inventory of the old Italian art collection." * Huet regards this as a marvel that one should not miss seeing. He says, "In truth, one fancies himself to be looking at the transparent, softly tinted face of one of Raphael's Madonnas. Innocence and gentleness dispute each other the palm in the expression of the features, they have settled on the pure brow, they play tranquilly and somewhat sadly around the mouth, they are crowned by the plaits of the fair tresses." We admired the head and treasured Wicar's description of it.