WHERE ART BEGINS

BY

HUME NISBET
AUTHOR OF
‘LESSONS IN ART’, ‘LIFE AND NATURE STUDIES’ ETC.




WITH 27 ILLUSTRATIONS

LONDON
CHATTO & WINDUS, PICCADILLY
1892

DEDICATED

WITH AFFECTIONATE REGARDS

TO MY DEAR FRIEND AND WELL-WISHER

EDMUND J. BAILLIE, F.L.S.

OF CHESTER

INTRODUCTION

HEN a few really congenial spirits meet together, it is astonishing how quickly the subject which perhaps one of the party starts will grow, and how many branches it will shoot out before its vitality can be considered exhausted.

My present subject has grown up in a very congenial atmosphere. A number of sympathetic students, who learnt to appreciate my practical work, continued to draw from me some ideas partly practical, partly theoretical, on the subject which has always been a part religion with me, whether in my working or my dreaming moments—Art and its all-permeating influence over humanity in the social and spiritual conditions. I take it that Art permeates the entire body of humanity, from the flesh-devouring savage to the asphodel-adoring æsthetic, in a greater or lesser degree, according to the sanitary conditions of their lives; and as it permeates, so it brings us closer to what we regard as human perfection.

In this spirit I have written out the following reflections, blending the practical with the theoretical and personal, as a pendant to my ‘Lessons in Art’ and ‘Life and Nature Studies.’ In the first book I have attempted to give the Alpha of Art; in the second I have given the Omega, as far as I myself know about Art; and in the present I have sought to give something of what lies between.

Whether I have been lucid enough to enable the reader to follow me, or sympathetic enough to interest him in my subject, I must leave to his own judgment. I can only say that my views are the reflections of one item appealing to other items in the big sum of humanity, written out honestly as the outcome of his own personal experience of the subject which interests him most deeply, and with the hope that he may find some readers who have had similar thoughts upon Art and Mankind, although they may not have been tempted to write them down. With this hope I leave my book to the consideration and judgment of each reader.

HUME NISBET.

Hogarth Club: June 1892.

CONTENTS