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قراءة كتاب The Story of Perugia
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
very far away. Dark too and far away, as far as written facts remain, is the history of that almost more mysterious race of men which followed on the prehistoric one, namely, the Etruscans.
This is no place in which to discuss the origin of that extraordinary people whose language and parentage, though they lived and laboured side by side with the most cultivated and inquisitive of European nations, is practically dead to us. It is enough at this point of our history to note that the Etruscans were the first to seal their personality, with the seal of a visible and tangible intelligence, upon this corner of the world, and it is quite probable that they made one of their earliest colonies upon the jutting spur of a line of hills which would have attracted them upon arrival. It is certain that in course of time Perugia became one of the most powerful cities of the Etruscan league. Her museums are full of the pottery, tombs, inscriptions, toys, and coins of the mysterious nation (see Museum, chapter XI.).
Innumerable myths grew up around the foreign people, and individual historians described their advent in individual places and pretty much at random. The earliest chroniclers of Perugia, ignoring the men who had perhaps existed for centuries before this unknown nation landed,—ignoring too, the other settlers,—pounced upon a plum so precious and romantic to stick into the pie of legends that they were concocting; they
peeled and stoned the plum to suit their fancy, and having done so, stuck it in with many others to swell the list of dubious tales in their long-winded manuscripts. As these chroniclers were nearly always monks, it was natural enough that they should form their shambling history on the one great history that they possessed, i.e., the Bible. To them the Etruscans were easily and most satisfactorily explained: they descended from the first man, Adam, and they were the sons of Noah. Nay, the monks made an even happier hit, for they declared that Noah in person climbed the Apennines and pitched his tent upon the spur of hill where the present city stands! We can well imagine the old monk Ciatti, one of the earliest historians of Perugia, sitting before his wooden desk upon some dreamy night in May, his Bible propped before him, all Umbria asleep beneath the stars outside his window, and compiling the following entrancing legends concerning the Etruscans and their leader: “Serious writers hold Janus to be the same as Noah, who alone among men saw and knew all things during the space of six hundred years before the Deluge and three hundred years after the Deluge. The ancient medals which show the two faces of Janus are engraved with a ship, to denote that he was Noah, who, entering an ark in the form of a ship, was saved by divine decree from the universal Deluge.”[1] Ciatti next goes on to give a delightful description of the arrival of Noah and his sons; “they penetrated,” he says, “into Tuscany,[2] where, fascinated by the loveliness of the country, the agreeable qualities of the soil, the gentle air and the abundance of the earth, they determined to remain; but feeling uncertain where they should fix their dwelling, they were advised by certain augurs to build Perugia on the spot where it now stands.” Some say that the name Perugia comes from the Greek word for “abundance.” Certainly Ciatti was able to weave this fact into his legendary web: “Whilst, waiting for the Augurs,” he writes, “two doves passed by them, flying to their nest, one carrying a branch loaded with olives and the other an ear of corn. Soon after there came a big wild boar carrying on his tusks a bunch of grapes. They took these signs to mean good omens, and they decided to build Perugia on the spot.”
Ciatti must have been an honest chronicler. Had we been given his early possibilities of making history in our own fashion, we must inevitably have told a credulous public that the ark itself rested upon the spurs of the Apennines and disgorged its contents on the hill where stands the present city of Perugia. But Ciatti withheld his hand from this, and we too must bare our heads before the fact of Ararat, and only hold to that of Noah, in his five-hundredth year or so, wandering unwearied forth to form a mighty nation on the coasts of Italy!
But before leaving Ciatti and his early myths, we must do him the justice to say that he was not utterly ignorant of a dim nation and of dimmer monsters living perhaps before the days of the Deluge. The old monk, like other wise historians, sets to work to hunt up the heraldry of his native city, and thus he explains the origin of the griffin on the city arms. The enthralling hunt described savours surely of something in an even earlier age?
“Now it so happened that, when the people of Perugia and of Narni were at the height of their prosperity, they became consumed by a very warlike spirit, and cultivated freely all military exercises, and on one occasion they challenged each other to a trial of prowess in a celebrated hunt. They agreed to meet in the mountains round about Perugia, which were then the haunt of fierce and terrifying wild beasts, and having come to that mountain which now takes its name from the event (Monte Griffone) they found there a griffin, which the Perugians captured and killed. After some dispute the monster was divided, the skin and claws being best worthy of preservation were taken by the Perugians, whilst the body fell to the people of Narni. In memory of this occurrence the Perugians took for their arms a white griffin—white being the natural colour of that animal—while the people of Narni took a red griffin, corresponding to the part which had fallen to their share, on a white field.”[3]
But, to pass from the realms of myth to those of reality, it seems quite certain that the Etruscans—or Rasenae as they are sometimes called—spread themselves over a large part of Italy, building and fortifying their cities, making roads and laws and temples, and casting the light of an older art and civilisation upon the land to which they came as colonists. One of the chief of their cities was Perugia. Fragments of the old walls, built perhaps three thousand years ago, still stand in places, clean-cut, erect, and menacing, around the Umbrian city.
The lives of the Etruscans can only be studied through their art, and Perugia holds an ample store of this in her museums. There, in those rather dreary modern rooms, stone men and women smile upon their tombs, and the sides of these tombs bristle with long inscriptions written in an alphabet that we can partly read, but in a language that we cannot understand. Mirrors, and beautifully painted pots, children’s toys and ladies’