illuminator.

" 32 " 159. An initial S, illuminated with foliage of the Northumbrian type, from a German manuscript of the twelfth century. " 33 " 160. Miniature of the Annunciation from a German manuscript of the beginning of the thirteenth century.

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34 " 161. Page of a Kalendar from a German Psalter of about 1200 A.D. " 35 " 163. Initial Y from a German manuscript of the beginning of the thirteenth century, with a most graceful and fanciful combination of figures and foliage. " 36 " 164. Paintings on the vault of the church of St Michael at Hildesheim, closely resembling in style an illuminated page in a manuscript. " 37 " 166. Miniatures of Italian style from a German manuscript of 1312, showing the influence of Florentine art on the illuminators of southern France. " 38 " 168. Miniature symbolizing the month of April from the Kalendar of the Grimani Breviary, executed about 1496. " 39 " 170. A page from the Book of Hours of King René, painted about 1480. " 40 " 171. A page from a Book of Hours at Vienna, of the finest Flemish style. " 41 " 173. Marginal illumination of very beautiful and refined style from a manuscript executed for King Wenzel of Bohemia about the year 1390. " 42 " 174. Miniature of Duke Baldwin, painted about the year 1450 by an illuminator of the school of the Van Eycks of Bruges. " 43 " 176. Retable painted by Martin Schöngauer, in the style of a manuscript illumination. " 44 " 177. An altar-piece of the Cologne school, showing the influence of manuscript illumination on the painters of panel-pictures, especially retables. " 45 " 179. Wing of a triptych, with a figure of St Elizabeth of Hungary, painted by the elder Hans Holbein; this illustrates the influence on painting of the styles of manuscript illumination at the beginning of the sixteenth century.