the use of a phonetic alphabet and the production of literary records, and divides into Ancient and Modern. As an equivalent, hieroglyphical writing upon stone may be admitted.

RECAPITULATION.

Each of these periods has a distinct culture and exhibits a mode of life more or less special and peculiar to itself. This specialization of ethnical periods renders it possible to treat a particular society according to its condition of relative advancement, and to make it a subject of independent study and discussion. It does not affect the main result that different tribes and nations on the same continent, and even of the same linguistic family, are in different conditions at the same time, since for our purpose the condition of each is the material fact, the time being immaterial.

Since the use of pottery is less significant than that of domestic animals, of iron, or of a phonetic alphabet, employed to mark the commencement of subsequent ethnical periods, the reasons for its adoption should be stated. The manufacture of pottery presupposes village life, and considerable progress in the simple arts.2 Flint and stone implements are older than pottery, remains of the former having been found in ancient repositories in numerous instances unaccompanied by the latter. A succession of inventions of greater need and adapted to a lower condition must have occurred before the want of pottery would be felt. The commencement of village life, with some degree of control over subsistence, wooden vessels and utensils, finger weaving with filaments of bark, basket making, and the bow and arrow make their appearance before the art of pottery. The Village Indians who were in the Middle Status of barbarism, such as the Zuñians, the Aztecs and the Cholulans, manufactured pottery in large quantities and in many forms of considerable excellence; the partially Village Indians of the United States, who were in the Lower Status of barbarism, such as the Iroquois, the Choctas and the Cherokees, made it in smaller quantities and in a limited number of forms; but the Non-horticultural Indians, who were in the Status of savagery, such as the Athapascans, the tribes of California and of the valley of the Columbia, were ignorant of its use.3 In Lubbock’s Pre-Historic Times, in Tylor’s Early History of Mankind, and in Peschel’s Races of Man, the particulars respecting this art, and the extent of its distribution, have been collected with remarkable breadth of research. It was unknown in Polynesia (with the exception of the Islands of the Tongans and Fijians), in Australia, in California, and in the Hudson’s Bay Territory. Mr. Tylor remarks that “the art of weaving was unknown in most of the Islands away from Asia,” and that “in most of the South Sea Islands there was no knowledge of pottery.”4 The Rev. Lorimer Fison, an English missionary residing in Australia, informed the author in answer to inquiries, that “the Australians had no woven fabrics, no pottery, and were ignorant of the bow and arrow.” This last fact was also true in general of the Polynesians. The introduction of the ceramic art produced a new epoch in human progress in the direction of an improved living and increased domestic conveniences. While flint and stone implements—which came in earlier and required long periods of time to develop all their uses—gave the canoe, wooden vessels and utensils, and ultimately timber and plank in house architecture,5 pottery gave a durable vessel for boiling food, which before that had been rudely accomplished in baskets coated with clay, and in ground cavities lined with skin, the boiling being effected with heated stones.6

Whether the pottery of the aborigines was hardened by fire or cured by the simple process of drying, has been made a question. Prof. E. T. Cox, of Indianapolis, has shown by comparing the analyses of ancient pottery and hydraulic cements, “that so far as chemical constituents are concerned it (the pottery) agrees very well with the composition of hydraulic stones.” He