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قراءة كتاب Catalogue of the Gallery of Art of The New York Historical Society
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Catalogue of the Gallery of Art of The New York Historical Society
13. Marine View. (36X25.) Thomas Birch.
(Reed Collection.)
(New York Gallery of Fine Arts.)
14. View from Froster Hill, Gloucestershire, England. (24X18.) Andrew Richardson.
(Reed Collection.)
(New York Gallery of Fine Arts.)
15. The Goblet and Lemon. (27X32.) W. Van Aelst.
(Reed Collection.)
(New York Gallery of Fine Arts.)
16. Falstaff enacting Henry IV. (29X36.) George W. Flagg.
17. An Allegory—Death and Immortality—Antique. (18½X14½.) Italian School.
(Reed Collection.)
(New York Gallery of Fine Arts.)
18. Madonna and Infant. (16½X22½.) German School.
(Reed Collection.)
(New York Gallery of Fine Arts.)
19. Landscape—Composition—Italian Scenery.(54X37.) Thomas Cole.
Yet I could weep, for thou art lying, alas!
Low in the dust, and they who come, admire thee
As we admire the beautiful in death."
Rogers' Italy.
(Reed Collection.)
(New York Gallery of Fine Arts.)
20. Sleeping Female. (19X24.) George W. Flagg.
(Reed Collection.)
(New York Gallery of Fine Arts.)
21. The Little Savoyard. (18X22.) George W. Flagg.
(Reed Collection.)
(New York Gallery of Fine Arts.)
22. Rebecca. (16X20.) George W. Flagg.
(Reed Collection.)
(New York Gallery of Fine Arts.)
23. The Truant Gamblers. (30X24.) William S. Mount.
(Reed Collection.)
(New York Gallery of Fine Arts.)
24. Interior—Dutch Apothecary Shop.(24½X18.) Roelof Pietersz.
(Reed Collection.)
(New York Gallery of Fine Arts.)
25. Pan and Midas. (24X28.) Hubert Goltzius.
(Reed Collection.)
(New York Gallery of Fine Arts.)
26. The Pedlar displaying his Wares. (34X24.) A. B. Durand.
(Reed Collection.)
(New York Gallery of Fine Arts.)
27. The Woodchopper's Boy. (25X30.) George W. Flagg.
28. Wrath of Peter Stuyvesant on learning the capture, by treachery, of Fort Casimir. (30X24.) A. B. Durand.
"On receiving these direful tidings, the valiant Peter started from his seat—dashed the pipe he was smoking against the back of the chimney—thrust a prodigious quid of tobacco into his left cheek—pulled up his galligaskins, and strode up and down the room, humming, as was customary with him when in a passion, a hideous northwest ditty."—Knickerbocker's New York, Book vi. chap. 2.
(Reed Collection.)
(New York Gallery of Fine Arts.)
29. Madonna, Infant, and St. Ann. (29X28.) Italian School.
(Reed Collection.)
(New York Gallery of Fine Arts.)
30. The Match-Girl, (London.) (25X30.) George W. Flagg.
(Reed Collection.)
(New York Gallery of Fine Arts.)
31. Moonlight. (32X24½.) Thomas Cole.
(Reed Collection.)
(New York Gallery of Fine Arts.)
32. Portrait of George Washington, (1732-1799.) (25X30.) A. B. Durand.
From the standard original, by Stuart, in the gallery of the Boston Athenæum.
(Reed Collection.)
(New York Gallery of Fine Arts.)
33. Lady and Parrot. (29X36.) George W. Flagg.
(Reed Collection.)
(New York Gallery of Fine Arts.)
34. The Nun. (24X30.) George W. Flagg.
(Reed Collection.)
(New York Gallery of Fine Arts.)
35. Wreath of Flowers, encircling Coat-of-Arms and Miniature of the Duke of Austria, 1658. (33X46.) J. Marrel.
36. Lady Jane Grey preparing for execution. (45X56.) George W. Flagg.
"After uttering these words, she caused herself to be disrobed by her women; and with a steady, serene countenance submitted herself to the executioner."—Hume, chap. xxxvi.
(Reed Collection.)
(New York Gallery of Fine Arts.)
37. Assumption of the Virgin. (25X19.) Annibale Caracci.
(Reed Collection.)
(New York Gallery of Fine Arts.)
38. Portrait of Martha Washington, (1732-1802.) (22X26.) A. B. Durand.
From the original, by Stuart, in the Boston Athenæum.
(Reed Collection.)
(New York Gallery of Fine Arts.)
39. Portrait of a Young Lady, taken in 1608. (27X33.) Flemish School.
(Reed Collection.)
(New York Gallery of Fine Arts.)
40. The Huntsman's Tent—Game and Dogs after a Hunt, (50X64.) John Fyt.
(Reed Collection.)
(New York Gallery of Fine Arts.)
41. Mother Child, and Butterfly. (24X30.) George W. Flagg.
(Reed Collection.)
(New York Gallery of Fine Arts.)
42. Autumn Scene—Conway Peak, White Mountains, N. H. (19½X14.) Thomas Cole.
(Reed Collection.)
(New York Gallery of Fine Arts.)
43. Dogs Fighting. (20½X16.) George Morland.
(Reed Collection.)
(New York Gallery of Fine Arts.)
44. View on Catskill Creek. (24X16.) Thomas Cole.
(Reed Collection.)
(New York Gallery of Fine Arts.)
45. Landscape. (13X10.) Dutch School.
46. Summer Sunset. (19½X14.) Thomas Cole.
(Reed