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قراءة كتاب Surrey Painted by Sutton Palmer; Described by A.R. Hope Moncrieff

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‏اللغة: English
Surrey
Painted by Sutton Palmer; Described by A.R. Hope Moncrieff

Surrey Painted by Sutton Palmer; Described by A.R. Hope Moncrieff

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دار النشر: Project Gutenberg
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replete with joy!” William Black, indeed, found beauty at the doors of Camberwell; and the heights of Norwood deserve a better fate than to be covered with villas. But this mass of bold contours is exceptional so near South London. More often we must be content to get over a green rim of our scenic nosegay. From the undulating streets and suburban rows we usually pass on to a plain, presenting market-gardens and dairy-farms, where the open ground is not required for playing fields. Private groves and hedgerows make a show of timber; and when branches are bare, a frequent feature of the scenery will be those goal-posts which a critically observing foreigner has mistaken for gallows. Here we are in the first zone of Surrey, a stretch of London clay and brick earth, broken here and there by patches of gravel and sand, which, when large enough, are like to be marked out by the hungry game of golf.

This, where the builder is busiest “making the green one red,” may be called in general the stratum of surface brick, followed southwards by successive belts of chalk, sand, and clay. Some ten miles bring us to rising ground, on which cuttings and broken knobs reveal chalk built up at the bottom of the sea ages before London or Babylon had a name. Here we reach the second zone, that of the North Downs, a chalk ridge running roughly straight across the county from Farnham to Tatsfield, near the eastern border reaching a highest point of about 880 feet. This central line, broadened to several miles at Croydon, narrowed to a high edge beyond Guildford, makes Surrey’s best-marked feature, its natural baldness much bewigged by the woods and parks of London’s luckier citizens; and thus adorned, there are those who hold the chalk heights, with their dry soil and clear air, dearer than the aspects more common in the next zone.

The steep south faces of the Downs look into the Holmesdale Valley of greensand and gault, across which, within a rifle-shot, rise a line of sandy hills whose more rugged and shaggy outlines often form the loveliest scenes in Surrey, to some tastes, certainly the wildest, though many corners have been tamed by grounds and gardens among stretches of bristling common and straggling pine wood. These heights stand usually lower than the Downs; but at more than one point, as Leith Hill, they are the most mountainous prominences of the south-eastern counties. Hants, Sussex, and Surrey meet about Hindhead and its neighbour Blackdown, next in height to Leith Hill, where an illustrious settler has famed the view over

Green Sussex fading into blue
With one grey glimpse of sea.

But here a prosaic describer must note how it is only from some point of vantage, and at some rarely clear hour, that through a gap the sea comes in view of Surrey hills, since their prospect southwards is usually bounded by the line of the South Downs, crossing Sussex to end in the bluff of Beachy Head.

Between stretches the Weald, a strip of which, except in that south-western corner filled by the broadened sand heights, belongs to Surrey and makes its southern zone of fresh features. This wide plain once lay shaded under the great Andredeswald, that was the Black Country of England before coal and steam came into play, and still earlier it raised a barrier parting the South Saxons from kindred invaders. Its hursts and woods hint how the clay soil bore a primæval forest, notably of oaks, patches of it still preserved in the parks dappling an expanse of farm land long ago cleared to feed the furnaces that cast cannon and other iron work, specimens of which may be found in churches and homes about this district. Less picturesque, on the whole, than the zones to the north, the Surrey Weald is more remote from metropolitan sophistication, and keeps perhaps a larger proportion of the old weathered cottages and moated granges, which æsthetic citizens love to look on rather than to inhabit. It must be the Weald Fuller has in mind when he speaks of Surrey’s skirts as “rich and fruitful,” but its inward parts “hungry and barren,” though these, even in his day, “by reason of the clear air and clean ways, full of many genteel habitations.”

Some brooklets of the Weald run southward to the English Channel, else, nearly the whole of Surrey drains into the valley of the Thames, a river to make the landscape fortune of any county. If ever its scenes have a fault, from the artist’s point of view, this may appear to be the absence of water; yet some of its noblest prospects are where the Mole and the Wey break through the sand or chalk ridges to reach the river plain. Surrey has smaller streams less widely known. Ruskin, to deaf ears, lamented the defilement of the Wandle, its source, its curving course, and its mouth all now within the limits of Greater London. Do Putney boys trace to its head the Beverley Brook, as Charles Lamb’s companions tried to play explorer up the New River? How many of the most schooled Londoners could tell through what parishes and by what suburban settlements flows the Hogsmill River, or the Bourne, or the Burway Ditch? A Brixton householder may hear the name of the Ephra without guessing how its course is below his feet. There are veteran ramblers in Surrey who know not the Deanoak Brook, nor the Blackwater. The motorist scorching along the Tillingbourne Valley road comes home ignorant what beautiful banks he has skirted, while one goggled eye was all upon his gear, and the other on the look-out for police traps.

The fact is that Surrey has plenty of water, often lost in the picturesque roughness of its contours. In smoother counties any hillock may disclose some Ouse or Avon shining miles away, whereas here the windings and branchings of the Wey and Mole go often unsuspected till one come close upon them. Below Surrey’s bare, bony prominences, its veins will lie lost in the plumpness of the valleys. Both chalk and sand hills, dry as their tops may seem, are full of springs, escaping not only in streams, but into stagnant or slowly trickling pools, that sometimes form a chain of lakelets, or, as in the case of Virginia Water, have



GODALMING—A BIT OF THE OLD TOWN.

GODALMING—A BIT OF THE OLD TOWN.

been improved into trim sheets to leave no note wanting in the landscape scale. Even within the wider bounds of London sparkles a lake like that of Wimbledon Park, where in hard winters ice is coined into silver. Sandy commons, as well as marshy bogs, are unexpectedly found dotted with ponds, often beautifully hidden behind a curtain of foliage, as the “Silent Pool” of Albury, invisible to the cyclist spinning by within a hundred yards. The modest titles of some of these Surrey lakes may well deceive a stranger who has not opened his eyes upon the “Waggoners’ Wells” of Hindhead or the “Ponds” of Frensham. On the south side of the county, where they once lay among thick woods, such waters often preserve the title of “Hammer Ponds,” from the days when they were dammed up to work iron forges.

Surrey’s character for variety is carried out by the way in which green openings and barren scrubs are mixed up with the elaborate works of man. Who shall say where London begins or ends? If we

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