that he could protect her and defend her? Why should it have lessened his love for her to know that she was queen of the richest country in the world—one that could supply his needs, sustain his armies, and gild his triumphs with magnificence?

There are many instances in history of regnant queens who loved and yet whose love was not dissociated from the policy of state. Such were Anne of Austria, Elizabeth of England, and the unfortunate Mary Stuart. Such, too, we cannot fail to think, was Cleopatra.

The two remained together for ten years. In this time Antony was separated from her only during a campaign in the East. In Alexandria he ceased to seem a Roman citizen and gave himself up wholly to the charms of this enticing woman. Many stories are told of their good fellowship and close intimacy. Plutarch quotes Plato as saying that there are four kinds of flattery, but he adds that Cleopatra had a thousand. She was the supreme mistress of the art of pleasing.

Whether Antony were serious or mirthful, she had at the instant some new delight or some new charm to meet his wishes. At every turn she was with him both day and night. With him she threw dice; with him she drank; with him she hunted; and when he exercised himself in arms she was there to admire and applaud.

At night the pair would disguise themselves as servants and wander about the streets of Alexandria. In fact, more than once they were set upon in the slums and treated roughly by the rabble who did not recognize them. Cleopatra was always alluring, always tactful, often humorous, and full of frolic.

Then came the shock of Antony's final breach with Octavian. Either Antony or his rival must rule the world. Cleopatra's lover once more became the Roman general, and with a great fleet proceeded to the coast of Greece, where his enemy was encamped. Antony had raised a hundred and twelve thousand troops and five hundred ships—a force far superior to that commanded by Octavian. Cleopatra was there with sixty ships.

In the days that preceded the final battle much took place which still remains obscure. It seems likely that Antony desired to become again the Roman, while Cleopatra wished him to thrust Rome aside and return to Egypt with her, to reign there as an independent king. To her Rome was almost a barbarian city. In it she could not hold sway as she could in her beautiful Alexandria, with its blue skies and velvet turf and tropical flowers. At Rome Antony would be distracted by the cares of state, and she would lose her lover. At Alexandria she would have him for her very own.

The clash came when the hostile fleets met off the promontory of Actium. At its crisis Cleopatra, prematurely concluding that the battle was lost, of a sudden gave the signal for retreat and put out to sea with her fleet. This was the crucial moment. Antony, mastered by his love, forgot all else, and in a swift ship started in pursuit of her, abandoning his fleet and army to win or lose as fortune might decide. For him the world was nothing; the dark-browed Queen of Egypt, imperious and yet caressing, was everything. Never was such a prize and never were such great hopes thrown carelessly away. After waiting seven days Antony's troops, still undefeated, finding that their commander would not return to them, surrendered to Octavian, who thus became the master of an empire.

Later his legions assaulted Alexandria, and there Antony was twice defeated. At last Cleopatra saw her great mistake. She had made her lover give up the hope of being Rome's dictator, but in so doing she had also lost the chance of ruling with him tranquilly in Egypt. She shut herself behind the barred doors of the royal sepulcher; and, lest she should be molested there, she sent forth word that she had died. Her proud spirit could not brook the thought that she might be seized and carried as a prisoner to Rome. She was too much a queen in soul to be led in triumph up the Sacred Way to the Capitol with golden chains clanking on her slender wrists.

Antony, believing the report that she was dead, fell upon his sword; but in his dying moments he was carried into the presence of the woman for whom he had given all. With her arms about him, his spirit passed away; and soon after she, too, met death, whether by a poisoned draught or by the storied asp no one can say.

Cleopatra had lived the mistress of a splendid kingdom. She had successively captivated two of the greatest men whom Rome had ever seen. She died, like a queen, to escape disgrace. Whatever modern critics may have to say concerning small details, this story still remains the strangest love story of which the world has any record.

ABELARD AND HELOISE

Many a woman, amid the transports of passionate and languishing love, has cried out in a sort of ecstasy:

"I love you as no woman ever loved a man before!"

When she says this she believes it. Her whole soul is aflame with the ardor of emotion. It really seems to her that no one ever could have loved so much as she.

This cry—spontaneous, untaught, sincere—has become almost one of those conventionalities of amorous expression which belong to the vocabulary of self-abandonment. Every woman who utters it, when torn by the almost terrible extravagance of a great love, believes that no one before her has ever said it, and that in her own case it is absolutely true.

Yet, how many women are really faithful to the end? Very many, indeed, if circumstances admit of easy faithfulness. A high-souled, generous, ardent nature will endure an infinity of disillusionment, of misfortune, of neglect, and even of ill treatment. Even so, the flame, though it may sink low, can be revived again to burn as brightly as before. But in order that this may be so it is necessary that the object of such a wonderful devotion be alive, that he be present and visible; or, if he be absent, that there should still exist some hope of renewing the exquisite intimacy of the past.

A man who is sincerely loved may be compelled to take long journeys which will separate him for an indefinite time from the woman who has given her heart to him, and she will still be constant. He may be imprisoned, perhaps for life, yet there is always the hope of his release or of his escape; and some women will be faithful to him and will watch for his return. But, given a situation which absolutely bars out hope, which sunders two souls in such a way that they can never be united in this world, and there we have a test so terribly severe that few even of the most loyal and intensely clinging lovers can endure it.

Not that such a situation would lead a woman to turn to any other man than the one to whom she had given her very life; but we might expect that at least her strong desire would cool and weaken. She might cherish his memory among the precious souvenirs of her love life; but that she should still pour out the same rapturous, unstinted passion as before seems almost too much to believe. The annals of emotion record only one such instance; and so this instance has become known to all, and has been cherished for nearly a thousand years. It involves the story of a woman who did love, perhaps, as no one ever loved before or since; for she was subjected to this cruel test, and she met the test not alone completely, but triumphantly and almost fiercely.

The story is, of course, the story of Abelard and Heloise. It has many times been falsely told. Portions of it have been omitted, and other portions of it have been garbled. A whole literature has grown up around the subject. It may well be worth our while to clear away the ambiguities and the doubtful points, and once more to tell it simply, without bias, and with a strict adherence to what seems to be the truth attested by authentic records.

There is one circumstance connected with the story which we must specially note. The narrative does something more than set forth the one