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قراءة كتاب Legends of the City of Mexico
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Legends of the City of Mexico
first auto de fé that ever was celebrated in Mexico, and all the City was on tiptoe of joyful expectation of it. Therefore everybody was looking forward with a most pleased interest to seeing that criminally stiff-necked painter—properly clad in a yellow coat with a red cross on the back and on the front of it—walking with the condemned ones; and then, on the brasero that had been set up in the market-place, to seeing him and his sins together burned to ashes; and then to seeing those sin-tainted ashes carried to the outskirts of the City and scattered pollutingly on the muddy marsh.
However, Señor, none of those interesting and edifying things happened: because Our Lady of Mercy—and it was just like the good-nature of her to do so—took a hand in the affair, and by the working of a loving miracle made everything come out smoothly and well.
On a night, as he lay sleeping on his pallet in his cell in the Inquisition, Peyrens was awakened suddenly he knew not how; and as he wakened he found in his nose a smell so delectable that he thought that he still was asleep and his nose dreaming it: and for him to have that thought was quite reasonable, Señor, because it was the pure fragrance of heaven—to which, of course, human noses are unaccustomed—that filled the room. Then, as he lay on his pallet wondering, a shimmering light began to glow softly in the darkness; and the light constantly grew stronger and stronger until it became a glorious radiance far brighter than any sunlight; and then in the midst of that resplendency—yet the heavenly sparkle of her making the dazzle of it seem like darkness—Our Lady of Mercy herself appeared to him: and he would have died of the glory of her, had it not been for the loving kindness that shone upon him assuringly and comfortingly from her gentle eyes.
Then said to him Our Lady, in a voice sweeter than any earthly music: "Little son, why dost thou not love me?" And Peyrens—his hard heart melted by that gentle look and by that sweet voice, and all of his wickedness cured by that loving kindness—rose from his pallet and knelt before Our Lady, saying with a deep earnestness: "Queen of Heaven, I reverence and I love thee with all the heart of me and with all my soul!" Then, for a time, a serene strange happiness bemazed him dream-fully—and when his bemazement left him the resplendent presence was gone. But with him still remained the heavenly radiance that was brighter than any sunlight, and the heavenly perfume that was sweeter than spikenard and lilies; and while he pondered all these mysteries, awe-bound and wondering, again sounded in his ears that heaven-sweet voice—coming as from a great distance, but with a bell-note clearness—saying to him gently and lovingly: "Paint now thy picture of me, little son!"
Quite possibly, Señor, in the hurry of the moment, Our Lady forgot that Peyrens had no canvas—because in his sinful anger he had destroyed it—on which to paint the picture that she commanded of him; but, for myself, I think that she meant to set his wits to work to find the means by which he could obey her command. At any rate, his wits did work so well that even as she spoke he saw his way out of his difficulty; and in an instant—all a-thrill with joyful eagerness to do Our Lady's bidding, and inspired by the splendor of his vision of her—he set himself to painting the portrait of her, just as his own eyes had seen her in her glory, on the oaken door of his cell.
All the night long, Señor—working by the heaven-light that was brighter than any sunlight, and having in his happy nose the heaven fragrance that uplifted his soul with the sweetness of it—he painted as one who painted in a heaven-sent dream. And when the morning came, and the glimmering daylight took dimly the place of the heaven-light, he had finished there on the door of his cell the most beautiful picture of Our Lady—as I said in the beginning—that ever has been painted in this mortal world: and so it had to be—because, you see, it is the only picture of her that ever has been painted of her by one who has beheld her with mortal eyes!
As usually is the case with miracles, Señor, the outcome of this one was most satisfactory. The Archbishop and the Chapter of the Cathedral, being brought in haste, instantly felt themselves compelled to adore that miraculous image; and when they had finished adoring it they equally felt themselves compelled to declare that Peyrens by his making of it had earned both his freedom and the prize. Therefore Peyrens was set at liberty and most richly rewarded; and the pictured door was taken from its hinges and, being framed in a great frame of silver, was set upon the Altar del Perdon to be the chief glory of it; and what was best of all—because it made safe the soul of him for all Eternity—the Archbishop formally confirmed to Peyrens his absolution, through Our Lady's loving kindness, from his bad heresy and from all his other sins.
What became of this Peyrens later, Señor, I have not heard mentioned; but in regard to the accuracy of all that I have told you about him there can be no question: because the miracle-picture that he painted still adorns the Altar del Perdon, and is the chief glory of it—and there you may see it this very day.