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قراءة كتاب John Lothrop Motley. a memoir — Volume 2

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John Lothrop Motley. a memoir — Volume 2

John Lothrop Motley. a memoir — Volume 2

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دار النشر: Project Gutenberg
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President, on reaching the last paragraph of Mr. Motley's letter, in which he begged respectfully to resign his post, "without waiting to learn what Mr. Seward had done or proposed to do, exclaimed, with a not unnatural asperity, 'Well, let him go,' and 'on hearing this,' said Mr. Seward, laughing, 'I did not read my dispatch.'" Many persons will think that the counsel for the defence has stated the plaintiff's case so strongly that there is nothing left for him but to show his ingenuity and his friendship for the late secretary in a hopeless argument. At any rate, Mr. Seward appears not to have made the slightest effort to protect Mr. Motley against his coarse and jealous chief at two critical moments, and though his own continuance in office may have been more important to the State than that of the Vicar of Bray was to the Church, he ought to have risked something, as it seems to me, to shield such a patriot, such a gentleman, such a scholar, from ignoble treatment; he ought to have been as ready to guard Mr. Motley from wrong as Mr. Bigelow has shown himself to shield Mr. Seward from reproach, and his task, if more delicate, was not more difficult. I am willing to accept Mr. Bigelow's loyal and honorable defence of his friend's memory as the best that could be said for Mr. Seward, but the best defence in this case is little better than an impeachment. As for Mr. Johnson, he had held the weapon of the most relentless of the 'Parcae' so long that his suddenly clipping the thread of a foreign minister's tenure of office in a fit of jealous anger is not at all surprising.

Thus finished Mr. Motley's long and successful diplomatic service at the Court of Austria. He may have been judged hasty in resigning his place; he may have committed himself in expressing his opinions too strongly before strangers, whose true character as spies and eavesdroppers he was too high-minded to suspect. But no caution could have protected him against a slanderer who hated the place he came from, the company he kept, the name he had made famous, to whom his very look and bearing— such as belong to a gentleman of natural refinement and good breeding— must have been a personal grievance and an unpardonable offence.

I will add, in illustration of what has been said, and as showing his feeling with reference to the matter, an extract from a letter to me from Vienna, dated the 12th of March, 1867.

. . . "As so many friends and so many strangers have said so much that is gratifying to me in public and private on this very painful subject, it would be like affectation, in writing to so old a friend as you, not to touch upon it. I shall confine myself, however, to one fact, which, so far as I know, may be new to you.

"Geo. W. M'Cracken is a man and a name utterly unknown to me.

"With the necessary qualification which every man who values truth must make when asserting such a negation,—viz., to the very best of my memory and belief,—I never set eyes on him nor heard of him until now, in the whole course of my life. Not a member of my family or of the legation has the faintest recollection of any such person. I am quite convinced that he never saw me nor heard the sound of my voice. That his letter was a tissue of vile calumnies, shameless fabrications, and unblushing and contemptible falsehoods, —by whomsoever uttered,—I have stated in a reply to what ought never to have been an official letter. No man can regret more than I do that such a correspondence is enrolled in the capital among American state papers. I shall not trust myself to speak of the matter. It has been a sufficiently public scandal."

XIX.

1867-1868. AEt. 53-54.

LAST TWO VOLUMES OF THE "HISTORY OF THE UNITED NETHERLANDS."—GENERAL CRITICISMS OF DUTCH SCHOLARS ON MOTLEY'S HISTORICAL WORKS.

In his letter to me of March 12, 1867, just cited, Mr. Motley writes:—

"My two concluding volumes of the United Netherlands are passing rapidly through the press. Indeed, Volume III. is entirely printed and a third of Volume IV.

     "If I live ten years longer I shall have probably written the
     natural sequel to the first two works,—viz., the Thirty Years' War.
     After that I shall cease to scourge the public.

     "I don't know whether my last two volumes are good or bad; I only
     know that they are true—but that need n't make them amusing.

"Alas! one never knows when one becomes a bore."

In 1868 the two concluding volumes of the "History of the Netherlands" were published at the same time in London and in New York. The events described and the characters delineated in these two volumes had, perhaps, less peculiar interest for English and American readers than some of those which had lent attraction to the preceding ones. There was no scene like the siege of Antwerp, no story like that of the Spanish Armada. There were no names that sounded to our ears like those of Sir Philip Sidney and Leicester and Amy Robsart. But the main course of his narrative flowed on with the same breadth and depth of learning and the same brilliancy of expression. The monumental work continued as nobly as it had begun. The facts had been slowly, quietly gathered, one by one, like pebbles from the empty channel of a brook. The style was fluent, impetuous, abundant, impatient, as it were, at times, and leaping the sober boundaries prescribed to it, like the torrent which rushes through the same channel when the rains have filled it. Thus there was matter for criticism in his use of language. He was not always careful in the construction of his sentences. He introduced expressions now and then into his vocabulary which reminded one of his earlier literary efforts. He used stronger language at times than was necessary, coloring too highly, shading too deeply in his pictorial delineations. To come to the matter of his narrative, it must be granted that not every reader will care to follow him through all the details of diplomatic intrigues which he has with such industry and sagacity extricated from the old manuscripts in which they had long lain hidden. But we turn a few pages and we come to one of those descriptions which arrest us at once and show him in his power and brilliancy as a literary artist. His characters move before us with the features of life; we can see Elizabeth, or Philip, or Maurice, not as a name connected with events, but as a breathing and acting human being, to be loved or hated, admired or despised, as if he or she were our contemporary. That all his judgments would not be accepted as final we might easily anticipate; he could not help writing more or less as a partisan, but he was a partisan on the side of freedom in politics and religion, of human nature as against every form of tyranny, secular or priestly, of noble manhood wherever he saw it as against meanness and violence and imposture, whether clad in the soldier's mail or the emperor's purple. His sternest critics, and even these admiring ones, were yet to be found among those who with fundamental beliefs at variance with his own followed him in his long researches among the dusty annals of the past.

The work of the learned M. Groen van Prinsterer,—[Maurice et Barnevelt, Etude Historique. Utrecht, 1875.]—devoted expressly to the revision and correction of what the author considers the erroneous views of Mr. Motley on certain important points, bears, notwithstanding, such sincere and hearty tribute to his industry, his acquisitions, his brilliant qualities as a

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