don't believe you? And how can I tell till you've finished?"

Granice went on, ashamed of his outburst. "It was simple enough, as you'll see. From the day the old man said to me, 'Those Italians would murder you for a quarter,' I dropped everything and just worked at my scheme. It struck me at once that I must find a way of getting to Wrenfield and back in a night—and that led to the idea of a motor. A motor—that never occurred to you? You wonder where I got the money, I suppose. Well, I had a thousand or so put by, and I nosed around till I found what I wanted—a second-hand racer. I knew how to drive a car, and I tried the thing and found it was all right. Times were bad, and I bought it for my price, and stored it away. Where? Why, in one of those no-questions-asked garages where they keep motors that are not for family use. I had a lively cousin who had put me up to that dodge, and I looked about till I found a queer hole where they took in my car like a baby in a foundling asylum... Then I practiced running to Wrenfield and back in a night. I knew the way pretty well, for I'd done it often with the same lively cousin—and in the small hours, too. The distance is over ninety miles, and on the third trial I did it under two hours. But my arms were so lame that I could hardly get dressed the next morning...

"Well, then came the report about the Italian's threats, and I saw I must act at once... I meant to break into the old man's room, shoot him, and get away again. It was a big risk, but I thought I could manage it. Then we heard that he was ill—that there'd been a consultation. Perhaps the fates were going to do it for me! Good Lord, if that could only be!..."

Granice stopped and wiped his forehead: the open window did not seem to have cooled the room.

"Then came word that he was better; and the day after, when I came up from my office, I found Kate laughing over the news that he was to try a bit of melon. The house-keeper had just telephoned her—all Wrenfield was in a flutter. The doctor himself had picked out the melon, one of the little French ones that are hardly bigger than a large tomato—and the patient was to eat it at his breakfast the next morning.

"In a flash I saw my chance. It was a bare chance, no more. But I knew the ways of the house—I was sure the melon would be brought in over night and put in the pantry ice-box. If there were only one melon in the ice-box I could be fairly sure it was the one I wanted. Melons didn't lie around loose in that house—every one was known, numbered, catalogued. The old man was beset by the dread that the servants would eat them, and he took a hundred mean precautions to prevent it. Yes, I felt pretty sure of my melon ... and poisoning was much safer than shooting. It would have been the devil and all to get into the old man's bedroom without his rousing the house; but I ought to be able to break into the pantry without much trouble.

"It was a cloudy night, too—everything served me. I dined quietly, and sat down at my desk. Kate had one of her usual headaches, and went to bed early. As soon as she was gone I slipped out. I had got together a sort of disguise—red beard and queer-looking ulster. I shoved them into a bag, and went round to the garage. There was no one there but a half-drunken machinist whom I'd never seen before. That served me, too. They were always changing machinists, and this new fellow didn't even bother to ask if the car belonged to me. It was a very easy-going place...

"Well, I jumped in, ran up Broadway, and let the car go as soon as I was out of Harlem. Dark as it was, I could trust myself to strike a sharp pace. In the shadow of a wood I stopped a second and got into the beard and ulster. Then away again—it was just eleven-thirty when I got to Wrenfield.

"I left the car in a dark lane behind the Lenman place, and slipped through the kitchen-garden. The melon-houses winked at me through the dark—I remember thinking that they knew what I wanted to know. ... By the stable a dog came out growling—but he nosed me out, jumped on me, and went back... The house was as dark as the grave. I knew everybody went to bed by ten. But there might be a prowling servant—the kitchen-maid might have come down to let in her Italian. I had to risk that, of course. I crept around by the back door and hid in the shrubbery. Then I listened. It was all as silent as death. I crossed over to the house, pried open the pantry window and climbed in. I had a little electric lamp in my pocket, and shielding it with my cap I groped my way to the ice-box, opened it—and there was the little French melon... only one.

"I stopped to listen—I was quite cool. Then I pulled out my bottle of stuff and my syringe, and gave each section of the melon a hypodermic. It was all done inside of three minutes—at ten minutes to twelve I was back in the car. I got out of the lane as quietly as I could, struck a back road that skirted the village, and let the car out as soon as I was beyond the last houses. I only stopped once on the way in, to drop the beard and ulster into a pond. I had a big stone ready to weight them with and they went down plump, like a dead body—and at two o'clock I was back at my desk."

Granice stopped speaking and looked across the smoke-fumes at his listener; but Denver's face remained inscrutable.

At length he said: "Why did you want to tell me this?"

The question startled Granice. He was about to explain, as he had explained to Ascham; but suddenly it occurred to him that if his motive had not seemed convincing to the lawyer it would carry much less weight with Denver. Both were successful men, and success does not understand the subtle agony of failure. Granice cast about for another reason.

"Why, I—the thing haunts me ... remorse, I suppose you'd call it..."

Denver struck the ashes from his empty pipe.

"Remorse? Bosh!" he said energetically.

Granice's heart sank. "You don't believe in—remorse?"

"Not an atom: in the man of action. The mere fact of your talking of remorse proves to me that you're not the man to have planned and put through such a job."

Granice groaned. "Well—I lied to you about remorse. I've never felt any."

Denver's lips tightened sceptically about his freshly-filled pipe. "What was your motive, then? You must have had one."

"I'll tell you—" And Granice began again to rehearse the story of his failure, of his loathing for life. "Don't say you don't believe me this time ... that this isn't a real reason!" he stammered out piteously as he ended.

Denver meditated. "No, I won't say that. I've seen too many queer things. There's always a reason for wanting to get out of life—the wonder is that we find so many for staying in!"

Granice's heart grew light. "Then you do believe me?" he faltered.

"Believe that you're sick of the job? Yes. And that you haven't the nerve to pull the trigger? Oh, yes—that's easy enough, too. But all that doesn't make you a murderer—though I don't say it proves you could never have been one."

"I have been one, Denver—I