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قراءة كتاب Our World; Or, the Slaveholder's Daughter

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‏اللغة: English
Our World; Or, the Slaveholder's Daughter

Our World; Or, the Slaveholder's Daughter

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دار النشر: Project Gutenberg
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over their shoulders, and walk off. If it bathe their backs with grease so much more the comfort. Those little necessaries which add so much to the negro's comfort, and of which he is so fond, must be purchased with the result of his extra energy. Even this allowance may serve the boasted hospitality; but the impression that there is a pennyworth of generosity for every pound of parsimony, forces itself upon us. On his little spot, by moonlight or starlight, the negro must cultivate for himself, that his family may enjoy a few of those fruits of which master has many. How miserable is the man without a spark of generosity in his soul; and how much more miserable the man who will not return good for good's worth! To the negro, kindness is a mite inspiring the impulses of a simple heart, and bringing forth great good.

Let us again beg the reader to return with us to those conspicuous cottages near the court-yard, and in which we will find several of our characters.

We cross the threshold of one, and are accosted by a female who, speaking in musical accents, invites us to sit down. She has none of Afric's blood in her veins;-no! her features are beautifully olive, and the intonation of her voice discovers a different origin. Her figure is tall and well-formed; she has delicately-formed hands and feet, long, tapering fingers, well-rounded limbs, and an oval face, shaded with melancholy. How reserved she seems, and yet how quickly she moves her graceful figure! Now she places her right hand upon her finely-arched forehead, parts the heavy folds of glossy hair that hang carelessly over her brown shoulders, and with a half-suppressed smile answers our salutation. We are welcome in her humble cabin; but her dark, languishing eyes, so full of intensity, watch us with irresistible suspicion. They are the symbols of her inward soul; they speak through that melancholy pervading her countenance! The deep purple of her cheek is softened by it, while it adds to her face that calm beauty which moves the gentle of our nature. How like a woman born to fill a loftier sphere than that to which a cruel law subjects her, she seems!

Neither a field nor a house servant, the uninitiated may be at a loss to know what sphere on the plantation is her's? She is the mother of Annette, a little girl of remarkable beauty, sitting at her side, playing with her left hand. Annette is fair, has light auburn hair-not the first tinge of her mother's olive invades her features. Her little cheerful face is lit up with a smile, and while toying with the rings on her mother's fingers, asks questions that person does not seem inclined to answer. Vivacious and sprightly, she chatters and lisps until we become eager for her history. "It's only a child's history," some would say. But the mother displays so much fondness for it; and yet we become more and more excited by the strange manner in which she tries to suppress an outward display of her feelings. At times she pats it gently on the head, runs her hands through its hair, and twists the ends into tiny ringlets.

In the next cabin we meet the shortish figure of a tawny female, whose Indian features stand boldly out. Her high cheek bones, long glossy black hair, and flashing eyes, are the indexes of her pedigree. "My master says I am a slave:" in broken accents she answers our question. As she sits in her chair near the fire-place of bricks, a male issue of the mixed blood toddles round and round her, tossing her long coarse hair every time he makes a circut. The little boy is much fairer than the brawny daughter who seems his mother. Playful, and even mischievous, he delights in pulling the hair which curls over his head; and when the woman calls him he answers with a childish heedlessness, and runs for the door. Reader! this woman's name is Ellen Juvarna; she has youth on her side, and though she retains the name of her ancient sire, is proud of being master's mistress. She tells us how comfortable she is; how Nicholas, for such is his name, resembles his father, how he loves him, but how he fails to acknowledge him. A feud, with its consequences, is kept up between the two cabins; and while she makes many insinuations about her rival, tells us she knows her features have few charms. Meanwhile, she assures us that neither good looks nor sweet smiles make good mothers. "Nicholas!" she exclaims, "come here; the gentlemen want to know all about papa." And, as she extends her hand, the child answers the summons, runs across the room, fondles his head in his mother's lap,-seems ashamed!

CHAPTER II.

HOW A NIGHT WAS SPENT ON MARSTON'S PLANTATION.

EARTH is mantled with richest verdure; far away to the west and south of the mansion the scene stretches out in calm grandeur. The sun sinks beneath glowing clouds that crimson the horizon and spread refulgent shadows on the distant hills, as darkness slowly steals its way on the mellow landscape.

Motley groups of negroes are returned from the field, fires are lighted in and about the cabins, and men mutter their curious jargon while moving to prepare the coarse meal. Their anxious countenances form a picture wild and deeply interesting.

Entering Marston's mansion, we find its interior neater than its weather-stained and paintless sides portended. Through the centre runs a broad passage, and on the left and right are large parlours, comfortably furnished, divided by folding doors of carved walnut. We are ushered into the one on the right by a yellow servant, who, neatly dressed in black, has prepared his politeness for the occasion. With great suavity, accompanied by a figurative grin, he informs us that master will pay his respects presently. Pieces of singularly antique furniture are arranged round the room, of which, he adds, master is proud indeed. Two plaster figures, standing in dingy niches, he tells us are wonders of the white man's genius. In his own random style he gives us an essay on the arts, adding a word here and there to remind us of master's exquisite taste, and anxiously waits our confirmation of what he says.

A large open fire-place, with fancifully carved framework and mantel-pieces, in Italian marble of polished blackness, upon which stood massive silver candlesticks, in chased work, denotes the ancient character of the mansion. It has many years been the home of the ever-hospitable Marston family.

In another part of the room is a mahogany side-board of antique pattern, upon which stand sundry bottles and glasses, indicative of Marston having entertained company in the morning. While we are contemplating the furniture around us, and somewhat disappointed at the want of taste displayed in its arrangement, the door opens, and Sam, the yellow servant, bows Marston in with a gracious smile. It is in the south where the polite part is played by the negro. Deacon Rosebrook and Elder Pemberton Praiseworthy, a man of the world, follow Marston into the room. Marston is rather tall of figure, robust, and frank of countenance. A florid face, and an extremely large nose bordering on the red, at times give him an aldermanic air. He rubs his fingers through the short, sandy-coloured hair that bristles over a low forehead (Tom, the barber, has just fritted it) smiles, and introduces us to his friends. He is vain-vanity belongs to the slave world-is sorry his eyes are grey, but adds an assurance every now and then that his blood is of the very best stock. Lest a doubt should hang upon our mind, he asserts, with great confidence, that grey eyes indicate pure Norman birth. As for phrenology! he never believed in a single bump, and cites his own contracted forehead as the very strongest proof against the theory. Indeed, there is nothing remarkable in our host's countenance, if we except its floridness; but a blunt nose protruding over a wide mouth and flat chin gives the contour of his face an expression not the

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