tag="{http://www.w3.org/1999/xhtml}a">28
|
(c) The Rights of Genius |
38 |
| 2. |
Abstract Reflection |
40 |
| 3. |
The Philosophical Conception of Artistic Beauty, general notion of] |
41 |
| |
| CHAPTER III. |
| The Philosophical Conception of Artistic Beauty, beginning with Current Ideas of Art (43-105). |
| Part I.—The Work of Art as Made and as Sensuous |
43-78 |
| 1. |
Work of Art as Product of Human Activity |
48 |
|
[(a) Conscious Production by Rule |
48 |
|
(b) Artistic Inspiration |
50 |
|
(c) Dignity of Production by Man |
54 |
|
(d) Man's Need to produce Works of Art] |
57 |
| 2. |
Work of Art as addressed to Man's Sense |
60-78 |
|
[(a) Object of Art—Pleasant Feeling? |
60 |
|
(b) Feeling of Beauty—Taste |
63 |
|
(c) Art-scholarship |
65 |
|
(d) Profounder Consequences of Sensuous Nature of Art |
66 |
|
(α) Relations of the Sensuous to the Mind |
67 |
|
(αα) Desire |
68 |
|
(ββ) Theory |
70 |
|
(γγ) Sensuous as Symbol of Spiritual |
72 |
|
(β) The Sensuous Element, how Present in the Artist |
74 |
|
(γ) The Content of Art Sensuous] |
78 |
| Part II.—The End of Art. |
| 3. |
[The Interest or End of Art |
(79-106) |
|
(a) Imitation of Nature? |
79 |
|
(α) Mere Repetition of Nature is— |
79 |
|
(αα) Superfluous |
80 |
|
(ββ) Imperfect |
80 |
|
(γγ) Amusing merely as Sleight of Hand |
82 |
|
(β) What is Good to Imitate? |
83 |
|
(γ) Some Arts cannot be called Imitative |
85 |
| |
(b) Humani nihii—? |
|
