the girl would have continued her inspection undisturbed; but perceiving him to be in the twenties, and with a certain air of distinction, she hastily withdrew, covering her throat with an instinctive motion of her hand, and leaving Barabant, forgetful of his first disenchantment, to gallop through the delightful fields of a new romance.

II
A RESCUE FROM ARISTOCRATS

After a moment of vain expectation, Barabant withdrew to the inspection of his new possessions. In one corner stood a bed that bore the marks of many restorations. Each leg was of a different shape, rudely fastened to the main body, which, despite threatening fissures, had still survived by the aid of several hitches of stout rope that encouraged the joints. One pillow and two coverings, one chair and a chest of drawers, that answered to much tugging, completed the installation. The floor was of tiles; the ceiling, responding to the sagging of the roof, bulged and cracked, while in one spot it had even receded so far that a ray of the sun squeezed through and fell in a dusty flight to the floor.

Barabant's survey was completed in an instant. Returning to the bed, he paused doubtfully and cautiously tried its strength with a shake. Then he seated himself and slowly drew up both legs. The bed still remaining intact, he turned over, threw the covers over him, and, worn out with the journey, fell asleep.

It was almost ten when he stirred, and the August sun was pouring through the gabled window. A mouse scampered hurriedly home as he started up; a couple of sparrows, hovering undecidedly on the sill, fluttered off. He sat up, rubbing his eyes with the confusion of one who awakens at an unaccustomed hour, and then sprang to the floor so impetuously that the bed protested with a warning creak. His first movement was to the window, where an eager glance showed the opposite room vacant. More leisurely he turned to a survey of his horizon, where in the distance the roofs, of an equal height, rolled away in high, sloping billows of brown tile dotted with flashes of green or the white fleck of linen. The air was warm, but still alive with the freshness of the morning, inviting him to be out and seeing. He left his bundle carelessly on the chair, brushed his clothes, arranged his neck-cloth by means of a pocket-mirror, preparing himself with solicitude for his appearance in the streets.

He descended the stairs alertly, listening for any sound of his neighbors; but the stairways, as well as the courts, were silent and empty, for at that period all Paris hastened daily to the streets, expectant of great events.

Through the ugly, tortuous streets of the Faubourg St. Antoine Barabant plunged eagerly to the boulevard, where the crowd, circulating slowly, lingered from corner to corner, drifting to every knot of discussion, avaricious for every crumb of rumor. Hawkers of ballads and pamphlets sought to slip their wares into the young fellow's hand with a show of mystery and fear of detection. One whispered his "Midnight Diversions of the Austrian Veto"; another showed him furtively the title, "Capet Exposed by his Valet."

Refusing all these, Barabant halted at every shop-window, before numberless engravings representing the Fall of the Bastille, the Oath in the Tennis-court, and the Section-halls.

The gloomy, disheveled figures of the Marseillais were abroad, stalking melodramatically through the crowds or filling the cafés to thunder out their denunciations of tyrants and aristocrats. Fishwives and washerwomen retailed to all comers the latest alarms.

"The aristocrats are burning the grain-fields!"

"A plot has been unearthed to exterminate the patriots by grinding glass in their flour."

"The Faubourg St. Antoine is to be destroyed by fire."

Venders of relics offered the manacles of the Bastille and the rope-ladder of Latude; fortune-tellers prophesied, for a consideration, the fall of Capet and the advent of the Republic; an exhibitor of trick-dogs advertised a burlesque on the return of the royal family from Versailles. At a marionette theater the dolls represented public personages, and the king and the queen (Veto and the Austrian) were battered and humiliated to the applause of the crowds.

At points on Barabant's progress he listened to young fellows from tables or chairs reading to the illiterate from the newspapers, quoting from witty Camille Desmoulins or sullen, headlong Marat. Barabant was amazed at the response from the audience, at their sudden movements to laughter or anger. Swayed by the infection, his lips moved involuntarily with a hundred impetuous thoughts. In this era that promised so much to youth, which demanded its ardor, its enthusiasm, and its faith, he longed to emerge from obscurity. For youth is the period of large resolutions, ardent convictions, and the championship of desperate causes. In that season, when the world is new, the mind, fascinated by its unfolding strength, leaps over decisions, doubts nothing, nor hesitates. In revolutions it is the generation that dares that leads.

From the young and daring Faubourg St. Antoine Barabant emerged, inspired, elated, and meditative. Barabant, disciple of the Revolution of Ideas, was bewildered by the might of this torrent. It excited his vision, but it terrified him. It was immense, but it might erupt through a dozen forced openings.

In the Rue St. Honoré, where the discussions grew more abstract, he was startled at the contrast. Great events were struggling to the surface, yet here in the cafés men discussed charmingly on theory and principle; nor could he fancy, fresh from the vigor of the people, the sacred Revolution among these gay colors, immaculate wigs, and well-fed and thirsty orators.

But this first impression, acute with the shock of contrast, was soon succeeded by a feeling of stimulation. Attracted, as is natural in youth, by the beautiful and the luxurious, and led by his imagination and his ambition, he forgot his emotions. Whereas in the mob he had felt himself equal to the martyr, he now breathed an air that aroused his powers. They discussed the freedom of the individual, the liberty of the press, and the abolishment of the penalty of death, with grace and with unfailing, agile wit, and debated the Republic with the airs of the court.

Barabant, who wished to see everything at once, made a rapid excursion to the Tuileries, to the Place de la Grève, the Place de la Revolution, the Markets, and the famous Hall of the Jacobins.

Toward evening, as the dusk invaded the streets, and the lanterns, from their brackets on the walls, set up their empire over the fleeting day, an indefinable melancholy descended over him: the melancholy of the city that affects the young and the stranger. Barabant's spirits, quick to soar, momentarily succumbed to that feeling of loneliness and aloofness that attacks the individual in the solitudes of nature and in that wilderness of men, the city.

He was leaning against a pillar in the Rue St. Honoré, in this ruminative mood watching the unfamiliar crowd, when his glance was stopped by the figure of a flower-girl. She was tall, dark, and lithe, and, though without any particular charm of form, she had such an unusual grace in her movements that he fell curiously to speculating on her face. But the turning proving a disappointment, he laughed at his haste, and his glance wandered elsewhere.

"Citoyen, buy my cockade?"

Barabant turned quickly; the flower-girl was at his side, smiling mischievously up at him. He was conscious of a sudden embarrassment—a solicitude for his bearing before the frank