added to the realms of Russia,

The great empress who loved him mourned him deeply during the five years of life that still remained to her. The names of other men for whom she had imagined that she cared were nothing to her. But this one man lived in her heart in death as he had done in life.

Many have written of Catharine as a great ruler, a wise diplomat, a creature of heroic mold. Others have depicted her as a royal wanton and have gathered together a mass of vicious tales, the gossip of the palace kitchens, of the clubs, and of the barrack-rooms. But perhaps one finds the chief interest of her story to lie in this—that besides being empress and diplomat and a lover of pleasure she was, beyond all else, at heart a woman.

MARIE ANTOINETTE AND COUNT FERSEN

The English-speaking world long ago accepted a conventional view of Marie Antoinette. The eloquence of Edmund Burke in one brilliant passage has fixed, probably for all time, an enduring picture of this unhappy queen.

When we speak or think of her we speak and think first of all of a dazzling and beautiful woman surrounded by the chivalry of France and gleaming like a star in the most splendid court of Europe. And then there comes to us the reverse of the picture. We see her despised, insulted, and made the butt of brutal men and still more fiendish women; until at last the hideous tumbrel conveys her to the guillotine, where her head is severed from her body and her corpse is cast down into a bloody pool.

In these two pictures our emotions are played upon in turn—admiration, reverence, devotion, and then pity, indignation, and the shudderings of horror.

Probably in our own country and in England this will remain the historic Marie Antoinette. Whatever the impartial historian may write, he can never induce the people at large to understand that this queen was far from queenly, that the popular idea of her is almost wholly false, and that both in her domestic life and as the greatest lady in France she did much to bring on the terrors of that revolution which swept her to the guillotine.

In the first place, it is mere fiction that represents Maria Antoinette as having been physically beautiful. The painters and engravers have so idealized her face as in most cases to have produced a purely imaginary portrait.

She was born in Vienna, in 1755, the daughter of the Emperor Francis and of that warrior-queen, Maria Theresa. She was a very German-looking child. Lady Jackson describes her as having a long, thin face, small, pig-like eyes, a pinched-up mouth, with the heavy Hapsburg lip, and with a somewhat misshapen form, so that for years she had to be bandaged tightly to give her a more natural figure.

At fourteen, when she was betrothed to the heir to the French throne, she was a dumpy, mean-looking little creature, with no distinction whatever, and with only her bright golden hair to make amends for her many blemishes. At fifteen she was married and joined the Dauphin in French territory.

We must recall for a moment the conditions which prevailed in France. King Louis XV. was nearing his end. He was a man of the most shameless life; yet he had concealed or gilded his infamies by an external dignity and magnificence which, were very pleasing to his people. The French, liked to think that their king was the most splendid monarch and the greatest gentleman in Europe. The courtiers about him might be vile beneath the surface, yet they were compelled to deport themselves with the form and the etiquette that had become traditional in France. They might be panders, or stock-jobbers, or sellers of political offices; yet they must none the less have wit and grace and outward nobility of manner.

There was also a tradition regarding the French queen. However loose in character the other women of the court might be, she alone, like Caesar's wife, must remain above suspicion. She must be purer than the pure. No breath, of scandal must reach her or be directed against her.

In this way the French court, even under so dissolute a monarch as Louis XV., maintained its hold upon the loyalty of the people. Crowds came every morning to view the king in his bed before he arose; the same crowds watched him as he was dressed by the gentlemen of the bedchamber, and as he breakfasted and went through all the functions which are usually private. The King of France must be a great actor. He must appear to his people as in reality a king-stately, dignified, and beyond all other human beings in his remarkable presence.

When the Dauphin and Marie Antoinette came to the French court King Louis XV. kept up in the case the same semblance of austerity. He forbade these children to have their sleeping-apartments together. He tried to teach them that if they were to govern as well as to reign they must conform to the rigid etiquette of Paris and Versailles.

It proved a difficult task, however. The little German princess had no natural dignity, though she came from a court where the very strictest imperial discipline prevailed. Marie Antoinette found that she could have her own way in many things, and she chose to enjoy life without regard to ceremony. Her escapades at first would have been thought mild enough had she not been a "daughter of France"; but they served to shock the old French king, and likewise, perhaps even more, her own imperial mother, Maria Theresa.

When a report of the young girl's conduct was brought to her the empress was at first mute with indignation. Then she cried out:

"Can this girl be a child of mine? She surely must be a changeling!"

The Austrian ambassador to France was instructed to warn the Dauphiness to be more discreet.

"Tell her," said Maria Theresa, "that she will lose her throne, and even her life, unless she shows more prudence."

But advice and remonstrance were of no avail. Perhaps they might have been had her husband possessed a stronger character; but the young Louis was little more fitted to be a king than was his wife to be a queen. Dull of perception and indifferent to affairs of state, he had only two interests that absorbed him. One was the love of hunting, and the other was his desire to shut himself up in a sort of blacksmith shop, where he could hammer away at the anvil, blow the bellows, and manufacture small trifles of mechanical inventions. From this smudgy den he would emerge, sooty and greasy, an object of distaste to his frivolous princess, with her foamy laces and perfumes and pervasive daintiness.

It was hinted in many quarters, and it has been many times repeated, that Louis was lacking in virility. Certainly he had no interest in the society of women and was wholly continent. But this charge of physical incapacity seems to have had no real foundation. It had been made against some of his predecessors. It was afterward hurled at Napoleon the Great, and also Napoleon the Little. In France, unless a royal personage was openly licentious, he was almost sure to be jeered at by the people as a weakling.

And so poor Louis XVI., as he came to be, was treated with a mixture of pity and contempt because he loved to hammer and mend locks in his smithy or shoot game when he might have been caressing ladies who would have been proud to have him choose them out.

On the other hand, because of this opinion regarding Louis, people were the more suspicious of Marie Antoinette. Some of them, in coarse language, criticized her assumed infidelities; others, with a polite sneer, affected to defend her. But the result of it all was dangerous to both, especially as France was already verging toward the deluge which Louis XV. had cynically predicted would follow after him.

In fact, the end came sooner than any one had guessed. Louis XV., who had become hopelessly and helplessly infatuated with the low-born Jeanne du Barry, was stricken down with smallpox of the most virulent type. For many days he lay in his gorgeous bed. Courtiers crowded his sick-room