he passed on from youth to middle life, and from middle life to old age. Then his son married, and again the patter of little feet filled the old home and made music in the ears of Grandfather Coster, whom the baby grandchildren almost worshiped.

To amuse the children, and to impart to them whatever knowledge he himself possessed, became the delight of his old age. Then the habit acquired in youth of carving letters in the bark of the trees served a very useful purpose in furthering his object. He still loved to take solitary walks, and many a quiet summer afternoon the familiar figure of the venerable churchwarden, in his seedy black cloak and sugar-loaf hat, might be seen wending its way along the banks of the River Spaaren to his favorite resort in the grove.

One day, while reclining on a mossy couch beneath a spreading beech tree, amusing himself by tearing strips of bark from the tree that shaded him, and carving letters with his knife, a happy thought entered his mind. "Why can I not," he mused within himself, "cut those letters out, carry them home, and, while using them as playthings, teach the little ones how to read?"

The plan worked admirably. Long practice had made the old man quite expert in fashioning the letters, and many hours of quiet happiness were spent in the grove in this pleasing occupation. One afternoon he succeeded in cutting some unusually fine specimens, and, chuckling to himself over the delight they would give the children, he wrapped them carefully, placing them side by side in an old piece of parchment which he happened to have in his pocket. The bark from which they had been cut being fresh and full of sap, and the letters being firmly pressed upon the parchment, the result was the series of "pictures" which delighted the child and gave to the world the first suggestion of a printing press.

And then a mighty thought flashed across the brain of the poor, humble, unknown churchwarden, a thought the realization of which was destined not only to make him famous for all time, but to revolutionize the whole world. The first dim suggestion came to him in this form, "By having a series of letters and impressing them over and over again on parchment, cannot books be printed instead of written, and so multiplied and cheapened as to be brought within the reach of all?"

The remainder of his life was given up to developing this great idea. He cut more letters from bark, and, covering the smooth surface with ink, pressed them upon parchment, thus getting a better impression, though still blurred and imperfect. He then cut letters from wood instead of bark, and managed to invent himself a better and thicker ink, which did not blur the page. Next, he cut letters from lead, and then from pewter. Every hour was absorbed in the work of making possible the art of printing. His simple-minded neighbors thought he had lost his mind, and some of the more superstitious spread the report that he was a sorcerer. But, like all other great discoverers, he heeded not annoyances or discouragements. Shutting himself away from the prying curiosity of the ignorant and superstitious, he plodded on, making steady, if slow, advance toward the realization of his dream.

"One day, while old Coster was thus busily at work," says George Makepeace Towle, "a sturdy German youth, with a knapsack slung across his back, trudged into Haarlem. By some chance this youth happened to hear how the churchwarden was at work upon a wild scheme to print books instead of writing them. With beating heart, the young man repaired to Coster's house and made all haste to knock at the churchwarden's humble door."

The "sturdy German youth" who knocked at Laurence Coster's door was Johann Gutenberg, the inventor of modern printing. Coster invited him to enter. Gutenberg accepted the invitation, and then stated the object of his visit. He desired to learn more about the work on which Coster was engaged. Delighted to have a visitor who was honestly interested in his work, the old man eagerly explained its details to the youth, and showed him some examples of his printing.

Gutenberg was much impressed by what he saw, but still more by the possibilities which he dimly foresaw in Coster's discovery. "But we can do much better than this," he said with the enthusiasm of youth. "Your printing is even slower than the writing of the monks. From this day forth I will work upon this problem, and not rest till I have solved it."

Johann Gutenberg kept his word. He never rested until he had given the art of printing to the world. But to Laurence Coster, in the first place, if legend speaks truth, we owe one of the greatest inventions that has ever blessed mankind.

SEA FEVER AND WHAT IT LED TO

"Jim, you've too good a head on you to be a wood chopper or a canal driver," said the captain of the canal boat for whom young Garfield had engaged to drive horses along the towpath.

"Jim" had always loved books from the time when, seated on his father's knee, he had with his baby lips pronounced after him the name "Plutarch." Mr. Garfield had been reading "Plutarch's Lives," and was much astonished when, without hesitation or stammering, his little son distinctly pronounced the name of the Greek biographer. Turning to his wife, with a glow of love and pride, the fond father said, "Eliza, this boy will be a scholar some day."

Perhaps the near approach of death had clarified the father's vision, but when, soon after, the sorrowing wife was left a widow, with an indebted farm and four little children to care for, she saw little chance for the fulfillment of the prophecy.

Even in his babyhood the boy whose future greatness the father dimly felt had learned the lesson of self-reliance. The familiar words which so often fell from his lips—"I can do that"—enabled him to conquer difficulties before which stouter hearts than that of a little child might well have quailed.

The teaching of his good mother, that "God will bless all our efforts to do the best we can," became a part of the fiber of his being. "What will He do," asked the boy one day, "when we don't do the best we can?" "He will withhold His blessing; and that is the greatest calamity that could possibly happen to us," was the reply, which made a deep impression on the mind of the questioner.

In spite of almost constant toil, and very meager schooling,—only a few weeks each year,—James Garfield excelled all his companions in the log schoolhouse. Besides solving at home in the long winter evenings, by the light of the pine fire, all the knotty problems in Adams' Arithmetic—the terror of many a schoolboy—he found time to revel in the pages of "Robinson Crusoe" and "Josephus." The latter was his special favorite.

Before he was fifteen, Garfield had successfully followed the occupations of farmer, wood chopper, and carpenter. No matter what his occupation was he always managed to find some time for reading.

He had recently read some of Marryat's novels, "Sindbad the Sailor," "The Pirate's Own Book," and others of a similar nature, which had smitten him with a virulent attack of sea fever. This is a mental disease which many robust, adventurous boys are apt to contract in their teens. Garfield felt that he must "sail the ocean blue." The glamour of the sea was upon him. Everything must give way before it. His mother, however, could not be induced to assent to his plans, and, after long pleading, would only compromise by agreeing that he might, if he could, secure a berth on one of the vessels navigating Lake Erie.

He was rudely repulsed by the owner of the first vessel to whom he applied, a brutal, drunken creature, who answered his request for employment with an oath and a rough "Get off this schooner in double quick, or I'll throw you into the dock." Garfield turned away in disgust, his ardor for the sea somewhat dampened by the man's appearance and behavior. In this mood he met his cousin, formerly a schoolmaster, then captain