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قراءة كتاب The Saxons A Drama of Christianity in the North

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‏اللغة: English
The Saxons
A Drama of Christianity in the North

The Saxons A Drama of Christianity in the North

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دار النشر: Project Gutenberg
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class="stanza">Fritz— Can't be?

Rudolph— Can't be.
Fritz— But it is.
At dusk last night I saw him in the wood
And he was wending this way carrying that.
And there are knee-prints on it.

(A pause.)

And that thing;
What other hand could have carved out that brow
And laid that sorrow there? Look at those knees.
Rudolph—This is why he has shunned us.
Fritz— Say no word
To Canzler about this or to the girl.
Never will she be happy any more.
He will leave now.
Rudolph(Contemplating the knee-prints.)
Under Val-father's trees!
Fritz—Canzler has been a father to the boy.

(Rudolph comes toward the road, then turns and looks back at the Christ.)

So Balder looked lying on Valhal floor.
If the men hear this, they will vote to die.
Rudolph—He must go quietly and no word be said.

(They walk together along the road.)

Fritz—The way he goes, the Saxon race has gone.
Rudolph—We must go to the mountains, not the grave.
Fritz—Canzler has been a father to the boy.
Rudolph—He may return and bring the Saxon race.
Fritz—Who will deliver him?
Rudolph— Val-father lives.
Fritz—(Bitterly.) Lives with the dead.

(He goes out.)

Rudolph— He may yet be reclaimed.
The paths of Prophesy lead far away
But still the Powers of the air are bent
To guide it and their eyes are on its feet.
Let us not doubt Val-father's hand in this.
That eye in Mimer's fountain sees through all
The dark, gnome-haunted caverns of the earth;
The other under his calm brow watches heaven.

(He goes off through the forest.)

SCENE TWO—Under an old beech in the edge of the forest. A knoll, like the toe of a large boot shoved in from the rear, butts squarely against the trunk. Up under the boughs, left, lies a decaying log with here and there a tuft of rank grass growing from the cores of old knots. Beside it is a small basket filled with berries. At the foot of the beech, bubbles a spring partly walled in with dark mossy rocks, on top of which lies a brown gourd dipper. Two worn foot-paths, one winding up the slope into the forest, the other entering from the left, meet at the spring. The ground is checkered with flakes of sunlight that fall through the leaves, and over all is the silence of the summer noon.

A crackle is heard as of a dry twig breaking under foot. The branches on the left swing apart and Selma pushes through backwards. She is a fairy-like creature dressed in green. Her hair falls loose about her shoulders and upon her head she wears a coronet of wild-flowers. Holding the boughs slightly apart, she stands peering intently to the left, then, turning quickly, she snatches up the basket and hides it behind the log, and after picking a few green burrs from the branches above her, darts to the right and conceals herself behind the trunk. For a time she stands motionless. Then, as if upon second thought, she stoops and removes the dipper from the rocks.

Along the foot-path, leading in from the left, Oswald enters. He stops and looks back and for a time stands thus, as one undecided, a forlorn expression upon his face. He then turns and proceeds to the spring. Not finding the dipper, he lays aside his staff and hat, and stretches himself out upon the flat stone at the entrance of the spring. While he is drinking, Selma leans cautiously from behind the trunk and raises her arm as if to drop something. Having evidently seen her shadow in the water, Oswald glances up, but seeing no one, lies down again and drinks. From behind the hole Selma tosses a burr into the spring. Oswald continues to drink. Finally he rises, and, taking up his hat and staff, goes up the slope and sits down upon the log. The girl moves stealthily around the trunk.

Oswald—Selma. (After a pause.)
Selma. I saw you in the spring.
Selma—I'm there yet, then; you didn't take me out.

(She comes round the side of the trunk opposite the log and, stooping over, looks down into the spring.)

O you should see the fishes! two, three, four,
A troop of them! O Oswald, come and see!
They're round a splash of sunlight in the spring.
See how they twinkle and in the current stir
Their little crimson fins. Ah, I've scared them.
I really did; I scared them with my hair.
See how it fell.

(She points to a mass of hair that has fallen past her cheek.)

It would not hurt them, though.
We must be still; we must not say a word.
They never will play if they see us looking.

(Oswald points down into the spring.)

That little green thing? That's a beech-nut burr.
I threw it in to scare the water-sprite

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