except for the number of tracts appended, and brief explanatory notes added at the close of the chapters in the English editions of 1694 and 1702. The 1652 and 1667 editions were seen through the press by John Wallis; the 1698 impression contains on the title-page the words: Ex Recognitione D. Johannis Wallis, S.T.D. Geometriae Professoris Saviliani.

The cost of publishing may be a matter of some interest. When arranging for the printing of the 1667 edition of the Clavis, Wallis wrote Collins: “I told you in my last what price she [Mrs. Lichfield] expects for it, as I have formerly understood from her, viz., £ 40 for the impression, which is about 9½d. a book.”[23]

As compared with other contemporary works on algebra, Oughtred’s distinguishes itself for the amount of symbolism used, particularly in the treatment of geometric problems. Extraordinary emphasis was placed upon what he called in the Clavis the “analytical art.”[24] By that term he did not mean our modern analysis or analytical geometry, but the art “in which by taking the thing sought as knowne, we finde out that we seeke.”[25] He meant to express by it condensed processes of rigid, logical deduction expressed by appropriate symbols, as contrasted with mere description or elucidation by passages fraught with verbosity. In the preface to the first edition (1631) he says:

In this little book I make known . . . . the rules relating to fundamentals, collected together, just like a bundle, and adapted to the explanation of as many problems as possible.

As stated in this preface, one of his reasons for publishing the book, is

. . . . that like Ariadne I might offer a thread to mathematical study by which the mysteries of this science might be revealed, and direction given to the best authors of antiquity, Euclid, Archimedes, the great geometrician Apollonius of Perga, and others, so as to be easily and thoroughly understood, their theorems being added, not only because to many they are the height and depth of mathematical science (I ignore the would-be mathematicians who occupy themselves only with the so-called practice, which is in reality mere juggler’s tricks with instruments, the surface so to speak, pursued with a disregard of the great art, a contemptible picture), but also to show with what keenness they have penetrated, with what mass of equations, comparisons, reductions, conversions and disquisitions these heroes have ornamented, increased and invented this most beautiful science.

The Clavis opens with an explanation of the Hindu-Arabic notation and of decimal fractions. Noteworthy is the absence of the words “million,” “billion,” etc. Though used on the Continent by certain mathematical writers long before this, these words did not become current in English mathematical books until the eighteenth century. The author was a great admirer of decimal fractions, but failed to introduce the notation which in later centuries came to be universally adopted. Oughtred wrote 0.56 in this manner 0|56; the point he used to designate ratio. Thus 3:4 was written by him 3·4. The decimal point (or comma) was first used by the inventor of logarithms, John Napier, as early as 1616 and 1617. Although Oughtred had mastered the theory of logarithms soon after their publication in 1614 and was a great admirer of Napier, he preferred to use the dot for the designation of ratio. This notation of ratio is used in all his mathematical books, except in two instances. The two dots (:) occur as symbols of ratio in some parts of Oughtred’s posthumous work, Opuscula mathematica hactenus inedita, Oxford, 1677, but may have been due to the editors and not to Oughtred himself. Then again the two dots (:) are used to designate ratio on the last two pages of the tables of the Latin edition of Oughtred’s Trigonometria of 1657. In all other parts of that book the dot (·) is used. Probably someone who supervised the printing of the tables introduced the (:) on the last two pages, following the logarithmic tables, where methods of interpolation are explained. The probability of this conjecture is the stronger, because in the English edition of the Trigonometrie, brought out the same year (1657) but after the Latin edition, the notation (:) at the end of the book is replaced by the usual (·), except that in some copies of the English edition the explanations at the end are omitted altogether.

Oughtred introduces an interesting, and at the same time new, feature of an abbreviated multiplication and an abbreviated division of decimal fractions. On this point he took a position far in advance of his time. The part on abbreviated multiplication was rewritten in slightly enlarged form and with some unimportant alterations in the later edition of the Clavis. We give it as it occurs in the revision. Four cases are given. In finding the product of 246|914 and 35|27, “if you would have the Product without any Parts” (without any decimal part), “set the place of Unity of the lesser under the place of Unity in the greater: as in the Example,” writing the figures of the lesser number in inverse order. From the example it will be seen that he begins by multiplying by 3, the right-hand digit of the multiplier. In the first edition of the Clavis he began with 7, the left digit. Observe also that he “carries” the nearest tens in the product of each lower digit and the upper digit one place to its right. For instance, he takes 7×4=28 and carries 3, then he finds 7×2+3=17 and writes down 17.