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قراءة كتاب Chambers's Journal of Popular Literature, Science, and Art, No. 700 May 26, 1877

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‏اللغة: English
Chambers's Journal of Popular Literature, Science, and Art, No. 700
May 26, 1877

Chambers's Journal of Popular Literature, Science, and Art, No. 700 May 26, 1877

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دار النشر: Project Gutenberg
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CHAMBERS'S JOURNAL
OF
POPULAR
LITERATURE, SCIENCE, AND ART.

CONTENTS

SUNNY DAYS ON THE THAMES.
THE LAST OF THE HADDONS.
SEA-EGGS.
THE TWELFTH RIG.
LIFE IN ST KILDA.
THE MONTH: SCIENCE AND ARTS.
SICILIAN BRIGANDAGE.


Chambers's Journal of Popular Literature, Science, and Art. Fourth Series. Conducted by William and Robert Chambers.

No. 700. SATURDAY, MAY 26, 1877. Priced.

SUNNY DAYS ON THE THAMES.

When city folk, weary of heat and dust, are beginning to think of distant flights—to Switzerland and its eternal snows; to the romantic legendary Rhine; perhaps even farther afield, across the great Atlantic to wondrous Niagara; or farther yet, to that new old world on the shores of the Pacific—I too tire of the closeness and turmoil of the town, and turn my steps towards the pleasant country. I am not going very far, scarcely more than a few miles, but I doubt if any of the travellers on their long journeys will see a lovelier spot.

It is late on an afternoon in early June as I drive along the shady green lanes from the quiet country station, and stop before the gate of a dear old red brick house, which I know and love well. The door stands hospitably open, and in the porch I see kind and friendly faces framed in a wealth of glorious roses and many-tinted creepers, which cling lovingly to the time-stained walls. Good old 'Belle' the black retriever comes to meet me, wagging her tail affectionately; and looking up in my face, seems to ask me what I have done with the curly black puppy I ruthlessly stole from her the last time I was here.

How pleasant the sunny garden looks! How sweet the flowers smell! How delightful does everything appear after the bricks and mortar I have left behind me; and yet here are bricks and mortar too, but ah! not town bricks and town mortar. Time touches the old house with tender hands, and mellows it year by year into richer tints.

A queer old house it is, with odd bits added on to it here and there, in defiance of all the laws of architecture, and startling you with unexpected corners and angles; with quaint tall chimneys springing from the moss-grown roof, out of which the smoke curls lazily in blue-gray clouds, and round which twine the Virginia creeper and purple clematis, trying curiously to peep in at the top of them; with ivy-framed windows flashing in the sun, and overhanging eaves, beneath which the sparrows chirp merrily. The rooms are low, but so comfortable; whether great Christmas logs crackle on the hearth, throwing sparkles of light here and there, and leaving the distant corners all dim and shadowy; or whether, as now, the windows stand open to the summer air, and the rooms are invaded by the sweet country scents and the perfume of the mignonette borders outside.

But better than all else of beauty here do I love old Father Thames, and I run rapidly through the house on to the lawn on the other side. There the river wanders at the foot of it, lying across the verdant fields like a silver ribbon on green velvet.

'Let us go to our drawing-room,' says one of the girls who has followed me. 'We shall just have time to do that before dinner.' So we jump into the boat and scull into a neighbouring back-water, where we have christened by the name of 'our drawing-room' a little creek which runs into the bank, and is fringed with pollard willows, making a pleasant shade overhead. We chat cosily there for half an hour, the water licking the sides of the boat with a refreshing sound. A dear little brown water-rat comes and sits near us, and looks curiously at us out of his bright eyes; a kingfisher flashes by us like a sapphire; then the midges come and dance gaily round us, singing a song of which the 'refrain' is ever, 'It will be fine to-morrow!'

To-morrow has come, and the midges have foretold aright! The sun pours a brilliant flood of light into my room, calling me to come to the royal feast he has spread for me (poor weary citizen), of flowers and sweet perfumes and soft balmy breezes. I open the window with welcoming hands as he streams in, and stand there a moment listening to the birds chanting their joyous matins, to the rooks clamouring cheerfully in the tall elms, and to the busy sparrows who twitter noisily just above my casement. Roses have climbed the wall, and are peeping in at me, some still shyly folding their petals around them in virgin modesty, others already baring their glowing hearts to the kisses of the amorous air. The beds of scarlet geranium make brilliant spots of flame on the diamond-studded grass; and the river is no longer a silver ribbon, for it has caught the sun's reflection, and flows like molten gold between the meadows. It is still early when I betake myself with a book to my favourite seat on the lawn. But I cannot read. The great book of Nature lies open before me, and dwarfs all other literature into insignificance.

After breakfast (even on such a morning as this we must breakfast), as is our wont, we load the boat with books, work, sketching materials, and lastly with ourselves. Two of us take the oars, and to their lazy cadence we glide down the sunlit river in the direction of one of our favourite haunts. The boys, as we still call them, stalwart young Britons though they are, have already disappeared with their fishing-tackle in their canoes; but we shall very likely meet by-and-by, as they know all our pet nooks and corners.

We take our way past the green banks, on which the wild-flowers make delicate jewelled mosaics; by tall beds of graceful wandlike reeds, beneath the shadows made by hanging woods bending to kiss their own reflections in the stream, until we come to a cool and shady retreat, hiding itself away modestly from the sun's bold and ardent eyes. Here we fasten the boat to a willow-stump and prepare to spend our morning happily in this sanctuary of Nature's own making. Some of us begin to sketch a gnarled old tree crowned with a diadem of feathery foliage; others take out their work; and one among us lays hands on a book, as an excuse for silent enjoyment.

Though

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