Joseph Lenman."

Ascham settled himself comfortably in his chair, prepared for enjoyment.

"You know? Well, who did?" he laughed.

"I did," said Granice, rising.

He stood before Ascham, and the lawyer lay back staring up at him. Then he broke into another laugh.

"Why, this is glorious! You murdered him, did you? To inherit his money, I suppose? Better and better! Go on, my boy! Unbosom yourself! Tell me all about it! Confession is good for the soul."

Granice waited till the lawyer had shaken the last peal of laughter from his throat; then he repeated doggedly: "I murdered him."

The two men looked at each other for a long moment, and this time Ascham did not laugh.

"Granice!"

"I murdered him—to get his money, as you say."

There was another pause, and Granice, with a vague underlying sense of amusement, saw his guest's look change from pleasantry to apprehension.

"What's the joke, my dear fellow? I fail to see."

"It's not a joke. It's the truth. I murdered him." He had spoken painfully at first, as if there were a knot in his throat; but each time he repeated the words he found they were easier to say.

Ascham laid down his extinct cigar.

"What's the matter? Aren't you well? What on earth are you driving at?"

"I'm perfectly well. But I murdered my cousin, Joseph Lenman, and I want it known that I murdered him."

"You want it known?"

"Yes. That's why I sent for you. I'm sick of living, and when I try to kill myself I funk it." He spoke quite naturally now, as if the knot in his throat had been untied.

"Good Lord—good Lord," the lawyer gasped.

"But I suppose," Granice continued, "there's no doubt this would be murder in the first degree? I'm sure of the chair if I own up?"

Ascham drew a long breath; then he said slowly: "Sit down, Granice. Let's talk."

II

GRANICE told his story simply, connectedly.

He began by a quick survey of his early years—the years of drudgery and privation. His father, a charming man who could never say "no," had so signally failed to say it on certain essential occasions that when he died he left an illegitimate family and a mortgaged estate. His lawful kin found themselves hanging over a gulf of debt, and young Granice, to support his mother and sister, had to leave Harvard and bury himself at eighteen in a broker's office. He loathed his work, and he was always poor, always worried and in ill-health. A few years later his mother died, but his sister, an ineffectual neurasthenic, remained on his hands. His own health gave out, and he had to go away for six months, and work harder than ever when he came back. He had no knack for business, no head for figures, no dimmest insight into the mysteries of commerce. He wanted to travel and write—those were his inmost longings. And as the years dragged on, and he neared middle-age without making any more money, or acquiring any firmer health, a sick despair possessed him. He tried writing, but he always came home from the office so tired that his brain could not work. For half the year he did not reach his dim up-town flat till after dark, and could only "brush up" for dinner, and afterward lie on the lounge with his pipe, while his sister droned through the evening paper. Sometimes he spent an evening at the theatre; or he dined out, or, more rarely, strayed off with an acquaintance or two in quest of what is known as "pleasure." And in summer, when he and Kate went to the sea-side for a month, he dozed through the days in utter weariness. Once he fell in love with a charming girl—but what had he to offer her, in God's name? She seemed to like him, and in common decency he had to drop out of the running. Apparently no one replaced him, for she never married, but grew stoutish, grayish, philanthropic—yet how sweet she had been when he had first kissed her! One more wasted life, he reflected...

But the stage had always been his master-passion. He would have sold his soul for the time and freedom to write plays! It was in him—he could not remember when it had not been his deepest-seated instinct. As the years passed it became a morbid, a relentless obsession—yet with every year the material conditions were more and more against it. He felt himself growing middle-aged, and he watched the reflection of the process in his sister's wasted face. At eighteen she had been pretty, and as full of enthusiasm as he. Now she was sour, trivial, insignificant—she had missed her chance of life. And she had no resources, poor creature, was fashioned simply for the primitive functions she had been denied the chance to fulfil! It exasperated him to think of it—and to reflect that even now a little travel, a little health, a little money, might transform her, make her young and desirable... The chief fruit of his experience was that there is no such fixed state as age or youth—there is only health as against sickness, wealth as against poverty; and age or youth as the outcome of the lot one draws.

At this point in his narrative Granice stood up, and went to lean against the mantel-piece, looking down at Ascham, who had not moved from his seat, or changed his attitude of rigid fascinated attention.

"Then came the summer when we went to Wrenfield to be near old Lenman—my mother's cousin, as you know. Some of the family always mounted guard over him—generally a niece or so. But that year they were all scattered, and one of the nieces offered to lend us her cottage if we'd relieve her of duty for two months. It was a nuisance for me, of course, for Wrenfield is two hours from town; but my mother, who was a slave to family observances, had always been good to the old man, so it was natural we should be called on—and there was the saving of rent and the good air for Kate. So we went.

"You never knew Joseph Lenman? Well, picture to yourself an amoeba or some primitive organism of that sort, under a Titan's microscope. He was large, undifferentiated, inert—since I could remember him he had done nothing but take his temperature and read the Churchman. Oh, and cultivate melons—that was his hobby. Not vulgar, out-of-door melons—his were grown under glass. He had miles of it at Wrenfield—his big kitchen-garden was surrounded by blinking battalions of green-houses. And in nearly all of them melons were grown—early melons and late, French, English, domestic—dwarf melons and monsters: every shape, colour and variety. They were petted and nursed like children—a staff of trained attendants waited on them. I'm not sure they didn't have a doctor to take their temperature—at any rate the place was full of thermometers. And they didn't sprawl on the ground like ordinary melons; they were trained against the glass like nectarines, and each melon hung in a net which sustained its weight and left it free on all sides to the sun and air...

"It used to strike me sometimes that old Lenman was just like one of his own melons—the pale-fleshed English kind. His life, apathetic and motionless, hung in a net of gold, in an equable warm ventilated atmosphere, high above sordid earthly worries. The cardinal rule of his existence was not to let himself be 'worried.' . . I remember his advising me to try it myself, one day when I spoke to him about Kate's bad health, and her need of a change. 'I never let myself worry,' he said complacently. 'It's the worst thing for the liver—and you look to me as if you had a liver. Take my advice and be cheerful. You'll make yourself happier and others too.' And all he had to do was to write a cheque, and send the poor girl off for a holiday!

"The hardest part of it was that the money half-belonged to us already. The old skin-flint only had it for life, in trust for us and the others. But his life was a good deal sounder than mine or Kate's—and one could picture him taking extra care of it for the joke of keeping us waiting. I always felt that the sight of our hungry eyes was a tonic to him.