قراءة كتاب Evolution in Art As Illustrated by the Life-histories of Designs

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‏اللغة: English

Evolution in Art As Illustrated by the Life-histories of Designs

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المؤلف:

Haddon Alfred C (Alfred Cort)

دار النشر: Project Gutenberg

الصفحة رقم: 6

Goodyear.

85. Lotus derivative on a vase of the seventh century B.C., from Melos; from Goodyear, after Conze.

86. Compound flower based on the lotus, Thebes, Eighteenth to Twentieth Dynasties; from Goodyear, after Prisse d’Avennes.

87. Lotus pendant from an Egyptian necklace of the Nineteenth Dynasty; from Goodyear.

88. Anthemion from the Parthenon.

89. Hypothetical derivation of the “egg-and-dart” moulding, from a lotus pattern according to Goodyear. A. Lotus anthemion on a vessel from Rhodes, after Salzmann; B, C. Lotus anthemia on pottery from Naukratis, after Flinders Petrie; D. Egg-and-dart moulding from the Erechtheium; E. Degraded egg-and-dart pattern painted on a Grecian vase.

90. Horses etched on an antler from La Madelaine; from Taylor.

91. Conventional alligator from the “lost colour” ware of Chiriqui; after Holmes.

92. Simplified figure of an alligator from the “alligator” ware of Chiriqui; after Holmes.

93. Alligator design, Chiriqui; after Holmes.

94. Alligator delineation, greatly modified, Chiriqui; after Holmes.

95. Highly conventionalised alligator derivative, Chiriqui; after Holmes.

96. Series of derivatives of the alligator, showing stages of simplification, Chiriqui; after Holmes.

97. Series of alligator derivatives showing modification through use in narrow zones, Chiriqui; after Holmes.

98. Scroll derived from the body-line of the alligator, Chiriqui; after Holmes.

99. Fret derived from the body-line of the alligator, Chiriqui; after Holmes.

100. Series of alligator derivatives showing modification through use within a circular area, Chiriqui; after Holmes.

101. Pattern composed of alligator derivatives from a clay drum painted in the style of the “lost colour group,” Chiriqui; after Holmes.

102. Patterns of the Karaya, Central Brazil; after Ehrenreich, A. Lizards; B. Flying bats; C. A rattlesnake; D. A snake, A. Incised on a grave-post; B, C, D. Plaited on the handles of combs.

103. Patterns from Central Brazil; after Von den Steinen. A. Bakaïri paddle; B-E. Mereschu (fish) patterns of the Auetö; F. Locust design, Bakaïri; G. Fish-shaped bull-roarer, Nahuquá; H. Sukuri (snake) and ray patterns; I. Jiboya (snake); K. Agau (snake); H-I. Bakaïri tribe.

104. Patterns derived from bats; after Von den Steinen, A. Bakaïri; B, C. Auetö.

105. Bird design, Bakaïri, Central Brazil; after Von den Steinen.

106. Rubbing of part of the carved rim of a wooden bowl in the author’s collection. Probably from the Woodlarks or Trobriands, British New Guinea. One-third natural size.

107. Gourd; after Holmes.

108. Clay vessel made in imitation of a gourd, from a mound in South-eastern Missouri; after Holmes.

109. Clay vessels imitated from shells, from the mounds and graves of the Mississippi Valley; after Holmes.

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